Regarding the Popular : : Modernism, the Avant-Garde and High and Low Culture / / ed. by Sascha Bru, Laurence Nuijs, Benedikt Hjartarson, Peter Nicholls, Hubert Berg, Tania Ørum.
Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies ex...
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Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2011] ©2012 |
Year of Publication: | 2011 |
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Regarding the Popular : Modernism, the Avant-Garde and High and Low Culture / ed. by Sascha Bru, Laurence Nuijs, Benedikt Hjartarson, Peter Nicholls, Hubert Berg, Tania Ørum. Berlin ; Boston : De Gruyter, [2011] ©2012 1 online resource (490 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda European Avant-Garde and Modernism Studies , 1869-3393 ; 2 Frontmatter -- About the Series / Sur la collection / Zur Buchreihe -- Contents -- Introduction -- Given the Popular -- Terms and Canons -- “The Madness of the Unexpected”: Duchamp's Readymades and the Survival of “High” Art -- Instrument of Inspiration: High/Low Illusions in British Experimental Music and After -- English Rebels in Art Circles: The New Age in its Elitist and Populist Dimension -- Kinesthetic Modernism? Rhythms, Bodies and Motion across the Great Divide -- Art, Nation and Political Discourse -- Culture en quête de repères -- Folklore -- Dada, Carnival and Revolution -- Spuren der Volksdichtung in der ungarischen Avantgardeliteratur -- Musical Boxes: The Impersonal Avant-Garde Poem, Everyday Language and Popular Song -- What Did They Need Jazz For? Jazz Music in Polish Interwar Poetry -- Der junge Borges und die ultraistische Avantgarde. Das Populäre als Taktik -- The Theatre of Ramón del Valle-Inclán: Between Modernism and the Popular Imagination -- The Everyday -- Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau -- Everyday Life in André Breton's Trilogy. Nadja, Vases Communicants and L'Amour fou -- Entre mime et possession: récits surréalistes et fictions populaires -- The Blood of a Poet: Cocteau, Surrealism and the Politics of the Vulgar -- “Broken Clouds – also by Instalments”: Mediating Art and the Everyday, the High and the Low in the Finnish Literary Avant-Garde of the 1960s -- The “Abakans” and the Feminist Revolution -- A Glossier Shade of Brown: Imi Knoebel's Raum 19 -- Commerce -- Selling Dada: New York Dada (1921) and Its Dialogue with the European Avant-Garde -- Wyndham Lewis and the Inter-War Popular Novel: Potboilers and Gunman Bestsellers -- Le Douanier Rousseau, Fantômas & Cie: La culture populaire, ressort majeur des Soirées de Paris -- Between the Old and the New: The Surrealist Outmoded as a Radical Third Term -- „The Hidden Network of the Avant-Garde”: der farbige Werbefilm als eine zentraleuropäische Erfindung? -- Media -- Lessons from the Press: Picasso and Mass Print Media, 1911-37 -- Film und Filmprojekte in der Wiener Avant-Garde Zeitschrift Ma (1920-25) -- „Produktion – Reproduktion”: Echos von László Moholy-Nagys Medientheorie in der Geschichte von Film und Medienkunst -- Modernism in the Ether: Middlebrow Perspectives on European Literature in Flemish Radio Talks (1936-37) -- A Second Avant-Garde without a First: Greek Avant-Garde Artists in the 1960s and 1970s -- Mass Media Avant-Garde: Dislocating the Hi/Lo in the Swedish 1960s -- A Tentative Embrace. Superstudio's New Media Nomads -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies explores the nature of so-called “low” culture, dealing with aspects as diverse as the everyday and the folkloric. Regarding the Popular charts the many ways in which the allegedly “high” modernists and avant-gardists looked at and represented the “low”. As such, this book will appeal to all those with an interest in the dynamic of modern experimental arts and literatures. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) Art and popular culture. Arts, Modern 20th century. Modernism (Art). Avantgarde. Populärkultur. LITERARY CRITICISM / European / General. bisacsh Avant-garde Movements. Popular Culture. Angel, Sara J., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Asholt, Wolfgang, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ayers, David, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Berg, Hubert, editor. edt http://id.loc.gov/vocabulary/relators/edt Blinder, Caroline, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bru, Sascha, editor. edt http://id.loc.gov/vocabulary/relators/edt