Icons - Texts - Iconotexts : : Essays on Ekphrasis and Intermediality / / ed. by Peter Wagner.
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| Superior document: | Title is part of eBook package: De Gruyter DGBA Literary and Cultural Studies - 1990 - 1999 |
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| Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2012] ©1996 |
| Year of Publication: | 2012 |
| Language: | English |
| Series: | European Cultures : Studies in Literature and the Arts ;
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| Physical Description: | 1 online resource (406 p.) :; 15 farb. Taf. |
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Icons - Texts - Iconotexts : Essays on Ekphrasis and Intermediality / ed. by Peter Wagner. Berlin ; Boston : De Gruyter, [2012] ©1996 1 online resource (406 p.) : 15 farb. Taf. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda European Cultures : Studies in Literature and the Arts ; 6 Frontmatter -- Acknowledgments -- Contents -- Introduction: Ekphrasis, Iconotexts, and Intermediality – the State(s) of the Art(s) -- Ekphrasis and Theories of Reading Visual Representations -- Iconolâtrie et iconoclastie de l’écriture libertine -- Ekphrasis as Art Criticism: Diderot and Fragonard’s “Coresus and Callirhoe” -- Ekphrasis and the Mimetic Crisis of Romanticism -- Ecritures de l’image chez Théophile Gautier -- Icono texts: The Eighteenth Century -- Watteau: The Aesthetics of Pleasure -- Sterne and Fragonard: “The Escapades of Death” -- The Harlot, Her Father, and the Parson: Representing and Interpreting Hogarth in the Eighteenth Century -- La mise en scène de la table de travail: poétologie et épistémologie immanentes chez Guillaume-Thomas Raynal et Alexander von Humboldt -- Icono texts: The Nineteenth Century -- The Strategic Withdrawal from Ekphrasis in Jane Austen’s Novels -- Appropriating Botticelli: English Approaches 1860–1890 -- Entering the Museum of Words: Browning’s “My Last Duchess” and Twentieth-Century Ekphrasis -- Oscar Wilde’s “Impression du matin” – an Intermedial Reading -- Iconotexts: Caricature -- Text as Design in Gillray’s Caricature -- The Battle of the Signs: Robert Crumb’s Visual Reading of James Boswell’s “London Journal” -- Bibliography -- List of Illustrations -- Notes on Contributors -- Index -- Colour Plates -- 418-420 restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Art and literature. Description (Rhetoric). Ekphrasis. European literature History and criticism. Eichstätt ‹1993›. Kongress. Kunst. LITERARY CRITICISM / General. bisacsh BINDMAN, DAVID, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb BURWICK, FREDERICK, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb CUSSET, CATHERINE, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb DUBOST, JEAN-PIERRE, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb ETTE, OTTMAR, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb FORT, BERNADETTE, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb HEFFERNAN, JAMES A. W., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb LOTTES, WOLFGANG, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb MONTANDON, ALAIN, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb OGÉE, FRÉDÉRIC, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb PAPE, WALTER, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb PAULSON, RONALD, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb SABOR, PETER, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb WAGNER, PETER, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wagner, Peter, editor. edt http://id.loc.gov/vocabulary/relators/edt Title is part of eBook package: De Gruyter DGBA Literary and Cultural Studies - 1990 - 1999 9783110637830 ZDB-23-GLC print 9783110142914 https://doi.org/10.1515/9783110882599 https://www.degruyter.com/isbn/9783110882599 Cover https://www.degruyter.com/document/cover/isbn/9783110882599/original |
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English |
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eBook |
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BINDMAN, DAVID, BINDMAN, DAVID, BURWICK, FREDERICK, BURWICK, FREDERICK, CUSSET, CATHERINE, CUSSET, CATHERINE, DUBOST, JEAN-PIERRE, DUBOST, JEAN-PIERRE, ETTE, OTTMAR, ETTE, OTTMAR, FORT, BERNADETTE, FORT, BERNADETTE, HEFFERNAN, JAMES A. W., HEFFERNAN, JAMES A. W., LOTTES, WOLFGANG, LOTTES, WOLFGANG, MONTANDON, ALAIN, MONTANDON, ALAIN, OGÉE, FRÉDÉRIC, OGÉE, FRÉDÉRIC, PAPE, WALTER, PAPE, WALTER, PAULSON, RONALD, PAULSON, RONALD, SABOR, PETER, SABOR, PETER, WAGNER, PETER, WAGNER, PETER, Wagner, Peter, Wagner, Peter, |
