Icons - Texts - Iconotexts : : Essays on Ekphrasis and Intermediality / / ed. by Peter Wagner.
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Superior document: | Title is part of eBook package: De Gruyter DGBA Literary and Cultural Studies - 1990 - 1999 |
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MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2012] ©1996 |
Year of Publication: | 2012 |
Language: | English |
Series: | European Cultures : Studies in Literature and the Arts ;
6 |
Online Access: | |
Physical Description: | 1 online resource (406 p.) :; 15 farb. Taf. |
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Table of Contents:
- Frontmatter
- Acknowledgments
- Contents
- Introduction: Ekphrasis, Iconotexts, and Intermediality – the State(s) of the Art(s)
- Ekphrasis and Theories of Reading Visual Representations
- Iconolâtrie et iconoclastie de l’écriture libertine
- Ekphrasis as Art Criticism: Diderot and Fragonard’s “Coresus and Callirhoe”
- Ekphrasis and the Mimetic Crisis of Romanticism
- Ecritures de l’image chez Théophile Gautier
- Icono texts: The Eighteenth Century
- Watteau: The Aesthetics of Pleasure
- Sterne and Fragonard: “The Escapades of Death”
- The Harlot, Her Father, and the Parson: Representing and Interpreting Hogarth in the Eighteenth Century
- La mise en scène de la table de travail: poétologie et épistémologie immanentes chez Guillaume-Thomas Raynal et Alexander von Humboldt
- Icono texts: The Nineteenth Century
- The Strategic Withdrawal from Ekphrasis in Jane Austen’s Novels
- Appropriating Botticelli: English Approaches 1860–1890
- Entering the Museum of Words: Browning’s “My Last Duchess” and Twentieth-Century Ekphrasis
- Oscar Wilde’s “Impression du matin” – an Intermedial Reading
- Iconotexts: Caricature
- Text as Design in Gillray’s Caricature
- The Battle of the Signs: Robert Crumb’s Visual Reading of James Boswell’s “London Journal”
- Bibliography
- List of Illustrations
- Notes on Contributors
- Index
- Colour Plates
- 418-420