Fusing Lab and Gallery : : Device Art in Japan and International Nano Art / / Sarah M. Schlachetzki.

Why do Japanese artists team up with engineers in order to create so-called »Device Art«? What is a nanoscientist's motivation in approaching the artworld? In the past few years, there has been a remarkable increase in attempts to foster the exchange between art, technology, and science - an ex...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter transcript Backlist eBook Package 2000-2013
VerfasserIn:
Place / Publishing House:Bielefeld : : transcript Verlag, , [2014]
©2012
Year of Publication:2014
Edition:1. Aufl.
Language:English
Series:Image ; 36
Online Access:
Physical Description:1 online resource (262 p.)
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245 1 0 |a Fusing Lab and Gallery :  |b Device Art in Japan and International Nano Art /  |c Sarah M. Schlachetzki. 
250 |a 1. Aufl. 
264 1 |a Bielefeld :   |b transcript Verlag,   |c [2014] 
264 4 |c ©2012 
300 |a 1 online resource (262 p.) 
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505 0 0 |t Frontmatter --   |t Content --   |t Introduction --   |t Thanks --   |t I. Art and Technology in Japan – Some Intersections --   |t II. From Disenchantment to Re-enchantment --   |t III. Media Art and the Future --   |t Epilog --   |t Bibliography --   |t Illustration Credits --   |t Backmatter 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Why do Japanese artists team up with engineers in order to create so-called »Device Art«? What is a nanoscientist's motivation in approaching the artworld? In the past few years, there has been a remarkable increase in attempts to foster the exchange between art, technology, and science - an exchange taking place in academies, museums, or even in research laboratories. Media art has proven especially important in the dialogue between these cultural fields. This book is a contribution to the current debate on »art & science«, interdisciplinarity, and the discourse of innovation. It critically assesses artistic positions that appear as the ongoing attempt to localize art's position within technological and societal change - between now and the future. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 
650 0 |a Art and science  |x 21st century. 
650 0 |a Art and science  |y 21st century. 
650 0 |a Art and technology  |x 21st century. 
650 0 |a Art and technology  |x Japan  |x 21st century. 
650 0 |a Art and technology  |y 21st century. 
650 0 |a Art and technology  |z Japan  |y 21st century. 
650 0 |a Multimedia (Art)  |x 21st century. 
650 0 |a Multimedia (Art)  |y 21st century. 
650 4 |a Art History. 
650 4 |a Arts. 
650 4 |a Asian Art. 
650 4 |a Device Art. 
650 4 |a Fine Arts. 
650 4 |a Interdisciplinarity. 
650 4 |a Japan. 
650 4 |a Modernism. 
650 4 |a Nanotechnology. 
650 4 |a Science. 
650 7 |a ART / History / General.  |2 bisacsh 
653 |a Art History. 
653 |a Arts. 
653 |a Asian Art. 
653 |a Device Art. 
653 |a Fine Arts. 
653 |a Interdisciplinarity. 
653 |a Japan. 
653 |a Modernism. 
653 |a Nanotechnology. 
653 |a Science. 
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