Signs of Music : : A Guide to Musical Semiotics / / Eero Tarasti.
Music is said to be the most autonomous and least representative of all the arts. However, it reflects in many ways the realities around it and influences its social and cultural environments. Music is as much biology, gender, gesture - something intertextual, even transcendental. Musical signs can...
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Superior document: | Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1 |
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Place / Publishing House: | Berlin ;, Boston : : De Gruyter Mouton, , [2012] ©2002 |
Year of Publication: | 2012 |
Edition: | Reprint 2012 |
Language: | English |
Series: | Approaches to Applied Semiotics [AAS] ,
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Physical Description: | 1 online resource (224 p.) |
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Tarasti, Eero, author. aut http://id.loc.gov/vocabulary/relators/aut Signs of Music : A Guide to Musical Semiotics / Eero Tarasti. Reprint 2012 Berlin ; Boston : De Gruyter Mouton, [2012] ©2002 1 online resource (224 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Approaches to Applied Semiotics [AAS] , 1612-6769 ; 3 Frontmatter -- Foreword -- Contents -- Part one: Music as sign -- Chapter 1. Is music sign? -- Chapter 2. Signs in music history, history of music semiotics -- Chapter 3. Signs as acts and events: On musical situations -- Part two: Gender, biology, and transcendence -- Chapter 4. Metaphors of nature and organicism in music: A “biosemiotic” approach -- Chapter 5. The emancipation of the sign: On corporeal and gestural meanings in music -- Chapter 6. Body and transcendence in Chopin -- Part three: Social and musical practices -- Chapter 7. Voice and identity -- Chapter 8. On the semiosis of musical improvisation: From Mastersingers to Bororo indians -- Notes -- References -- Name index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Music is said to be the most autonomous and least representative of all the arts. However, it reflects in many ways the realities around it and influences its social and cultural environments. Music is as much biology, gender, gesture - something intertextual, even transcendental. Musical signs can be studied throughout their history as well as musical semiotics with its own background. Composers from Chopin to Sibelius and authors from Nietzsche to Greimas and Barthes illustrate the avenues of this new discipline within semiotics and musicology. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) Music Philosophy and aesthetics. Music Semiotics. Symbolism in music. Musikalische Semiotik. LANGUAGE ARTS & DISCIPLINES / Linguistics / General. bisacsh Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1 9783110238570 Title is part of eBook package: De Gruyter DGBA Backlist Linguistics and Semiotics 2000-2014 (EN) 9783110238457 Title is part of eBook package: De Gruyter DGBA Linguistics and Semiotics 2000 - 2014 9783110636970 ZDB-23-DLS Title is part of eBook package: De Gruyter De Gruyter Mouton Backlist 2000-2015 9783110742961 print 9783110172263 https://doi.org/10.1515/9783110899870 https://www.degruyter.com/isbn/9783110899870 Cover https://www.degruyter.com/document/cover/isbn/9783110899870/original |
language |
English |
format |
eBook |
author |
Tarasti, Eero, Tarasti, Eero, |
spellingShingle |
Tarasti, Eero, Tarasti, Eero, Signs of Music : A Guide to Musical Semiotics / Approaches to Applied Semiotics [AAS] , Frontmatter -- Foreword -- Contents -- Part one: Music as sign -- Chapter 1. Is music sign? -- Chapter 2. Signs in music history, history of music semiotics -- Chapter 3. Signs as acts and events: On musical situations -- Part two: Gender, biology, and transcendence -- Chapter 4. Metaphors of nature and organicism in music: A “biosemiotic” approach -- Chapter 5. The emancipation of the sign: On corporeal and gestural meanings in music -- Chapter 6. Body and transcendence in Chopin -- Part three: Social and musical practices -- Chapter 7. Voice and identity -- Chapter 8. On the semiosis of musical improvisation: From Mastersingers to Bororo indians -- Notes -- References -- Name index |