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BINDMAN, DAVID, BINDMAN, DAVID, BURWICK, FREDERICK, BURWICK, FREDERICK, CUSSET, CATHERINE, CUSSET, CATHERINE, DUBOST, JEAN-PIERRE, DUBOST, JEAN-PIERRE, ETTE, OTTMAR, ETTE, OTTMAR, FORT, BERNADETTE, FORT, BERNADETTE, HEFFERNAN, JAMES A. W., HEFFERNAN, JAMES A. W., LOTTES, WOLFGANG, LOTTES, WOLFGANG, MONTANDON, ALAIN, MONTANDON, ALAIN, OGÉE, FRÉDÉRIC, OGÉE, FRÉDÉRIC, PAPE, WALTER, PAPE, WALTER, PAULSON, RONALD, PAULSON, RONALD, SABOR, PETER, SABOR, PETER, WAGNER, PETER, WAGNER, PETER, Wagner, Peter, Wagner, Peter, |
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BINDMAN, DAVID, |
| title |
Icons - Texts - Iconotexts : Essays on Ekphrasis and Intermediality / |
| spellingShingle |
Icons - Texts - Iconotexts : Essays on Ekphrasis and Intermediality / European Cultures : Studies in Literature and the Arts ; Frontmatter -- Acknowledgments -- Contents -- Introduction: Ekphrasis, Iconotexts, and Intermediality – the State(s) of the Art(s) -- Ekphrasis and Theories of Reading Visual Representations -- Iconolâtrie et iconoclastie de l’écriture libertine -- Ekphrasis as Art Criticism: Diderot and Fragonard’s “Coresus and Callirhoe” -- Ekphrasis and the Mimetic Crisis of Romanticism -- Ecritures de l’image chez Théophile Gautier -- Icono texts: The Eighteenth Century -- Watteau: The Aesthetics of Pleasure -- Sterne and Fragonard: “The Escapades of Death” -- The Harlot, Her Father, and the Parson: Representing and Interpreting Hogarth in the Eighteenth Century -- La mise en scène de la table de travail: poétologie et épistémologie immanentes chez Guillaume-Thomas Raynal et Alexander von Humboldt -- Icono texts: The Nineteenth Century -- The Strategic Withdrawal from Ekphrasis in Jane Austen’s Novels -- Appropriating Botticelli: English Approaches 1860–1890 -- Entering the Museum of Words: Browning’s “My Last Duchess” and Twentieth-Century Ekphrasis -- Oscar Wilde’s “Impression du matin” – an Intermedial Reading -- Iconotexts: Caricature -- Text as Design in Gillray’s Caricature -- The Battle of the Signs: Robert Crumb’s Visual Reading of James Boswell’s “London Journal” -- Bibliography -- List of Illustrations -- Notes on Contributors -- Index -- Colour Plates -- 418-420 |
| title_sub |
Essays on Ekphrasis and Intermediality / |
| title_full |
Icons - Texts - Iconotexts : Essays on Ekphrasis and Intermediality / ed. by Peter Wagner. |
| title_fullStr |
Icons - Texts - Iconotexts : Essays on Ekphrasis and Intermediality / ed. by Peter Wagner. |
| title_full_unstemmed |
Icons - Texts - Iconotexts : Essays on Ekphrasis and Intermediality / ed. by Peter Wagner. |
| title_auth |
Icons - Texts - Iconotexts : Essays on Ekphrasis and Intermediality / |
| title_alt |
Frontmatter -- Acknowledgments -- Contents -- Introduction: Ekphrasis, Iconotexts, and Intermediality – the State(s) of the Art(s) -- Ekphrasis and Theories of Reading Visual Representations -- Iconolâtrie et iconoclastie de l’écriture libertine -- Ekphrasis as Art Criticism: Diderot and Fragonard’s “Coresus and Callirhoe” -- Ekphrasis and the Mimetic Crisis of Romanticism -- Ecritures de l’image chez Théophile Gautier -- Icono texts: The Eighteenth Century -- Watteau: The Aesthetics of Pleasure -- Sterne and Fragonard: “The Escapades of Death” -- The Harlot, Her Father, and the Parson: Representing and Interpreting Hogarth in the Eighteenth Century -- La mise en scène de la table de travail: poétologie et épistémologie immanentes chez Guillaume-Thomas Raynal et Alexander von Humboldt -- Icono texts: The Nineteenth Century -- The Strategic Withdrawal from Ekphrasis in Jane Austen’s Novels -- Appropriating Botticelli: English Approaches 1860–1890 -- Entering the Museum of Words: Browning’s “My Last Duchess” and Twentieth-Century Ekphrasis -- Oscar Wilde’s “Impression du matin” – an Intermedial Reading -- Iconotexts: Caricature -- Text as Design in Gillray’s Caricature -- The Battle of the Signs: Robert Crumb’s Visual Reading of James Boswell’s “London Journal” -- Bibliography -- List of Illustrations -- Notes on Contributors -- Index -- Colour Plates -- 418-420 |
| title_new |
Icons - Texts - Iconotexts : |
| title_sort |
icons - texts - iconotexts : essays on ekphrasis and intermediality / |
| series |
European Cultures : Studies in Literature and the Arts ; |
| series2 |
European Cultures : Studies in Literature and the Arts ; |
| publisher |
De Gruyter, |
| publishDate |
2012 |
| physical |
1 online resource (406 p.) : 15 farb. Taf. Issued also in print. |
| contents |
