Regarding the Popular : : Modernism, the Avant-Garde and High and Low Culture / / ed. by Sascha Bru, Laurence Nuijs, Benedikt Hjartarson, Peter Nicholls, Hubert Berg, Tania Ørum.

Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies ex...

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Superior document:Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1
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Place / Publishing House:Berlin ;, Boston : : De Gruyter, , [2011]
©2012
Year of Publication:2011
Language:English
Series:European Avant-Garde and Modernism Studies , 2
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Physical Description:1 online resource (490 p.)
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Table of Contents:
  • Frontmatter
  • About the Series / Sur la collection / Zur Buchreihe
  • Contents
  • Introduction
  • Given the Popular
  • Terms and Canons
  • “The Madness of the Unexpected”: Duchamp's Readymades and the Survival of “High” Art
  • Instrument of Inspiration: High/Low Illusions in British Experimental Music and After
  • English Rebels in Art Circles: The New Age in its Elitist and Populist Dimension
  • Kinesthetic Modernism? Rhythms, Bodies and Motion across the Great Divide
  • Art, Nation and Political Discourse
  • Culture en quête de repères
  • Folklore
  • Dada, Carnival and Revolution
  • Spuren der Volksdichtung in der ungarischen Avantgardeliteratur
  • Musical Boxes: The Impersonal Avant-Garde Poem, Everyday Language and Popular Song
  • What Did They Need Jazz For? Jazz Music in Polish Interwar Poetry
  • Der junge Borges und die ultraistische Avantgarde. Das Populäre als Taktik
  • The Theatre of Ramón del Valle-Inclán: Between Modernism and the Popular Imagination
  • The Everyday
  • Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau
  • Everyday Life in André Breton's Trilogy. Nadja, Vases Communicants and L'Amour fou
  • Entre mime et possession: récits surréalistes et fictions populaires
  • The Blood of a Poet: Cocteau, Surrealism and the Politics of the Vulgar
  • “Broken Clouds – also by Instalments”: Mediating Art and the Everyday, the High and the Low in the Finnish Literary Avant-Garde of the 1960s
  • The “Abakans” and the Feminist Revolution
  • A Glossier Shade of Brown: Imi Knoebel's Raum 19
  • Commerce
  • Selling Dada: New York Dada (1921) and Its Dialogue with the European Avant-Garde
  • Wyndham Lewis and the Inter-War Popular Novel: Potboilers and Gunman Bestsellers
  • Le Douanier Rousseau, Fantômas & Cie: La culture populaire, ressort majeur des Soirées de Paris
  • Between the Old and the New: The Surrealist Outmoded as a Radical Third Term
  • „The Hidden Network of the Avant-Garde”: der farbige Werbefilm als eine zentraleuropäische Erfindung?
  • Media
  • Lessons from the Press: Picasso and Mass Print Media, 1911-37
  • Film und Filmprojekte in der Wiener Avant-Garde Zeitschrift Ma (1920-25)
  • „Produktion – Reproduktion”: Echos von László Moholy-Nagys Medientheorie in der Geschichte von Film und Medienkunst
  • Modernism in the Ether: Middlebrow Perspectives on European Literature in Flemish Radio Talks (1936-37)
  • A Second Avant-Garde without a First: Greek Avant-Garde Artists in the 1960s and 1970s
  • Mass Media Avant-Garde: Dislocating the Hi/Lo in the Swedish 1960s
  • A Tentative Embrace. Superstudio's New Media Nomads
  • Index