Buchowska, Dominika, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Buelens, Geert, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Burrells, Anna, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Dario, Maria, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Elfline, Ross K., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Genin, Christophe, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hamalidi, Elena, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hjartarson, Benedikt, editor. edt http://id.loc.gov/vocabulary/relators/edt Hopkins, David, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Jakubowska, Agata, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Jutz, Gabriele, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kókai, Károly, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lewer, Debbie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Nicholls, Peter, editor. edt http://id.loc.gov/vocabulary/relators/edt Nikolopoulou, Maria, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Nuijs, Laurence, editor. edt http://id.loc.gov/vocabulary/relators/edt Olsson, Jesper, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Orosz, Márton, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Paterson, Alexis, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Perloff, Marjorie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rialland, Ivanne, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rymenants, Koen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Samson, Regina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Spiteri, Raymond, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Susik, Abigail, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sánchez-Pardo, Esther, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Veivo, Harri, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Verstraeten, Pieter, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Walldén, Rea, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Welge, Jobst, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Williams, Gregory H., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ørum, Tania, editor. edt http://id.loc.gov/vocabulary/relators/edt Śniecikowska, Beata, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1 9783110238570 Title is part of eBook package: De Gruyter DGBA Backlist Literary and Cultural Studies 2000-2014 (EN) 9783110238464 Title is part of eBook package: De Gruyter DGBA Literary and Cultural Studies 2000 - 2014 9783110637854 ZDB-23-GLC Title is part of eBook package: De Gruyter E-BOOK GESAMTPAKET / COMPLETE PACKAGE 2011 9783110261189 ZDB-23-DGG Title is part of eBook package: De Gruyter E-BOOK PACKAGE ENGLISH LANGUAGES TITLES 2011 9783110261233 Title is part of eBook package: De Gruyter E-BOOK PAKET LINGUISTIK UND LITERATURWISSENSCHAFT 2011 9783110261240 ZDB-23-DGA print 9783110274561 https://doi.org/10.1515/9783110274691 https://www.degruyter.com/isbn/9783110274691 Cover https://www.degruyter.com/document/cover/isbn/9783110274691/original |
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English |
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eBook |
author2 |
Angel, Sara J., Angel, Sara J., Asholt, Wolfgang, Asholt, Wolfgang, Ayers, David, Ayers, David, Berg, Hubert, Berg, Hubert, Blinder, Caroline, Blinder, Caroline, Bru, Sascha, Bru, Sascha, Buchowska, Dominika, Buchowska, Dominika, Buelens, Geert, Buelens, Geert, Burrells, Anna, Burrells, Anna, Dario, Maria, Dario, Maria, Elfline, Ross K., Elfline, Ross K., Genin, Christophe, Genin, Christophe, Hamalidi, Elena, Hamalidi, Elena, Hjartarson, Benedikt, Hjartarson, Benedikt, Hopkins, David, Hopkins, David, Jakubowska, Agata, Jakubowska, Agata, Jutz, Gabriele, Jutz, Gabriele, Kókai, Károly, Kókai, Károly, Lewer, Debbie, Lewer, Debbie, Nicholls, Peter, Nicholls, Peter, Nikolopoulou, Maria, Nikolopoulou, Maria, Nuijs, Laurence, Nuijs, Laurence, Olsson, Jesper, Olsson, Jesper, Orosz, Márton, Orosz, Márton, Paterson, Alexis, Paterson, Alexis, Perloff, Marjorie, Perloff, Marjorie, Rialland, Ivanne, Rialland, Ivanne, Rymenants, Koen, Rymenants, Koen, Samson, Regina, Samson, Regina, Spiteri, Raymond, Spiteri, Raymond, Susik, Abigail, Susik, Abigail, Sánchez-Pardo, Esther, Sánchez-Pardo, Esther, Veivo, Harri, Veivo, Harri, Verstraeten, Pieter, Verstraeten, Pieter, Walldén, Rea, Walldén, Rea, Welge, Jobst, Welge, Jobst, Williams, Gregory H., Williams, Gregory H., Ørum, Tania, Ørum, Tania, Śniecikowska, Beata, Śniecikowska, Beata, |
author_facet |
