Il Marmo spirante : : Sculpture and Experience in Seventeenth-Century Rome / / Joris van Gastel.
Die Bildhauer des römischen Barock, darunter Meister wie Gian Lorenzo Bernini, Alessandro Algardi und Giuliano Finelli, erreichten eine beispiellose Lebendigkeit ihrer Werke. Dem augenscheinlichen Leben widerspricht jedoch beharrlich die harte Materialität dieser Skulpturen. Weiches, bewegtes Fleisc...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter DGBA Architecture, Design and Arts 2000 - 2014 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Berlin : : Akademie Verlag, , [2013] ©2012 |
Year of Publication: | 2013 |
Language: | English |
Series: | Studien aus dem Warburg-Haus ,
12 |
Online Access: | |
Physical Description: | 1 online resource (332 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9783050062624 |
---|---|
ctrlnum |
(DE-B1597)216087 (OCoLC)881296038 |
collection |
bib_alma |
record_format |
marc |
spelling |
van Gastel, Joris, author. aut http://id.loc.gov/vocabulary/relators/aut Il Marmo spirante : Sculpture and Experience in Seventeenth-Century Rome / Joris van Gastel. Berlin : Akademie Verlag, [2013] ©2012 1 online resource (332 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Studien aus dem Warburg-Haus , 2192-0079 ; 12 Front Matter -- Sculpture through Poetry -- Likeness and Recognition: The Portrait Bust -- Plurality or the Bust as Construct -- Moving Sculpture Moving the Beholder -- Touch and Sculpted Flesh -- Franchezza or the Sculptor's Traces -- Bernini's Metamorphosis -- Conclusion -- Appendices -- Back Matter restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Die Bildhauer des römischen Barock, darunter Meister wie Gian Lorenzo Bernini, Alessandro Algardi und Giuliano Finelli, erreichten eine beispiellose Lebendigkeit ihrer Werke. Dem augenscheinlichen Leben widerspricht jedoch beharrlich die harte Materialität dieser Skulpturen. Weiches, bewegtes Fleisch, dramatische Bewegungen und flatternde Stoffe sind in hartem, leblosem Marmor gefangen. So fordert die Skulptur den Betrachter heraus und sorgt für Verwirrung oder auch Enttäuschung. Anhand zeitgenössischer Poesie und anderer Quellen, welche die Interaktion zwischen Betrachter und Skulptur reflektieren, untersucht diese Studie, wie Zeitgenossen mit diesem Doppelcharakter der Skulptur umgingen. Dabei werden auch Ansätze der modernen Psychologie miteinbezogen. Das Ergebnis ist ein neuer Zugang zu einigen der höchstgeschätzten Meisterwerke europäischer Kunst. The sculptors of the Roman Baroque, including masters such as Gian Lorenzo Bernini, Alessandro Algardi, and Giuliano Finelli, managed to achieve an unprecedented vivaciousness in their works. And yet, the apparent life of these sculptures is persistently obscured by their materiality. Soft, undulating flesh, dramatic movements, and fluttering draperies are captured in hard and lifeless marble. Thus, sculpture challenges the beholder, is cause for confusion or frustration. Taking the manner in which the beholder’s engagement with sculpture is played out in contemporary poetry and other sources as a point of departure and also introducing ideas from modern-day psychology, this study explores the various ways contemporary viewers dealt with sculpture’s double character. As a result, a new light is shed on some of the unquestionable masterpieces of European art. Die Bildhauer des römischen Barock, darunter Meister wie Gian Lorenzo Bernini, Alessandro Algardi und Giuliano Finelli, erreichten eine beispiellose Lebendigkeit ihrer Werke. Dem augenscheinlichen Leben widerspricht jedoch beharrlich die harte Materialität dieser Skulpturen. Weiches, bewegtes Fleisch, dramatische Bewegungen und flatternde Stoffe sind in hartem, leblosem Marmor gefangen. So fordert die Skulptur den Betrachter heraus und sorgt für Verwirrung oder auch Enttäuschung. Anhand zeitgenössischer Poesie und anderer Quellen,welche die Interaktion zwischen Betrachter und Skulptur reflektieren, untersucht diese Studie, wie Zeitgenossen mit diesem Doppelcharakter der Skulptur umgingen. Dabei werden auch Ansätze der modernen Psychologie miteinbezogen. Das Ergebnis ist ein neuer Zugang zu einigen der höchstgeschätzten Meisterwerke europäischer Kunst. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) Italy -- Rome. Marble sculpture. Sculpture, Baroque. Sculpture, Italian. Barock. Bildhauerei. Marmor. Rom. Skulptur. ART / General. bisacsh Title is part of eBook package: De Gruyter DGBA Architecture, Design and Arts 2000 - 2014 9783110635690 ZDB-23-GAA Title is part of eBook package: De Gruyter DGBA Backlist Art and Architecture 2000-2014 (EN) 9783110621129 Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1 9783110238570 Title is part of eBook package: De Gruyter eBook-Paket AV Kunst 2013 9783110342697 ZDB-23-AKU print 9783050059488 https://doi.org/10.1524/9783050062624 https://www.degruyter.com/isbn/9783050062624 Cover https://www.degruyter.com/document/cover/isbn/9783050062624/original |
language |
English |
format |
eBook |
author |
van Gastel, Joris, van Gastel, Joris, |
spellingShingle |
van Gastel, Joris, van Gastel, Joris, Il Marmo spirante : Sculpture and Experience in Seventeenth-Century Rome / Studien aus dem Warburg-Haus , Front Matter -- Sculpture through Poetry -- Likeness and Recognition: The Portrait Bust -- Plurality or the Bust as Construct -- Moving Sculpture Moving the Beholder -- Touch and Sculpted Flesh -- Franchezza or the Sculptor's Traces -- Bernini's Metamorphosis -- Conclusion -- Appendices -- Back Matter |