Frontmatter -- Acknowledgments -- Contents -- Introduction: Ekphrasis, Iconotexts, and Intermediality – the State(s) of the Art(s) -- Ekphrasis and Theories of Reading Visual Representations -- Iconolâtrie et iconoclastie de l’écriture libertine -- Ekphrasis as Art Criticism: Diderot and Fragonard’s “Coresus and Callirhoe” -- Ekphrasis and the Mimetic Crisis of Romanticism -- Ecritures de l’image chez Théophile Gautier -- Icono texts: The Eighteenth Century -- Watteau: The Aesthetics of Pleasure -- Sterne and Fragonard: “The Escapades of Death” -- The Harlot, Her Father, and the Parson: Representing and Interpreting Hogarth in the Eighteenth Century -- La mise en scène de la table de travail: poétologie et épistémologie immanentes chez Guillaume-Thomas Raynal et Alexander von Humboldt -- Icono texts: The Nineteenth Century -- The Strategic Withdrawal from Ekphrasis in Jane Austen’s Novels -- Appropriating Botticelli: English Approaches 1860–1890 -- Entering the Museum of Words: Browning’s “My Last Duchess” and Twentieth-Century Ekphrasis -- Oscar Wilde’s “Impression du matin” – an Intermedial Reading -- Iconotexts: Caricature -- Text as Design in Gillray’s Caricature -- The Battle of the Signs: Robert Crumb’s Visual Reading of James Boswell’s “London Journal” -- Bibliography -- List of Illustrations -- Notes on Contributors -- Index -- Colour Plates -- 418-420 |
| isbn |
9783110882599 9783110637830 9783110142914 |
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P - Language and Literature |
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PN - General Literature |
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PN56 |
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PN 256 E45 I2 41996EB |
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https://doi.org/10.1515/9783110882599 https://www.degruyter.com/isbn/9783110882599 https://www.degruyter.com/document/cover/isbn/9783110882599/original |
| illustrated |
Not Illustrated |
| dewey-hundreds |
800 - Literature |
| dewey-tens |
800 - Literature, rhetoric & criticism |
| dewey-ones |
809 - History, description & criticism |
| dewey-full |
809/.922 |
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3809 3922 |
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809/.922 |
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809/.922 |
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10.1515/9783110882599 |
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979593410 |
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Icons - Texts - Iconotexts : Essays on Ekphrasis and Intermediality / |
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Taf.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">European Cultures : Studies in Literature and the Arts ;</subfield><subfield code="v">6</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Introduction: Ekphrasis, Iconotexts, and Intermediality – the State(s) of the Art(s) -- </subfield><subfield code="t">Ekphrasis and Theories of Reading Visual Representations -- </subfield><subfield code="t">Iconolâtrie et iconoclastie de l’écriture libertine -- </subfield><subfield code="t">Ekphrasis as Art Criticism: Diderot and Fragonard’s “Coresus and Callirhoe” -- </subfield><subfield code="t">Ekphrasis and the Mimetic Crisis of Romanticism -- </subfield><subfield code="t">Ecritures de l’image chez Théophile Gautier -- </subfield><subfield code="t">Icono texts: The Eighteenth Century -- </subfield><subfield code="t">Watteau: The Aesthetics of Pleasure -- </subfield><subfield code="t">Sterne and Fragonard: “The Escapades of Death” -- </subfield><subfield code="t">The Harlot, Her Father, and the Parson: Representing and Interpreting Hogarth in the Eighteenth Century -- </subfield><subfield code="t">La mise en scène de la table de travail: poétologie et épistémologie immanentes chez Guillaume-Thomas Raynal et Alexander von Humboldt -- </subfield><subfield code="t">Icono texts: The Nineteenth Century -- </subfield><subfield code="t">The Strategic Withdrawal from Ekphrasis in Jane Austen’s Novels -- </subfield><subfield code="t">Appropriating Botticelli: English Approaches 1860–1890 -- </subfield><subfield code="t">Entering the Museum of Words: Browning’s “My Last Duchess” and Twentieth-Century Ekphrasis -- </subfield><subfield code="t">Oscar Wilde’s “Impression du matin” – an Intermedial Reading -- </subfield><subfield code="t">Iconotexts: Caricature -- </subfield><subfield code="t">Text as Design in Gillray’s Caricature -- </subfield><subfield code="t">The Battle of the Signs: Robert Crumb’s Visual Reading of James Boswell’s “London Journal” -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">List of Illustrations -- </subfield><subfield code="t">Notes on Contributors -- </subfield><subfield code="t">Index -- </subfield><subfield code="t">Colour Plates -- </subfield><subfield code="t">418-420</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. 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