Signs of Music : : A Guide to Musical Semiotics / / Eero Tarasti.
Music is said to be the most autonomous and least representative of all the arts. However, it reflects in many ways the realities around it and influences its social and cultural environments. Music is as much biology, gender, gesture - something intertextual, even transcendental. Musical signs can...
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| Superior document: | Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1 |
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| Place / Publishing House: | Berlin ;, Boston : : De Gruyter Mouton, , [2012] ©2002 |
| Year of Publication: | 2012 |
| Edition: | Reprint 2012 |
| Language: | English |
| Series: | Approaches to Applied Semiotics [AAS] ,
3 |
| Online Access: | |
| Physical Description: | 1 online resource (224 p.) |
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| 100 | 1 | |a Tarasti, Eero, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Signs of Music : |b A Guide to Musical Semiotics / |c Eero Tarasti. |
| 250 | |a Reprint 2012 | ||
| 264 | 1 | |a Berlin ; |a Boston : |b De Gruyter Mouton, |c [2012] | |
| 264 | 4 | |c ©2002 | |
| 300 | |a 1 online resource (224 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 490 | 0 | |a Approaches to Applied Semiotics [AAS] , |x 1612-6769 ; |v 3 | |
| 505 | 0 | 0 | |t Frontmatter -- |t Foreword -- |t Contents -- |t Part one: Music as sign -- |t Chapter 1. Is music sign? -- |t Chapter 2. Signs in music history, history of music semiotics -- |t Chapter 3. Signs as acts and events: On musical situations -- |t Part two: Gender, biology, and transcendence -- |t Chapter 4. Metaphors of nature and organicism in music: A “biosemiotic” approach -- |t Chapter 5. The emancipation of the sign: On corporeal and gestural meanings in music -- |t Chapter 6. Body and transcendence in Chopin -- |t Part three: Social and musical practices -- |t Chapter 7. Voice and identity -- |t Chapter 8. On the semiosis of musical improvisation: From Mastersingers to Bororo indians -- |t Notes -- |t References -- |t Name index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Music is said to be the most autonomous and least representative of all the arts. However, it reflects in many ways the realities around it and influences its social and cultural environments. Music is as much biology, gender, gesture - something intertextual, even transcendental. Musical signs can be studied throughout their history as well as musical semiotics with its own background. Composers from Chopin to Sibelius and authors from Nietzsche to Greimas and Barthes illustrate the avenues of this new discipline within semiotics and musicology. | ||
| 530 | |a Issued also in print. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) | |
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 0 | |a Music |x Semiotics. | |
| 650 | 0 | |a Symbolism in music. | |
| 650 | 4 | |a Musikalische Semiotik. | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES / Linguistics / General. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DGBA Backlist Complete English Language 2000-2014 PART1 |z 9783110238570 |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DGBA Backlist Linguistics and Semiotics 2000-2014 (EN) |z 9783110238457 |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DGBA Linguistics and Semiotics 2000 - 2014 |z 9783110636970 |o ZDB-23-DLS |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t De Gruyter Mouton Backlist 2000-2015 |z 9783110742961 |
| 776 | 0 | |c print |z 9783110172263 | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9783110899870 |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9783110899870 |
| 856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9783110899870/original |
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