Angel, Sara J., Angel, Sara J., Asholt, Wolfgang, Asholt, Wolfgang, Ayers, David, Ayers, David, Berg, Hubert, Berg, Hubert, Blinder, Caroline, Blinder, Caroline, Bru, Sascha, Bru, Sascha, Buchowska, Dominika, Buchowska, Dominika, Buelens, Geert, Buelens, Geert, Burrells, Anna, Burrells, Anna, Dario, Maria, Dario, Maria, Elfline, Ross K., Elfline, Ross K., Genin, Christophe, Genin, Christophe, Hamalidi, Elena, Hamalidi, Elena, Hjartarson, Benedikt, Hjartarson, Benedikt, Hopkins, David, Hopkins, David, Jakubowska, Agata, Jakubowska, Agata, Jutz, Gabriele, Jutz, Gabriele, Kókai, Károly, Kókai, Károly, Lewer, Debbie, Lewer, Debbie, Nicholls, Peter, Nicholls, Peter, Nikolopoulou, Maria, Nikolopoulou, Maria, Nuijs, Laurence, Nuijs, Laurence, Olsson, Jesper, Olsson, Jesper, Orosz, Márton, Orosz, Márton, Paterson, Alexis, Paterson, Alexis, Perloff, Marjorie, Perloff, Marjorie, Rialland, Ivanne, Rialland, Ivanne, Rymenants, Koen, Rymenants, Koen, Samson, Regina, Samson, Regina, Spiteri, Raymond, Spiteri, Raymond, Susik, Abigail, Susik, Abigail, Sánchez-Pardo, Esther, Sánchez-Pardo, Esther, Veivo, Harri, Veivo, Harri, Verstraeten, Pieter, Verstraeten, Pieter, Walldén, Rea, Walldén, Rea, Welge, Jobst, Welge, Jobst, Williams, Gregory H., Williams, Gregory H., Ørum, Tania, Ørum, Tania, Śniecikowska, Beata, Śniecikowska, Beata, |
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author_sort |
Angel, Sara J., |
title |
Regarding the Popular : Modernism, the Avant-Garde and High and Low Culture / |
spellingShingle |
Regarding the Popular : Modernism, the Avant-Garde and High and Low Culture / European Avant-Garde and Modernism Studies , Frontmatter -- About the Series / Sur la collection / Zur Buchreihe -- Contents -- Introduction -- Given the Popular -- Terms and Canons -- “The Madness of the Unexpected”: Duchamp's Readymades and the Survival of “High” Art -- Instrument of Inspiration: High/Low Illusions in British Experimental Music and After -- English Rebels in Art Circles: The New Age in its Elitist and Populist Dimension -- Kinesthetic Modernism? Rhythms, Bodies and Motion across the Great Divide -- Art, Nation and Political Discourse -- Culture en quête de repères -- Folklore -- Dada, Carnival and Revolution -- Spuren der Volksdichtung in der ungarischen Avantgardeliteratur -- Musical Boxes: The Impersonal Avant-Garde Poem, Everyday Language and Popular Song -- What Did They Need Jazz For? Jazz Music in Polish Interwar Poetry -- Der junge Borges und die ultraistische Avantgarde. Das Populäre als Taktik -- The Theatre of Ramón del Valle-Inclán: Between Modernism and the Popular Imagination -- The Everyday -- Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau -- Everyday Life in André Breton's Trilogy. Nadja, Vases Communicants and L'Amour fou -- Entre mime et possession: récits surréalistes et fictions populaires -- The Blood of a Poet: Cocteau, Surrealism and the Politics of the Vulgar -- “Broken Clouds – also by Instalments”: Mediating Art and the Everyday, the High and the Low in the Finnish Literary Avant-Garde of the 1960s -- The “Abakans” and the Feminist Revolution -- A Glossier Shade of Brown: Imi Knoebel's Raum 19 -- Commerce -- Selling Dada: New York Dada (1921) and Its Dialogue with the European Avant-Garde -- Wyndham Lewis and the Inter-War Popular Novel: Potboilers and Gunman Bestsellers -- Le Douanier Rousseau, Fantômas & Cie: La culture populaire, ressort majeur des Soirées de Paris -- Between the Old and the New: The Surrealist Outmoded as a Radical Third Term -- „The Hidden Network of the Avant-Garde”: der farbige Werbefilm als eine zentraleuropäische Erfindung? -- Media -- Lessons from the Press: Picasso and Mass Print Media, 1911-37 -- Film und Filmprojekte in der Wiener Avant-Garde Zeitschrift Ma (1920-25) -- „Produktion – Reproduktion”: Echos von László Moholy-Nagys Medientheorie in der Geschichte von Film und Medienkunst -- Modernism in the Ether: Middlebrow Perspectives on European Literature in Flemish Radio Talks (1936-37) -- A Second Avant-Garde without a First: Greek Avant-Garde Artists in the 1960s and 1970s -- Mass Media Avant-Garde: Dislocating the Hi/Lo in the Swedish 1960s -- A Tentative Embrace. Superstudio's New Media Nomads -- Index |
title_sub |
Modernism, the Avant-Garde and High and Low Culture / |
title_full |
Regarding the Popular : Modernism, the Avant-Garde and High and Low Culture / ed. by Sascha Bru, Laurence Nuijs, Benedikt Hjartarson, Peter Nicholls, Hubert Berg, Tania Ørum. |
title_fullStr |