author_facet |
Tarasti, Eero, Tarasti, Eero, |
author_variant |
e t et e t et |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Tarasti, Eero, |
title |
Signs of Music : A Guide to Musical Semiotics / |
title_sub |
A Guide to Musical Semiotics / |
title_full |
Signs of Music : A Guide to Musical Semiotics / Eero Tarasti. |
title_fullStr |
Signs of Music : A Guide to Musical Semiotics / Eero Tarasti. |
title_full_unstemmed |
Signs of Music : A Guide to Musical Semiotics / Eero Tarasti. |
title_auth |
Signs of Music : A Guide to Musical Semiotics / |
title_alt |
Frontmatter -- Foreword -- Contents -- Part one: Music as sign -- Chapter 1. Is music sign? -- Chapter 2. Signs in music history, history of music semiotics -- Chapter 3. Signs as acts and events: On musical situations -- Part two: Gender, biology, and transcendence -- Chapter 4. Metaphors of nature and organicism in music: A “biosemiotic” approach -- Chapter 5. The emancipation of the sign: On corporeal and gestural meanings in music -- Chapter 6. Body and transcendence in Chopin -- Part three: Social and musical practices -- Chapter 7. Voice and identity -- Chapter 8. On the semiosis of musical improvisation: From Mastersingers to Bororo indians -- Notes -- References -- Name index |
title_new |
Signs of Music : |
title_sort |
signs of music : a guide to musical semiotics / |
series |
Approaches to Applied Semiotics [AAS] , |
series2 |
Approaches to Applied Semiotics [AAS] , |
publisher |
De Gruyter Mouton, |
publishDate |
2012 |
physical |
1 online resource (224 p.) Issued also in print. |
edition |
Reprint 2012 |
contents |
Frontmatter -- Foreword -- Contents -- Part one: Music as sign -- Chapter 1. Is music sign? -- Chapter 2. Signs in music history, history of music semiotics -- Chapter 3. Signs as acts and events: On musical situations -- Part two: Gender, biology, and transcendence -- Chapter 4. Metaphors of nature and organicism in music: A “biosemiotic” approach -- Chapter 5. The emancipation of the sign: On corporeal and gestural meanings in music -- Chapter 6. Body and transcendence in Chopin -- Part three: Social and musical practices -- Chapter 7. Voice and identity -- Chapter 8. On the semiosis of musical improvisation: From Mastersingers to Bororo indians -- Notes -- References -- Name index |
isbn |
9783110899870 9783110238570 9783110238457 9783110636970 9783110742961 9783110172263 |
issn |
1612-6769 ; |
callnumber-first |
M - Music |
callnumber-subject |
ML - Literature on Music |
callnumber-label |
ML3845 ǂB T348 2002EB |
callnumber-sort |
ML 43845 _B T348 42002EB |
url |
https://doi.org/10.1515/9783110899870 https://www.degruyter.com/isbn/9783110899870 https://www.degruyter.com/document/cover/isbn/9783110899870/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
780 - Music |
dewey-ones |
780 - Music |
dewey-full |
780/.1/4 |
dewey-sort |
3780 11 14 |
dewey-raw |
780/.1/4 |
dewey-search |
780/.1/4 |
doi_str_mv |
10.1515/9783110899870 |
oclc_num |
979764771 |
work_keys_str_mv |
AT tarastieero signsofmusicaguidetomusicalsemiotics |
status_str |
n |
ids_txt_mv |
(DE-B1597)56111 (OCoLC)979764771 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1 Title is part of eBook package: De Gruyter DGBA Backlist Linguistics and Semiotics 2000-2014 (EN) Title is part of eBook package: De Gruyter DGBA Linguistics and Semiotics 2000 - 2014 Title is part of eBook package: De Gruyter De Gruyter Mouton Backlist 2000-2015 |
is_hierarchy_title |
Signs of Music : A Guide to Musical Semiotics / |
container_title |
Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1 |
_version_ |
1806144789168521216 |
fullrecord |
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