Signs of Music : : A Guide to Musical Semiotics /

Signs of Music : : A Guide to Musical Semiotics / / Eero Tarasti.

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Music is said to be the most autonomous and least representative of all the arts. However, it reflects in many ways the realities around it and influences its social and cultural environments. Music is as much biology, gender, gesture - something intertextual, even transcendental. Musical signs can...

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Superior document:Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1
VerfasserIn:
Tarasti, Eero,
Place / Publishing House:Berlin ;, Boston : : De Gruyter Mouton, , [2012]
©2002
Year of Publication:2012
Edition:Reprint 2012
Language:English
Series:Approaches to Applied Semiotics [AAS] , 3
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Physical Description:1 online resource (224 p.)
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id 9783110899870
ctrlnum (DE-B1597)56111
(OCoLC)979764771
collection bib_alma
record_format marc
spelling Tarasti, Eero, author. aut http://id.loc.gov/vocabulary/relators/aut
Signs of Music : A Guide to Musical Semiotics / Eero Tarasti.
Reprint 2012
Berlin ; Boston : De Gruyter Mouton, [2012]
©2002
1 online resource (224 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Approaches to Applied Semiotics [AAS] , 1612-6769 ; 3
Frontmatter -- Foreword -- Contents -- Part one: Music as sign -- Chapter 1. Is music sign? -- Chapter 2. Signs in music history, history of music semiotics -- Chapter 3. Signs as acts and events: On musical situations -- Part two: Gender, biology, and transcendence -- Chapter 4. Metaphors of nature and organicism in music: A “biosemiotic” approach -- Chapter 5. The emancipation of the sign: On corporeal and gestural meanings in music -- Chapter 6. Body and transcendence in Chopin -- Part three: Social and musical practices -- Chapter 7. Voice and identity -- Chapter 8. On the semiosis of musical improvisation: From Mastersingers to Bororo indians -- Notes -- References -- Name index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Music is said to be the most autonomous and least representative of all the arts. However, it reflects in many ways the realities around it and influences its social and cultural environments. Music is as much biology, gender, gesture - something intertextual, even transcendental. Musical signs can be studied throughout their history as well as musical semiotics with its own background. Composers from Chopin to Sibelius and authors from Nietzsche to Greimas and Barthes illustrate the avenues of this new discipline within semiotics and musicology.
Issued also in print.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)
Music Philosophy and aesthetics.
Music Semiotics.
Symbolism in music.
Musikalische Semiotik.
LANGUAGE ARTS & DISCIPLINES / Linguistics / General. bisacsh
Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1 9783110238570
Title is part of eBook package: De Gruyter DGBA Backlist Linguistics and Semiotics 2000-2014 (EN) 9783110238457
Title is part of eBook package: De Gruyter DGBA Linguistics and Semiotics 2000 - 2014 9783110636970 ZDB-23-DLS
Title is part of eBook package: De Gruyter De Gruyter Mouton Backlist 2000-2015 9783110742961
print 9783110172263
https://doi.org/10.1515/9783110899870
https://www.degruyter.com/isbn/9783110899870
Cover https://www.degruyter.com/document/cover/isbn/9783110899870/original
language English
format eBook
author Tarasti, Eero,
Tarasti, Eero,
spellingShingle Tarasti, Eero,
Tarasti, Eero,
Signs of Music : A Guide to Musical Semiotics /
Approaches to Applied Semiotics [AAS] ,
Frontmatter --
Foreword --
Contents --
Part one: Music as sign --
Chapter 1. Is music sign? --
Chapter 2. Signs in music history, history of music semiotics --
Chapter 3. Signs as acts and events: On musical situations --
Part two: Gender, biology, and transcendence --
