Interface Cultures : : Artistic Aspects of Interaction / / ed. by Christa Sommerer, Laurent Mignonneau, Dorothée King.

• Superior document: Title is part of eBook package: De Gruyter transcript Backlist eBook Package 2000-2013
• MitwirkendeR: Cascone, Kim,; Chuang, Se-Lien,; Danner, Gary,; DeLahunta, Scott,; Dika, Penesta,; Donath, Judith,; Eckermann, Sylvia,; Elezkurtaj, Tomor,; Endlicher, Ursula,; Graz, Ingrid,; Huhtamo, Erkki,; King, Dorothée,; Kopper, Wolfgang,; Kusch, Martin,; Kwastek, Katja,; Langheinrich, Ulf,; Media Lab,,; Mignonneau, Laurent,; Morrison, Tom,; Obermaier, Klaus,; Offenhuber, Dietmar,; Paul, Christiane,; Pereira, Paulo,; Rose, Elisa,; Russegger, Georg,; Satomi, Mika,; Schaub, Mischa,; Scheible, Jürgen,; Schiesser, Giaco,; Sengmüller, Gebhard,; Seymour, Sabine,; Sommerer, Christa,; Stary, Chris,; Takahashi, Keiko,; Thomas, Paul,; Turk, Herwig,; Vannotti, Stefano M.,; Weichhart, Georg,; Weixler, Andreas,; Wittchow, Oliver,; Yavuz, Mahir M.,; Yoshioka, Hiroshi,
• HerausgeberIn: King, Dorothée,; Mignonneau, Laurent,; Sommerer, Christa,
• Place / Publishing House: Bielefeld : : transcript Verlag, , [2015]; ©2008
• Year of Publication: 2015
• Edition: 1. Aufl.
• Language: English
• Series: Kultur- und Medientheorie
• Physical Description: 1 online resource (348 p.)
• Other title: Frontmatter --; Content --; Interface Cultures – Artistic Aspects of Interface Design --; INFORMATION DESIGN AND SOCIAL MEDIA --; User Experience and Model-based Development of Interactive Artifacts --; Comment Flow: Visualizing Communication Along Network Paths --; Mobile Interaction --; Let us do what we do best! But how can we produce Knowledge by designing Interfaces? --; Software Agents --; Software as Cultureware – Shaping the Vectors of Pervasive Mediacultures --; BIOLOGICALLY INSPIRED INTERFACES --; Nano Vibrational Interfaces --; Packaging Material and Glue for High-Tech --; Evolutionary Algorithms in Support of Creative Architectural Designing --; Designing our Extended Body --; Acar2: The Sequel --; CULTURAL ASPECTS AND AESTHETICS OF INTERACTIVITY --; Tactile Temptations: About Contemporary Art, Exhibitions, and Tactility --; »Not Just Art« – From Media Art to Artware --; Opus Ludens – Towards an Aesthetics of Interactivity --; Research of the Motifs in Interactive Media Art concerning the Visual Aspect --; Decoding Gaze in Immersive and Interactive Media Arts --; Why Do We Need New Interfaces to Understand Cities Better? --; Working On and With Eigensinn – A Neglected Concept and its Impact on Media, Art and Art Education --; Cultural Parasitology – Art in its Sociopolitical Complexity --; STAGE-BASED AND AUDIOVISUAL INTERACTION --; Blurring the Boundaries – Interactions between Choreography, Dance and New Media Technologies --; Body, Space, Movement and Interactive Technologies in the Performance-Installation Passage --; Virtuoso Audiovisual Real-Time Performance --; Interactivity in Stage Performances --; Musical Interfaces for Beginners --; INTERACTIVE ART PRACTICE --; Four Media Archaeological Artworks --; It would have been Fantastic – Between Perfection and Failure --; Everything is so Analog out There --; Multiple Media – Internet (Driven) Works --; Childhood Memories and Interactive Fairytales --; Evolving the Emergent Content Workshop --; Blindspot --; Virtual Knowledge Spaces in the Art Context --; Authors
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9783839408841; 9783111025230; 9783110661552; 9783110463415; 9783110463408
• DOI: 10.1515/9783839408841?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Christa Sommerer, Laurent Mignonneau, Dorothée King.

From media art archeology to contemporary interaction design - the term interface culture is based on a vivid and ongoing discourse in the fields of interactive art, interaction design, game design, tangible interfaces, auditory interfaces, fashionable technologies, wearable devices, intelligent ambiences, sensor technologies, telecommunication and new experimental forms of human-machine, human-human and machine-machine interactions and the cultural discourse surrounding them.This book's aim is to give an overview of the current state of interactive art and interface technology as well as an outlook on new forms of hybridization in art, media, scientific research and every-day media applications.