Piercing the Structure of Tradition : : Flute Performance, Continuity, and Freedom in the Music of Noh Drama / / Mariko Anno.
What does freedom sound like in the context of traditional Japanese theater? Where is the space for innovation, and where can this kind of innovation be located in the rigid instrumentation of the Noh drama? In Piercing the Structure of Tradition, Mariko Anno investigates flute performance as a spac...
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Place / Publishing House: | Ithaca, NY : : Cornell University Press, , [2020] ©2020 |
Year of Publication: | 2020 |
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Physical Description: | 1 online resource (366 p.) :; 21 b&w halftones |
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Anno, Mariko, author. aut http://id.loc.gov/vocabulary/relators/aut Piercing the Structure of Tradition : Flute Performance, Continuity, and Freedom in the Music of Noh Drama / Mariko Anno. Ithaca, NY : Cornell University Press, [2020] ©2020 1 online resource (366 p.) : 21 b&w halftones text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- List of Illustrations -- List of Examples -- List of Tables -- Notes on Romanization and Notations -- Acknowledgments -- Introduction -- Chapter One. History and Construction of the Nohkan -- Chapter Two. The Nohkan and Oral Transmission -- Chapter Three. The Role and Melodic Patterns of the Nohkan in Relation to Structural Principles -- Chapter Four. The Nohkan’s Part in Atsumori as Planned, Prepared, and Performed -- Chapter Five. The Continuity of Tradition Today -- Reflections and Directions -- Appendix A. Teaching and Playing the Nohkan in the United States -- Appendix B. Recordings of Issō Yukihiro on the Nohkan -- Appendix C. Shōga and Transcription of the〔Chū no Mai〕 Hagakari: Kanze School Length, San-dan (Three Divisions) -- Appendix D. Transcriptions of Shōdan from Atsumori -- Appendix E. Yubitsuke (Fingerings) for the〔Shidai〕and the〔Issei〕 -- Appendix F. Text for Yokomichi’s Taka no Izumi (1949) -- Appendix G. Text for Yokomichi’s Taka no Izumi, Shu-gakari (2004) -- Appendix H. Text for Yokomichi’s Takahime (1998) -- Appendix I. Contemporary Noh Play Performances and Their Casts, by Location and Date -- Appendix J. Kanze School Utaibon for Atsumori -- Appendix K. Nohkan Pitches Used for Theoretical Transcriptions -- Glossary -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star What does freedom sound like in the context of traditional Japanese theater? Where is the space for innovation, and where can this kind of innovation be located in the rigid instrumentation of the Noh drama? In Piercing the Structure of Tradition, Mariko Anno investigates flute performance as a space to explore the relationship between tradition and innovation. This first English-language monograph traces the characteristics of the Noh flute (nohkan), its music, and transmission methods and considers the instrument's potential for development in the modern world. Anno examines the musical structure and nohkan melodic patterns of five traditional Noh plays and assesses the degree to which Issō School nohkan players maintain to this day the continuity of their musical traditions in three contemporary Noh plays influenced by Yeats. Her ethnographic approach draws on interviews with performers and case studies, as well as her personal reflection as a nohkan performer and disciple under the tutelage of Noh masters. She argues that traditions of musical style and usage remain influential in shaping contemporary Noh composition and performance practice, and the existing freedom within fixed patterns can be understood through a firm foundation in Noh tradition. