The Pool Group and the Quest for Anthropological Universality : : The Humane Images of Modernism / / Betsy van Schlun.
Pool was an avant-garde group that originated in 1927 in Britain and was active under this name until 1933. The group consisted of the well-known modernist poet H.D., the English writer Bryher, and the young Scottish writer and artist Kenneth Macpherson. All three were first and foremost writers, wh...
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Superior document: | Title is part of eBook package: De Gruyter DG Plus DeG Package 2017 Part 1 |
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Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2016] ©2017 |
Year of Publication: | 2016 |
Language: | English |
Series: | Buchreihe der Anglia / Anglia Book Series ,
55 |
Online Access: | |
Physical Description: | 1 online resource (XIV, 462 p.) |
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LEADER | 05284nam a2200805 4500 | ||
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001 | 9783110491081 | ||
003 | DE-B1597 | ||
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024 | 7 | |a 10.1515/9783110491081 |2 doi | |
035 | |a (DE-B1597)468971 | ||
035 | |a (OCoLC)979783567 | ||
040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
041 | 0 | |a eng | |
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072 | 7 | |a LIT004120 |2 bisacsh | |
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100 | 1 | |a Schlun, Betsy van, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 4 | |a The Pool Group and the Quest for Anthropological Universality : |b The Humane Images of Modernism / |c Betsy van Schlun. |
264 | 1 | |a Berlin ; |a Boston : |b De Gruyter, |c [2016] | |
264 | 4 | |c ©2017 | |
300 | |a 1 online resource (XIV, 462 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
490 | 0 | |a Buchreihe der Anglia / Anglia Book Series , |x 0340-5435 ; |v 55 | |
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Illustrations -- |t Acknowledgements -- |t 1. Introduction -- |t Part I. Theory The Spirit of the Quest -- |t 2. The Autonomy and the Necessity of Art -- |t Part II. Technique and Style Towards a Universal Language of Art -- |t 3. A Language Composed of Images and E/motion -- |t Part III. Philosophy The Quest for a Universal Foundation of Human Life -- |t 4. Universal Sympathy and Universal Man: Pool’s Avant-gardist New Humanism -- |t Part IV. Works of Love Pool’s Humane Art or: Their Artistic Body -- |t 5. POOL Novels -- |t 6. Films by POOL Productions -- |t 7. POOL Architecture: The Villa KenWin -- |t 8. Close Up – A Popular Forum for Film and Film Culture -- |t Part V. ~ The End ~ -- |t 9. Conclusion: The Disintegrating Body of Pool and the Spirit of Art -- |t Works Cited -- |t Index of names -- |t Index of Subjects |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Pool was an avant-garde group that originated in 1927 in Britain and was active under this name until 1933. The group consisted of the well-known modernist poet H.D., the English writer Bryher, and the young Scottish writer and artist Kenneth Macpherson. All three were first and foremost writers, who at one point discovered film as another modern, experimental medium of artistic expression. Pool associated with almost all the iconic modernists of their time, with Ezra Pound, Gertrude Stein, Ernest Hemmingway, James Joyce, Marianne Moore, William Carlos Williams, T.S. Eliot, and Virginia Woolf, to name only a few. In addition, due to their interest in film, they were also befriended with such influential filmmakers as Sergei Eisenstein and Georg Wilhelm Pabst, and became closely associated with Weimar Berlin film culture.Pool unites classical Modernism and modernity, two directions that are usually considered to be contradictory. The Pool phenomenon opens a new perspective onto Modernism and prompts a reconsideration of its canonical texts and figures. Contrary to many artists of Modernism, who devised highly individualistic aesthetic styles, the artists of Pool strove towards a universal art of humanity that was rooted in all-human nature and psychology. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
650 | 0 | |a Arts, Modern |y 20th century |x Themes, motives. | |
650 | 0 | |a Humanity in art. | |
650 | 4 | |a Avantgarde Kunst. | |
650 | 4 | |a Modernismus. | |
650 | 7 | |a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. |2 bisacsh | |
653 | |a Modernism. | ||
653 | |a anthropological universality. | ||
653 | |a avant-garde art. | ||
653 | |a film. | ||
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DG Plus DeG Package 2017 Part 1 |z 9783110762495 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DG Plus eBook-Package 2017 |z 9783110719543 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2016 |z 9783110485103 |o ZDB-23-DGG |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE Literary, Cultural and Area Studies 2016 |z 9783110485264 |o ZDB-23-DKU |
776 | 0 | |c EPUB |z 9783110488678 | |
776 | 0 | |c print |z 9783110439212 | |
856 | 4 | 0 | |u https://doi.org/10.1515/9783110491081 |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9783110491081 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9783110491081/original |
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