Regarding the Popular : Modernism, the Avant-Garde and High and Low Culture / ed. by Sascha Bru, Laurence Nuijs, Benedikt Hjartarson, Peter Nicholls, Hubert Berg, Tania Ørum. |
title_full_unstemmed |
Regarding the Popular : Modernism, the Avant-Garde and High and Low Culture / ed. by Sascha Bru, Laurence Nuijs, Benedikt Hjartarson, Peter Nicholls, Hubert Berg, Tania Ørum. |
title_auth |
Regarding the Popular : Modernism, the Avant-Garde and High and Low Culture / |
title_alt |
Frontmatter -- About the Series / Sur la collection / Zur Buchreihe -- Contents -- Introduction -- Given the Popular -- Terms and Canons -- “The Madness of the Unexpected”: Duchamp's Readymades and the Survival of “High” Art -- Instrument of Inspiration: High/Low Illusions in British Experimental Music and After -- English Rebels in Art Circles: The New Age in its Elitist and Populist Dimension -- Kinesthetic Modernism? Rhythms, Bodies and Motion across the Great Divide -- Art, Nation and Political Discourse -- Culture en quête de repères -- Folklore -- Dada, Carnival and Revolution -- Spuren der Volksdichtung in der ungarischen Avantgardeliteratur -- Musical Boxes: The Impersonal Avant-Garde Poem, Everyday Language and Popular Song -- What Did They Need Jazz For? Jazz Music in Polish Interwar Poetry -- Der junge Borges und die ultraistische Avantgarde. Das Populäre als Taktik -- The Theatre of Ramón del Valle-Inclán: Between Modernism and the Popular Imagination -- The Everyday -- Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau -- Everyday Life in André Breton's Trilogy. Nadja, Vases Communicants and L'Amour fou -- Entre mime et possession: récits surréalistes et fictions populaires -- The Blood of a Poet: Cocteau, Surrealism and the Politics of the Vulgar -- “Broken Clouds – also by Instalments”: Mediating Art and the Everyday, the High and the Low in the Finnish Literary Avant-Garde of the 1960s -- The “Abakans” and the Feminist Revolution -- A Glossier Shade of Brown: Imi Knoebel's Raum 19 -- Commerce -- Selling Dada: New York Dada (1921) and Its Dialogue with the European Avant-Garde -- Wyndham Lewis and the Inter-War Popular Novel: Potboilers and Gunman Bestsellers -- Le Douanier Rousseau, Fantômas & Cie: La culture populaire, ressort majeur des Soirées de Paris -- Between the Old and the New: The Surrealist Outmoded as a Radical Third Term -- „The Hidden Network of the Avant-Garde”: der farbige Werbefilm als eine zentraleuropäische Erfindung? -- Media -- Lessons from the Press: Picasso and Mass Print Media, 1911-37 -- Film und Filmprojekte in der Wiener Avant-Garde Zeitschrift Ma (1920-25) -- „Produktion – Reproduktion”: Echos von László Moholy-Nagys Medientheorie in der Geschichte von Film und Medienkunst -- Modernism in the Ether: Middlebrow Perspectives on European Literature in Flemish Radio Talks (1936-37) -- A Second Avant-Garde without a First: Greek Avant-Garde Artists in the 1960s and 1970s -- Mass Media Avant-Garde: Dislocating the Hi/Lo in the Swedish 1960s -- A Tentative Embrace. Superstudio's New Media Nomads -- Index |
title_new |
Regarding the Popular : |
title_sort |
regarding the popular : modernism, the avant-garde and high and low culture / |
series |
European Avant-Garde and Modernism Studies , |
series2 |
European Avant-Garde and Modernism Studies , |
publisher |
De Gruyter, |
publishDate |
2011 |
physical |
1 online resource (490 p.) Issued also in print. |
contents |
Frontmatter -- About the Series / Sur la collection / Zur Buchreihe -- Contents -- Introduction -- Given the Popular -- Terms and Canons -- “The Madness of the Unexpected”: Duchamp's Readymades and the Survival of “High” Art -- Instrument of Inspiration: High/Low Illusions in British Experimental Music and After -- English Rebels in Art Circles: The New Age in its Elitist and Populist Dimension -- Kinesthetic Modernism? Rhythms, Bodies and Motion across the Great Divide -- Art, Nation and Political Discourse -- Culture en quête de repères -- Folklore -- Dada, Carnival and Revolution -- Spuren der Volksdichtung in der ungarischen Avantgardeliteratur -- Musical Boxes: The Impersonal Avant-Garde Poem, Everyday Language and Popular Song -- What Did They Need Jazz For? Jazz Music in Polish Interwar Poetry -- Der junge Borges und die ultraistische Avantgarde. Das Populäre als Taktik -- The Theatre of Ramón del Valle-Inclán: Between Modernism and the Popular Imagination -- The Everyday -- Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau -- Everyday Life in André Breton's Trilogy. Nadja, Vases Communicants and