Chapter 4. Metaphors of nature and organicism in music: A “biosemiotic” approach --
Chapter 5. The emancipation of the sign: On corporeal and gestural meanings in music --
Chapter 6. Body and transcendence in Chopin --
Part three: Social and musical practices --
Chapter 7. Voice and identity --
Chapter 8. On the semiosis of musical improvisation: From Mastersingers to Bororo indians --
Notes --
References --
Name index
author_facet Tarasti, Eero,
Tarasti, Eero,
author_variant e t et
e t et
author_role VerfasserIn
VerfasserIn
author_sort Tarasti, Eero,
title Signs of Music : A Guide to Musical Semiotics /
title_sub A Guide to Musical Semiotics /
title_full Signs of Music : A Guide to Musical Semiotics / Eero Tarasti.
title_fullStr Signs of Music : A Guide to Musical Semiotics / Eero Tarasti.
title_full_unstemmed Signs of Music : A Guide to Musical Semiotics / Eero Tarasti.
title_auth Signs of Music : A Guide to Musical Semiotics /
title_alt Frontmatter --
Foreword --
Contents --
Part one: Music as sign --
Chapter 1. Is music sign? --
Chapter 2. Signs in music history, history of music semiotics --
Chapter 3. Signs as acts and events: On musical situations --
Part two: Gender, biology, and transcendence --
Chapter 4. Metaphors of nature and organicism in music: A “biosemiotic” approach --
Chapter 5. The emancipation of the sign: On corporeal and gestural meanings in music --
Chapter 6. Body and transcendence in Chopin --
Part three: Social and musical practices --
Chapter 7. Voice and identity --
Chapter 8. On the semiosis of musical improvisation: From Mastersingers to Bororo indians --
Notes --
References --
Name index
title_new Signs of Music :
title_sort signs of music : a guide to musical semiotics /
series Approaches to Applied Semiotics [AAS] ,
series2 Approaches to Applied Semiotics [AAS] ,
publisher De Gruyter Mouton,
publishDate 2012
physical 1 online resource (224 p.)
Issued also in print.
edition Reprint 2012
contents Frontmatter --
Foreword --
Contents --
Part one: Music as sign --
Chapter 1. Is music sign? --
Chapter 2. Signs in music history, history of music semiotics --
Chapter 3. Signs as acts and events: On musical situations --
Part two: Gender, biology, and transcendence --
Chapter 4. Metaphors of nature and organicism in music: A “biosemiotic” approach --
Chapter 5. The emancipation of the sign: On corporeal and gestural meanings in music --
Chapter 6. Body and transcendence in Chopin --
Part three: Social and musical practices --
Chapter 7. Voice and identity --
Chapter 8. On the semiosis of musical improvisation: From Mastersingers to Bororo indians --
Notes --
References --
Name index
isbn 9783110899870
9783110238570
9783110238457
9783110636970
9783110742961
9783110172263
issn 1612-6769 ;
callnumber-first M - Music
callnumber-subject ML - Literature on Music
callnumber-label ML3845 ǂB T348 2002EB
callnumber-sort ML 43845 _B T348 42002EB
url https://doi.org/10.1515/9783110899870
https://www.degruyter.com/isbn/9783110899870
https://www.degruyter.com/document/cover/isbn/9783110899870/original
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 780 - Music
dewey-ones 780 - Music
dewey-full 780/.1/4
dewey-sort 3780 11 14
dewey-raw 780/.1/4
dewey-search 780/.1/4
doi_str_mv 10.1515/9783110899870
oclc_num 979764771
work_keys_str_mv AT tarastieero signsofmusicaguidetomusicalsemiotics
status_str n
ids_txt_mv (DE-B1597)56111
(OCoLC)979764771
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1
Title is part of eBook package: De Gruyter DGBA Backlist Linguistics and Semiotics 2000-2014 (EN)
Title is part of eBook package: De Gruyter DGBA Linguistics and Semiotics 2000 - 2014
Title is part of eBook package: De Gruyter De Gruyter Mouton Backlist 2000-2015
is_hierarchy_title Signs of Music : A Guide to Musical Semiotics /
container_title Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1
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