author_facet |
van Gastel, Joris, van Gastel, Joris, |
author_variant |
g j v gj gjv g j v gj gjv |
author_role |
VerfasserIn VerfasserIn |
author_sort |
van Gastel, Joris, |
title |
Il Marmo spirante : Sculpture and Experience in Seventeenth-Century Rome / |
title_sub |
Sculpture and Experience in Seventeenth-Century Rome / |
title_full |
Il Marmo spirante : Sculpture and Experience in Seventeenth-Century Rome / Joris van Gastel. |
title_fullStr |
Il Marmo spirante : Sculpture and Experience in Seventeenth-Century Rome / Joris van Gastel. |
title_full_unstemmed |
Il Marmo spirante : Sculpture and Experience in Seventeenth-Century Rome / Joris van Gastel. |
title_auth |
Il Marmo spirante : Sculpture and Experience in Seventeenth-Century Rome / |
title_alt |
Front Matter -- Sculpture through Poetry -- Likeness and Recognition: The Portrait Bust -- Plurality or the Bust as Construct -- Moving Sculpture Moving the Beholder -- Touch and Sculpted Flesh -- Franchezza or the Sculptor's Traces -- Bernini's Metamorphosis -- Conclusion -- Appendices -- Back Matter |
title_new |
Il Marmo spirante : |
title_sort |
il marmo spirante : sculpture and experience in seventeenth-century rome / |
series |
Studien aus dem Warburg-Haus , |
series2 |
Studien aus dem Warburg-Haus , |
publisher |
Akademie Verlag, |
publishDate |
2013 |
physical |
1 online resource (332 p.) Issued also in print. |
contents |
Front Matter -- Sculpture through Poetry -- Likeness and Recognition: The Portrait Bust -- Plurality or the Bust as Construct -- Moving Sculpture Moving the Beholder -- Touch and Sculpted Flesh -- Franchezza or the Sculptor's Traces -- Bernini's Metamorphosis -- Conclusion -- Appendices -- Back Matter |
isbn |
9783050062624 9783110635690 9783110621129 9783110238570 9783110342697 9783050059488 |
issn |
2192-0079 ; |
callnumber-first |
N - Fine Arts |
callnumber-subject |
NB - Sculpture |
callnumber-label |
NB620 |
callnumber-sort |
NB 3620 |
url |
https://doi.org/10.1524/9783050062624 https://www.degruyter.com/isbn/9783050062624 https://www.degruyter.com/document/cover/isbn/9783050062624/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
730 - Sculpture, ceramics & metalwork |
dewey-ones |
730 - Plastic arts; sculpture |
dewey-full |
730.945 730.945632 |
dewey-sort |
3730.945 |
dewey-raw |
730.945 730.945632 |
dewey-search |
730.945 730.945632 |
doi_str_mv |
10.1524/9783050062624 |
oclc_num |
881296038 |
work_keys_str_mv |
AT vangasteljoris ilmarmospirantesculptureandexperienceinseventeenthcenturyrome AT vangasteljoris marmospirantesculptureandexperienceinseventeenthcenturyrome |
status_str |
n |
ids_txt_mv |
(DE-B1597)216087 (OCoLC)881296038 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter DGBA Architecture, Design and Arts 2000 - 2014 Title is part of eBook package: De Gruyter DGBA Backlist Art and Architecture 2000-2014 (EN) Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1 Title is part of eBook package: De Gruyter eBook-Paket AV Kunst 2013 |
is_hierarchy_title |
Il Marmo spirante : Sculpture and Experience in Seventeenth-Century Rome / |
container_title |
Title is part of eBook package: De Gruyter DGBA Architecture, Design and Arts 2000 - 2014 |
_version_ |
1770177404224929792 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06241nam a22009015i 4500</leader><controlfield tag="001">9783050062624</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20230228123812.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">230228t20132012gw fo d z eng d</controlfield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">(OCoLC)948655769</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783050062624</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1524/9783050062624</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)216087</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)881296038</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">gw</subfield><subfield code="c">DE</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">NB620</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">730.945</subfield><subfield code="a">730.945632</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">van Gastel, Joris, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="3"><subfield code="a">Il Marmo spirante :</subfield><subfield code="b">Sculpture and Experience in Seventeenth-Century Rome /</subfield><subfield code="c">Joris van Gastel.