Sensitive Subjects : : The Political Aesthetics of Contemporary German and Austrian Cinema / / Leila Mukhida.
Both politically and aesthetically, the contemporary German and Austrian film landscape is a far cry from the early days of the medium, when critics like Siegfried Kracauer produced foundational works of film theory amid the tumult of the early twentieth century. Yet, as Leila Mukhida demonstrates i...
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| Superior document: | Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2020 |
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| Place / Publishing House: | New York; , Oxford : : Berghahn Books, , [2020] ©2020 |
| Year of Publication: | 2020 |
| Language: | English |
| Series: | Film Europa ;
23 |
| Online Access: | |
| Physical Description: | 1 online resource (218 p.) |
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Table of Contents:
- Frontmatter
- CONTENTS
- ILLUSTRATIONS
- ACKNOWLEDGEMENTS
- ABBREVIATIONS
- INTRODUCTION
- Chapter 1 THE TWENTY-FIRST-CENTURY WORKER FILM? Workingman’s Death (2004) by Michael Glawogger and Karger (2007) by Elke Hauck
- Chapter 2 RADICAL REALISMS Angela Schanelec’s Marseille (2004), Andreas Dresen’s Halt Auf Freier Strecke (2011) and Gerhard Friedl’s Hat Wolff von Amerongen Konkursdelikte Begangen? (2004)
- Chapter 3 FRAGMENTED STORIES FOR FRAGMENTED VIEWERS 71 Fragmente einer Chronologie des Zufalls (1994) and Code Inconnu: Récit incomplet de divers voyages (2000) by Michael Haneke
- Chapter 4 SENSITIVE SUBJECTS Shock and Distraction in Hundstage (2001) by Ulrich Seidl and Sehnsucht (2006) by Valeska Grisebach
- CONCLUSION
- FILMOGRAPHY
- BIBLIOGRAPHY
- INDEX