L'Amour fou -- Entre mime et possession: récits surréalistes et fictions populaires -- The Blood of a Poet: Cocteau, Surrealism and the Politics of the Vulgar -- “Broken Clouds – also by Instalments”: Mediating Art and the Everyday, the High and the Low in the Finnish Literary Avant-Garde of the 1960s -- The “Abakans” and the Feminist Revolution -- A Glossier Shade of Brown: Imi Knoebel's Raum 19 -- Commerce -- Selling Dada: New York Dada (1921) and Its Dialogue with the European Avant-Garde -- Wyndham Lewis and the Inter-War Popular Novel: Potboilers and Gunman Bestsellers -- Le Douanier Rousseau, Fantômas & Cie: La culture populaire, ressort majeur des Soirées de Paris -- Between the Old and the New: The Surrealist Outmoded as a Radical Third Term -- „The Hidden Network of the Avant-Garde”: der farbige Werbefilm als eine zentraleuropäische Erfindung? -- Media -- Lessons from the Press: Picasso and Mass Print Media, 1911-37 -- Film und Filmprojekte in der Wiener Avant-Garde Zeitschrift Ma (1920-25) -- „Produktion – Reproduktion”: Echos von László Moholy-Nagys Medientheorie in der Geschichte von Film und Medienkunst -- Modernism in the Ether: Middlebrow Perspectives on European Literature in Flemish Radio Talks (1936-37) -- A Second Avant-Garde without a First: Greek Avant-Garde Artists in the 1960s and 1970s -- Mass Media Avant-Garde: Dislocating the Hi/Lo in the Swedish 1960s -- A Tentative Embrace. Superstudio's New Media Nomads -- Index |
isbn |
9783110274691 9783110238570 9783110238464 9783110637854 9783110261189 9783110261233 9783110261240 9783110274561 |
issn |
1869-3393 ; |
era_facet |
20th century. |
url |
https://doi.org/10.1515/9783110274691 https://www.degruyter.com/isbn/9783110274691 https://www.degruyter.com/document/cover/isbn/9783110274691/original |
illustrated |
Not Illustrated |
doi_str_mv |
10.1515/9783110274691 |
oclc_num |
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Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1 Title is part of eBook package: De Gruyter DGBA Backlist Literary and Cultural Studies 2000-2014 (EN) Title is part of eBook package: De Gruyter DGBA Literary and Cultural Studies 2000 - 2014 Title is part of eBook package: De Gruyter E-BOOK GESAMTPAKET / COMPLETE PACKAGE 2011 Title is part of eBook package: De Gruyter E-BOOK PACKAGE ENGLISH LANGUAGES TITLES 2011 Title is part of eBook package: De Gruyter E-BOOK PAKET LINGUISTIK UND LITERATURWISSENSCHAFT 2011 |
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Regarding the Popular : Modernism, the Avant-Garde and High and Low Culture / |
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Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1 |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>10890nam a22013455i 4500</leader><controlfield tag="001">9783110274691</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20230228123812.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">230228t20112012gw fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783110274691</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9783110274691</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)174526</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)979970993</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">gw</subfield><subfield code="c">DE</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT004130</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">EC 5070</subfield><subfield code="2">rvk</subfield><subfield code="0">(DE-625)rvk/20590:</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Regarding the Popular :</subfield><subfield code="b">Modernism, the Avant-Garde and High and Low Culture /</subfield><subfield code="c">ed. by Sascha Bru, Laurence Nuijs, Benedikt Hjartarson, Peter Nicholls, Hubert Berg, Tania Ørum.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berlin ;</subfield><subfield code="a">Boston : </subfield><subfield code="b">De Gruyter, </subfield><subfield code="c">[2011]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (490 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">European Avant-Garde and Modernism Studies ,</subfield><subfield code="x">1869-3393 ;</subfield><subfield code="v">2</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">About the Series / Sur la collection / Zur Buchreihe -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">Given the Popular -- </subfield><subfield code="t">Terms and Canons -- </subfield><subfield code="t">“The Madness of the Unexpected”: Duchamp's