Sensitive Subjects : : The Political Aesthetics of Contemporary German and Austrian Cinema / / Leila Mukhida.

Both politically and aesthetically, the contemporary German and Austrian film landscape is a far cry from the early days of the medium, when critics like Siegfried Kracauer produced foundational works of film theory amid the tumult of the early twentieth century. Yet, as Leila Mukhida demonstrates i...

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Superior document:Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2020
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Place / Publishing House:New York; , Oxford : : Berghahn Books, , [2020]
©2020
Year of Publication:2020
Language:English
Series:Film Europa ; 23
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Physical Description:1 online resource (218 p.)
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id 9781789206319
ctrlnum (DE-B1597)635743
(OCoLC)1206398412
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spelling Mukhida, Leila, author. aut http://id.loc.gov/vocabulary/relators/aut
Sensitive Subjects : The Political Aesthetics of Contemporary German and Austrian Cinema / Leila Mukhida.
New York; Oxford : Berghahn Books, [2020]
©2020
1 online resource (218 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Film Europa ; 23
Frontmatter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGEMENTS -- ABBREVIATIONS -- INTRODUCTION -- Chapter 1 THE TWENTY-FIRST-CENTURY WORKER FILM? Workingman’s Death (2004) by Michael Glawogger and Karger (2007) by Elke Hauck -- Chapter 2 RADICAL REALISMS Angela Schanelec’s Marseille (2004), Andreas Dresen’s Halt Auf Freier Strecke (2011) and Gerhard Friedl’s Hat Wolff von Amerongen Konkursdelikte Begangen? (2004) -- Chapter 3 FRAGMENTED STORIES FOR FRAGMENTED VIEWERS 71 Fragmente einer Chronologie des Zufalls (1994) and Code Inconnu: Récit incomplet de divers voyages (2000) by Michael Haneke -- Chapter 4 SENSITIVE SUBJECTS Shock and Distraction in Hundstage (2001) by Ulrich Seidl and Sehnsucht (2006) by Valeska Grisebach -- CONCLUSION -- FILMOGRAPHY -- BIBLIOGRAPHY -- INDEX
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Both politically and aesthetically, the contemporary German and Austrian film landscape is a far cry from the early days of the medium, when critics like Siegfried Kracauer produced foundational works of film theory amid the tumult of the early twentieth century. Yet, as Leila Mukhida demonstrates in this innovative study, the writings of figures like Kracauer and Walter Benjamin in fact remain an undervalued tool for understanding political cinema today. Through illuminating explorations of Michael Haneke, Valeska Grisebach, Andreas Dresen, and other filmmakers of the post-reunification era, Mukhida develops an analysis centered on film aesthetics and experience, showing how medium-specific devices like lighting, sound, and mise-en-scène can help to cultivate political sensitivity in spectators.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)
Motion pictures Austria Aesthetics.
Motion pictures Germany Aesthetics.
Politics in motion pictures.
ART / Film & Video. bisacsh
Film and Television Studies, Media Studies.
Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2020 9783110997699
https://doi.org/10.1515/9781789206319?locatt=mode:legacy
https://www.degruyter.com/isbn/9781789206319
Cover https://www.degruyter.com/document/cover/isbn/9781789206319/original
language English
format eBook
author Mukhida, Leila,
Mukhida, Leila,
spellingShingle Mukhida, Leila,
Mukhida, Leila,
Sensitive Subjects : The Political Aesthetics of Contemporary German and Austrian Cinema /
Film Europa ;
Frontmatter --
CONTENTS --
ILLUSTRATIONS --
ACKNOWLEDGEMENTS --
ABBREVIATIONS --
INTRODUCTION --
Chapter 1 THE TWENTY-FIRST-CENTURY WORKER FILM? Workingman’s Death (2004) by Michael Glawogger and Karger (2007) by Elke Hauck --
Chapter 2 RADICAL REALISMS Angela Schanelec’s Marseille (2004), Andreas Dresen’s Halt Auf Freier Strecke (2011) and Gerhard Friedl’s Hat Wolff von Amerongen Konkursdelikte Begangen? (2004) --
Chapter 3 FRAGMENTED STORIES FOR FRAGMENTED VIEWERS 71 Fragmente einer Chronologie des Zufalls (1994) and Code Inconnu: Récit incomplet de divers voyages (2000) by Michael Haneke --
Chapter 4 SENSITIVE SUBJECTS Shock and Distraction in Hundstage (2001) by Ulrich Seidl and Sehnsucht (2006) by Valeska Grisebach --
CONCLUSION --
FILMOGRAPHY --
BIBLIOGRAPHY --
INDEX
author_facet Mukhida, Leila,
Mukhida, Leila,
author_variant l m lm
l m lm
author_role VerfasserIn
VerfasserIn
author_sort Mukhida, Leila,
title Sensitive Subjects : The Political Aesthetics of Contemporary German and Austrian Cinema /
title_sub The Political Aesthetics of Contemporary German and Austrian Cinema /
title_full Sensitive Subjects : The Political Aesthetics of Contemporary German and Austrian Cinema / Leila Mukhida.
