The Nonnarrated / / Wolf Schmid.
Telling a story requires selecting and assembling individual elements of the events one wishes to communicate. The "nonnarrated" are the events (or parts of events) that were deliberately left out of the selection, meaning all that was not chosen to be told in the story, or chosen not to b...
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| Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 English |
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| Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2023] ©2023 |
| Year of Publication: | 2023 |
| Language: | English |
| Series: | Narratologia : Contributions to Narrative Theory ,
87 |
| Online Access: | |
| Physical Description: | 1 online resource (IX, 152 p.) |
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Table of Contents:
- Frontmatter
- Preface
- Contents
- I. Happenings and Story
- 1 Assembling
- 2 Omitting
- II. The Nonnarrated in Short Fiction
- 3 Lacunae and Implied Psychology in Aleksandr Puškin’s Belkin Tales
- 4 Inverting the Detective Script: Karel Capek’s “Case of Dr. Mejzlík”
- 5 Concealed Stories – Mansfield and Čexov
- 6 Anton Čexov’s Open-Ended Stories
- 7 James Joyce: Dubliners
- 8 Katherine Mansfield: “The Woman at the Store”
- 9 Nonnarration and Ornamentalization in Isaak Babel’s “Crossing the Zbruč”
- 10 Robert Musil: “Tonka”
- 11 Modes of Nonnarration in Ernest Hemingway
- 12 William Faulkner’s Art of Nonnarration
- 13 Bernard Malamud’s Mysteries
- 14 Haruki Murakami: “Scheherazade”
- III. The Nonnarrated in Long Fiction
- 15 Fëdor Dostoevskij: The Brothers Karamazov
- 16 Diegetic Narrator: Fëdor Dostoevkij’s Adolescent
- 17 Omissions in Robbe-Grillet
- 18 Conclusions: The Effects of Nonnarrating
- Works Cited
- 20 Index of Authors and Works