Readymades and the Survival of “High” Art -- </subfield><subfield code="t">Instrument of Inspiration: High/Low Illusions in British Experimental Music and After -- </subfield><subfield code="t">English Rebels in Art Circles: The New Age in its Elitist and Populist Dimension -- </subfield><subfield code="t">Kinesthetic Modernism? Rhythms, Bodies and Motion across the Great Divide -- </subfield><subfield code="t">Art, Nation and Political Discourse -- </subfield><subfield code="t">Culture en quête de repères -- </subfield><subfield code="t">Folklore -- </subfield><subfield code="t">Dada, Carnival and Revolution -- </subfield><subfield code="t">Spuren der Volksdichtung in der ungarischen Avantgardeliteratur -- </subfield><subfield code="t">Musical Boxes: The Impersonal Avant-Garde Poem, Everyday Language and Popular Song -- </subfield><subfield code="t">What Did They Need Jazz For? Jazz Music in Polish Interwar Poetry -- </subfield><subfield code="t">Der junge Borges und die ultraistische Avantgarde. Das Populäre als Taktik -- </subfield><subfield code="t">The Theatre of Ramón del Valle-Inclán: Between Modernism and the Popular Imagination -- </subfield><subfield code="t">The Everyday -- </subfield><subfield code="t">Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau -- </subfield><subfield code="t">Everyday Life in André Breton's Trilogy. Nadja, Vases Communicants and L'Amour fou -- </subfield><subfield code="t">Entre mime et possession: récits surréalistes et fictions populaires -- </subfield><subfield code="t">The Blood of a Poet: Cocteau, Surrealism and the Politics of the Vulgar -- </subfield><subfield code="t">“Broken Clouds – also by Instalments”: Mediating Art and the Everyday, the High and the Low in the Finnish Literary Avant-Garde of the 1960s -- </subfield><subfield code="t">The “Abakans” and the Feminist Revolution -- </subfield><subfield code="t">A Glossier Shade of Brown: Imi Knoebel's Raum 19 -- </subfield><subfield code="t">Commerce -- </subfield><subfield code="t">Selling Dada: New York Dada (1921) and Its Dialogue with the European Avant-Garde -- </subfield><subfield code="t">Wyndham Lewis and the Inter-War Popular Novel: Potboilers and Gunman Bestsellers -- </subfield><subfield code="t">Le Douanier Rousseau, Fantômas & Cie: La culture populaire, ressort majeur des Soirées de Paris -- </subfield><subfield code="t">Between the Old and the New: The Surrealist Outmoded as a Radical Third Term -- </subfield><subfield code="t">„The Hidden Network of the Avant-Garde”: der farbige Werbefilm als eine zentraleuropäische Erfindung? -- </subfield><subfield code="t">Media -- </subfield><subfield code="t">Lessons from the Press: Picasso and Mass Print Media, 1911-37 -- </subfield><subfield code="t">Film und Filmprojekte in der Wiener Avant-Garde Zeitschrift Ma (1920-25) -- </subfield><subfield code="t">„Produktion – Reproduktion”: Echos von László Moholy-Nagys Medientheorie in der Geschichte von Film und Medienkunst -- </subfield><subfield code="t">Modernism in the Ether: Middlebrow Perspectives on European Literature in Flemish Radio Talks (1936-37) -- </subfield><subfield code="t">A Second Avant-Garde without a First: Greek Avant-Garde Artists in the 1960s and 1970s -- </subfield><subfield code="t">Mass Media Avant-Garde: Dislocating the Hi/Lo in the Swedish 1960s -- </subfield><subfield code="t">A Tentative Embrace. Superstudio's New Media Nomads -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies explores the nature of so-called “low” culture, dealing with aspects as diverse as the everyday and the folkloric. Regarding the Popular charts the many ways in which the allegedly “high” modernists and avant-gardists looked at and represented the “low”. As such, this book will appeal to all those with an interest in the dynamic of modern experimental arts and literatures.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art and popular culture.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Arts, Modern</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Modernism (Art).</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Avantgarde.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Populärkultur.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / European / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Avant-garde Movements.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Popular Culture.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Angel, Sara J., 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