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) Music Japan History and criticism. Nō music History and criticism. Nōkan History. Nōkan. Nō music History and criticism. Nōkan History. Nōkan. Asian Studies. Musical Arts & Ethnomusicology. MUSIC / Musical Instruments / Woodwinds. bisacsh Title is part of eBook package: De Gruyter Cornell University Press Complete eBook-Package 2020 9783110690460 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020 English 9783110704716 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020 9783110704518 ZDB-23-DGG Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2020 English 9783110704747 Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2020 9783110704532 ZDB-23-DKU https://doi.org/10.1515/9781942242970?locatt=mode:legacy https://www.degruyter.com/isbn/9781942242970 Cover https://www.degruyter.com/document/cover/isbn/9781942242970/original |
language |
English |
format |
eBook |
author |
Anno, Mariko, Anno, Mariko, |
spellingShingle |
Anno, Mariko, Anno, Mariko, Piercing the Structure of Tradition : Flute Performance, Continuity, and Freedom in the Music of Noh Drama / Frontmatter -- Contents -- List of Illustrations -- List of Examples -- List of Tables -- Notes on Romanization and Notations -- Acknowledgments -- Introduction -- Chapter One. History and Construction of the Nohkan -- Chapter Two. The Nohkan and Oral Transmission -- Chapter Three. The Role and Melodic Patterns of the Nohkan in Relation to Structural Principles -- Chapter Four. The Nohkan’s Part in Atsumori as Planned, Prepared, and Performed -- Chapter Five. The Continuity of Tradition Today -- Reflections and Directions -- Appendix A. Teaching and Playing the Nohkan in the United States -- Appendix B. Recordings of Issō Yukihiro on the Nohkan -- Appendix C. Shōga and Transcription of the〔Chū no Mai〕 Hagakari: Kanze School Length, San-dan (Three Divisions) -- Appendix D. Transcriptions of Shōdan from Atsumori -- Appendix E. Yubitsuke (Fingerings) for the〔Shidai〕and the〔Issei〕 -- Appendix F. Text for Yokomichi’s Taka no Izumi (1949) -- Appendix G. Text for Yokomichi’s Taka no Izumi, Shu-gakari (2004) -- Appendix H. Text for Yokomichi’s Takahime (1998) -- Appendix I. Contemporary Noh Play Performances and Their Casts, by Location and Date -- Appendix J. Kanze School Utaibon for Atsumori -- Appendix K. Nohkan Pitches Used for Theoretical Transcriptions -- Glossary -- Bibliography -- Index |
author_facet |
Anno, Mariko, Anno, Mariko, |
author_variant |
m a ma m a ma |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Anno, Mariko, |
title |
Piercing the Structure of Tradition : Flute Performance, Continuity, and Freedom in the Music of Noh Drama / |
title_sub |
Flute Performance, Continuity, and Freedom in the Music of Noh Drama / |
title_full |
Piercing the Structure of Tradition : Flute Performance, Continuity, and Freedom in the Music of Noh Drama / Mariko Anno. |
title_fullStr |
Piercing the Structure of Tradition : Flute Performance, Continuity, and Freedom in the Music of Noh Drama / Mariko Anno. |
title_full_unstemmed |
Piercing the Structure of Tradition : Flute Performance, Continuity, and Freedom in the Music of Noh Drama / Mariko Anno. |
title_auth |
Piercing the Structure of Tradition : Flute Performance, Continuity, and Freedom in the Music of Noh Drama / |
title_alt |
Frontmatter -- Contents -- List of Illustrations -- List of Examples -- List of Tables -- Notes on Romanization and Notations -- Acknowledgments -- Introduction -- Chapter One. History and Construction of the Nohkan -- Chapter Two. The Nohkan and Oral Transmission -- Chapter Three. The Role and Melodic Patterns of the Nohkan in Relation to Structural Principles -- Chapter Four. The Nohkan’s Part in Atsumori as Planned, Prepared, and Performed -- Chapter Five. The Continuity of Tradition Today -- Reflections and Directions -- Appendix A. Teaching and Playing the Nohkan in the United States -- Appendix B. Recordings of Issō Yukihiro