title_fullStr Sensitive Subjects : The Political Aesthetics of Contemporary German and Austrian Cinema / Leila Mukhida.
title_full_unstemmed Sensitive Subjects : The Political Aesthetics of Contemporary German and Austrian Cinema / Leila Mukhida.
title_auth Sensitive Subjects : The Political Aesthetics of Contemporary German and Austrian Cinema /
title_alt Frontmatter --
CONTENTS --
ILLUSTRATIONS --
ACKNOWLEDGEMENTS --
ABBREVIATIONS --
INTRODUCTION --
Chapter 1 THE TWENTY-FIRST-CENTURY WORKER FILM? Workingman’s Death (2004) by Michael Glawogger and Karger (2007) by Elke Hauck --
Chapter 2 RADICAL REALISMS Angela Schanelec’s Marseille (2004), Andreas Dresen’s Halt Auf Freier Strecke (2011) and Gerhard Friedl’s Hat Wolff von Amerongen Konkursdelikte Begangen? (2004) --
Chapter 3 FRAGMENTED STORIES FOR FRAGMENTED VIEWERS 71 Fragmente einer Chronologie des Zufalls (1994) and Code Inconnu: Récit incomplet de divers voyages (2000) by Michael Haneke --
Chapter 4 SENSITIVE SUBJECTS Shock and Distraction in Hundstage (2001) by Ulrich Seidl and Sehnsucht (2006) by Valeska Grisebach --
CONCLUSION --
FILMOGRAPHY --
BIBLIOGRAPHY --
INDEX
title_new Sensitive Subjects :
title_sort sensitive subjects : the political aesthetics of contemporary german and austrian cinema /
series Film Europa ;
series2 Film Europa ;
publisher Berghahn Books,
publishDate 2020
physical 1 online resource (218 p.)
contents Frontmatter --
CONTENTS --
ILLUSTRATIONS --
ACKNOWLEDGEMENTS --
ABBREVIATIONS --
INTRODUCTION --
Chapter 1 THE TWENTY-FIRST-CENTURY WORKER FILM? Workingman’s Death (2004) by Michael Glawogger and Karger (2007) by Elke Hauck --
Chapter 2 RADICAL REALISMS Angela Schanelec’s Marseille (2004), Andreas Dresen’s Halt Auf Freier Strecke (2011) and Gerhard Friedl’s Hat Wolff von Amerongen Konkursdelikte Begangen? (2004) --
Chapter 3 FRAGMENTED STORIES FOR FRAGMENTED VIEWERS 71 Fragmente einer Chronologie des Zufalls (1994) and Code Inconnu: Récit incomplet de divers voyages (2000) by Michael Haneke --
Chapter 4 SENSITIVE SUBJECTS Shock and Distraction in Hundstage (2001) by Ulrich Seidl and Sehnsucht (2006) by Valeska Grisebach --
CONCLUSION --
FILMOGRAPHY --
BIBLIOGRAPHY --
INDEX
isbn 9781789206319
9783110997699
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1993
callnumber-sort PN 41993.5 G3
geographic_facet Austria
Germany
url https://doi.org/10.1515/9781789206319?locatt=mode:legacy
https://www.degruyter.com/isbn/9781789206319
https://www.degruyter.com/document/cover/isbn/9781789206319/original
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.430943
dewey-sort 3791.430943
dewey-raw 791.430943
dewey-search 791.430943
doi_str_mv 10.1515/9781789206319?locatt=mode:legacy
oclc_num 1206398412
work_keys_str_mv AT mukhidaleila sensitivesubjectsthepoliticalaestheticsofcontemporarygermanandaustriancinema
status_str n
ids_txt_mv (DE-B1597)635743
(OCoLC)1206398412
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2020
is_hierarchy_title Sensitive Subjects : The Political Aesthetics of Contemporary German and Austrian Cinema /
container_title Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2020
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