Piercing the Structure of Tradition : : Flute Performance, Continuity, and Freedom in the Music of Noh Drama /

Piercing the Structure of Tradition : : Flute Performance, Continuity, and Freedom in the Music of Noh Drama / / Mariko Anno.

What does freedom sound like in the context of traditional Japanese theater? Where is the space for innovation, and where can this kind of innovation be located in the rigid instrumentation of the Noh drama? In Piercing the Structure of Tradition, Mariko Anno investigates flute performance as a spac...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Cornell University Press Complete eBook-Package 2020
VerfasserIn:
Anno, Mariko,
Place / Publishing House:Ithaca, NY : : Cornell University Press, , [2020]
©2020
Year of Publication:2020
Language:English
Online Access:
Physical Description:1 online resource (366 p.) :; 21 b&w halftones
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Table of Contents:
  • Frontmatter
  • Contents
  • List of Illustrations
  • List of Examples
  • List of Tables
  • Notes on Romanization and Notations
  • Acknowledgments
  • Introduction
  • Chapter One. History and Construction of the Nohkan
  • Chapter Two. The Nohkan and Oral Transmission
  • Chapter Three. The Role and Melodic Patterns of the Nohkan in Relation to Structural Principles
  • Chapter Four. The Nohkan’s Part in Atsumori as Planned, Prepared, and Performed
  • Chapter Five. The Continuity of Tradition Today
  • Reflections and Directions
  • Appendix A. Teaching and Playing the Nohkan in the United States
  • Appendix B. Recordings of Issō Yukihiro on the Nohkan
  • Appendix C. Shōga and Transcription of the〔Chū no Mai〕 Hagakari: Kanze School Length, San-dan (Three Divisions)
  • Appendix D. Transcriptions of Shōdan from Atsumori
  • Appendix E. Yubitsuke (Fingerings) for the〔Shidai〕and the〔Issei〕
  • Appendix F. Text for Yokomichi’s Taka no Izumi (1949)
  • Appendix G. Text for Yokomichi’s Taka no Izumi, Shu-gakari (2004)
  • Appendix H. Text for Yokomichi’s Takahime (1998)
  • Appendix I. Contemporary Noh Play Performances and Their Casts, by Location and Date
  • Appendix J. Kanze School Utaibon for Atsumori
  • Appendix K. Nohkan Pitches Used for Theoretical Transcriptions
  • Glossary
  • Bibliography
  • Index

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