on the Nohkan -- Appendix C. Shōga and Transcription of the〔Chū no Mai〕 Hagakari: Kanze School Length, San-dan (Three Divisions) -- Appendix D. Transcriptions of Shōdan from Atsumori -- Appendix E. Yubitsuke (Fingerings) for the〔Shidai〕and the〔Issei〕 -- Appendix F. Text for Yokomichi’s Taka no Izumi (1949) -- Appendix G. Text for Yokomichi’s Taka no Izumi, Shu-gakari (2004) -- Appendix H. Text for Yokomichi’s Takahime (1998) -- Appendix I. Contemporary Noh Play Performances and Their Casts, by Location and Date -- Appendix J. Kanze School Utaibon for Atsumori -- Appendix K. Nohkan Pitches Used for Theoretical Transcriptions -- Glossary -- Bibliography -- Index |
title_new |
Piercing the Structure of Tradition : |
title_sort |
piercing the structure of tradition : flute performance, continuity, and freedom in the music of noh drama / |
publisher |
Cornell University Press, |
publishDate |
2020 |
physical |
1 online resource (366 p.) : 21 b&w halftones |
contents |
Frontmatter -- Contents -- List of Illustrations -- List of Examples -- List of Tables -- Notes on Romanization and Notations -- Acknowledgments -- Introduction -- Chapter One. History and Construction of the Nohkan -- Chapter Two. The Nohkan and Oral Transmission -- Chapter Three. The Role and Melodic Patterns of the Nohkan in Relation to Structural Principles -- Chapter Four. The Nohkan’s Part in Atsumori as Planned, Prepared, and Performed -- Chapter Five. The Continuity of Tradition Today -- Reflections and Directions -- Appendix A. Teaching and Playing the Nohkan in the United States -- Appendix B. Recordings of Issō Yukihiro on the Nohkan -- Appendix C. Shōga and Transcription of the〔Chū no Mai〕 Hagakari: Kanze School Length, San-dan (Three Divisions) -- Appendix D. Transcriptions of Shōdan from Atsumori -- Appendix E. Yubitsuke (Fingerings) for the〔Shidai〕and the〔Issei〕 -- Appendix F. Text for Yokomichi’s Taka no Izumi (1949) -- Appendix G. Text for Yokomichi’s Taka no Izumi, Shu-gakari (2004) -- Appendix H. Text for Yokomichi’s Takahime (1998) -- Appendix I. Contemporary Noh Play Performances and Their Casts, by Location and Date -- Appendix J. Kanze School Utaibon for Atsumori -- Appendix K. Nohkan Pitches Used for Theoretical Transcriptions -- Glossary -- Bibliography -- Index |
isbn |
9781942242970 9783110690460 9783110704716 9783110704518 9783110704747 9783110704532 |
callnumber-first |
M - Music |
callnumber-subject |
ML - Literature on Music |
callnumber-label |
ML990 |
callnumber-sort |
ML 3990 N65 |
geographic_facet |
Japan |
url |
https://doi.org/10.1515/9781942242970?locatt=mode:legacy https://www.degruyter.com/isbn/9781942242970 https://www.degruyter.com/document/cover/isbn/9781942242970/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
780 - Music |
dewey-ones |
788 - Wind instruments |
dewey-full |
788.32 |
dewey-sort |
3788.32 |
dewey-raw |
788.32 |
dewey-search |
788.32 |
doi_str_mv |
10.1515/9781942242970?locatt=mode:legacy |
oclc_num |
1183400039 |
work_keys_str_mv |
AT annomariko piercingthestructureoftraditionfluteperformancecontinuityandfreedominthemusicofnohdrama |
status_str |
n |
ids_txt_mv |
(DE-B1597)567227 (OCoLC)1183400039 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Cornell University Press Complete eBook-Package 2020 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020 Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2020 English Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2020 |
is_hierarchy_title |
Piercing the Structure of Tradition : Flute Performance, Continuity, and Freedom in the Music of Noh Drama / |
container_title |
Title is part of eBook package: De Gruyter Cornell University Press Complete eBook-Package 2020 |
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1806144126634164224 |
fullrecord |
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