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berlin : </subfield><subfield code="b">Akademie Verlag, </subfield><subfield code="c">[2013]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (332 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Studien aus dem Warburg-Haus ,</subfield><subfield code="x">2192-0079 ;</subfield><subfield code="v">12</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Front Matter -- </subfield><subfield code="t">Sculpture through Poetry -- </subfield><subfield code="t">Likeness and Recognition: The Portrait Bust -- </subfield><subfield code="t">Plurality or the Bust as Construct -- </subfield><subfield code="t">Moving Sculpture Moving the Beholder -- </subfield><subfield code="t">Touch and Sculpted Flesh -- </subfield><subfield code="t">Franchezza or the Sculptor's Traces -- </subfield><subfield code="t">Bernini's Metamorphosis -- </subfield><subfield code="t">Conclusion -- </subfield><subfield code="t">Appendices -- </subfield><subfield code="t">Back Matter</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Die Bildhauer des römischen Barock, darunter Meister wie Gian Lorenzo Bernini, Alessandro Algardi und Giuliano Finelli, erreichten eine beispiellose Lebendigkeit ihrer Werke. Dem augenscheinlichen Leben widerspricht jedoch beharrlich die harte Materialität dieser Skulpturen. Weiches, bewegtes Fleisch, dramatische Bewegungen und flatternde Stoffe sind in hartem, leblosem Marmor gefangen. So fordert die Skulptur den Betrachter heraus und sorgt für Verwirrung oder auch Enttäuschung. Anhand zeitgenössischer Poesie und anderer Quellen, welche die Interaktion zwischen Betrachter und Skulptur reflektieren, untersucht diese Studie, wie Zeitgenossen mit diesem Doppelcharakter der Skulptur umgingen. Dabei werden auch Ansätze der modernen Psychologie miteinbezogen. Das Ergebnis ist ein neuer Zugang zu einigen der höchstgeschätzten Meisterwerke europäischer Kunst.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The sculptors of the Roman Baroque, including masters such as Gian Lorenzo Bernini, Alessandro Algardi, and Giuliano Finelli, managed to achieve an unprecedented vivaciousness in their works. And yet, the apparent life of these sculptures is persistently obscured by their materiality. Soft, undulating flesh, dramatic movements, and fluttering draperies are captured in hard and lifeless marble. Thus, sculpture challenges the beholder, is cause for confusion or frustration. Taking the manner in which the beholder’s engagement with sculpture is played out in contemporary poetry and other sources as a point of departure and also introducing ideas from modern-day psychology, this study explores the various ways contemporary viewers dealt with sculpture’s double character. As a result, a new light is shed on some of the unquestionable masterpieces of European art. Die Bildhauer des römischen Barock, darunter Meister wie Gian Lorenzo Bernini, Alessandro Algardi und Giuliano Finelli, erreichten eine beispiellose Lebendigkeit ihrer Werke. Dem augenscheinlichen Leben widerspricht jedoch beharrlich die harte Materialität dieser Skulpturen. Weiches, bewegtes Fleisch, dramatische Bewegungen und flatternde Stoffe sind in hartem, leblosem Marmor gefangen. So fordert die Skulptur den Betrachter heraus und sorgt für Verwirrung oder auch Enttäuschung. Anhand zeitgenössischer Poesie und anderer Quellen,welche die Interaktion zwischen Betrachter und Skulptur reflektieren, untersucht diese Studie, wie Zeitgenossen mit diesem Doppelcharakter der Skulptur umgingen. Dabei werden auch Ansätze der modernen Psychologie miteinbezogen. Das Ergebnis ist ein neuer Zugang zu einigen der höchstgeschätzten Meisterwerke europäischer Kunst.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Italy -- Rome.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Marble sculpture.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Sculpture, Baroque.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Sculpture, Italian.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Barock.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Bildhauerei.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Marmor.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Rom.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Skulptur.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">DGBA Architecture, Design and Arts 2000 - 2014</subfield><subfield code="z">9783110635690</subfield><subfield code="o">ZDB-23-GAA</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">DGBA Backlist Art and Architecture 2000-2014 (EN)</subfield><subfield code="z">9783110621129</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">DGBA Backlist Complete English Language 2000-2014 PART1</subfield><subfield code="z">9783110238570</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">eBook-Paket AV Kunst 2013</subfield><subfield code="z">9783110342697</subfield><subfield code="o">ZDB-23-AKU</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9783050059488</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1524/9783050062624</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9783050062624</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9783050062624/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-023857-0 DGBA Backlist Complete English Language 2000-2014 PART1</subfield><subfield code="c">2000</subfield><subfield code="d">2014</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-062112-9 DGBA Backlist Art and Architecture 2000-2014 (EN)</subfield><subfield code="c">2000</subfield><subfield code="d">2014</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_DGALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_STMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA12STME</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-AKU</subfield><subfield code="b">2013</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-GAA</subfield><subfield code="c">2000</subfield><subfield code="d">2014</subfield></datafield></record></collection> |