Sensitive Subjects : : The Political Aesthetics of Contemporary German and Austrian Cinema / / Leila Mukhida.
Both politically and aesthetically, the contemporary German and Austrian film landscape is a far cry from the early days of the medium, when critics like Siegfried Kracauer produced foundational works of film theory amid the tumult of the early twentieth century. Yet, as Leila Mukhida demonstrates i...
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Place / Publishing House: | New York; , Oxford : : Berghahn Books, , [2020] ©2020 |
Year of Publication: | 2020 |
Language: | English |
Series: | Film Europa ;
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Physical Description: | 1 online resource (218 p.) |
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Mukhida, Leila, author. aut http://id.loc.gov/vocabulary/relators/aut Sensitive Subjects : The Political Aesthetics of Contemporary German and Austrian Cinema / Leila Mukhida. New York; Oxford : Berghahn Books, [2020] ©2020 1 online resource (218 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Film Europa ; 23 Frontmatter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGEMENTS -- ABBREVIATIONS -- INTRODUCTION -- Chapter 1 THE TWENTY-FIRST-CENTURY WORKER FILM? Workingman’s Death (2004) by Michael Glawogger and Karger (2007) by Elke Hauck -- Chapter 2 RADICAL REALISMS Angela Schanelec’s Marseille (2004), Andreas Dresen’s Halt Auf Freier Strecke (2011) and Gerhard Friedl’s Hat Wolff von Amerongen Konkursdelikte Begangen? (2004) -- Chapter 3 FRAGMENTED STORIES FOR FRAGMENTED VIEWERS 71 Fragmente einer Chronologie des Zufalls (1994) and Code Inconnu: Récit incomplet de divers voyages (2000) by Michael Haneke -- Chapter 4 SENSITIVE SUBJECTS Shock and Distraction in Hundstage (2001) by Ulrich Seidl and Sehnsucht (2006) by Valeska Grisebach -- CONCLUSION -- FILMOGRAPHY -- BIBLIOGRAPHY -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Both politically and aesthetically, the contemporary German and Austrian film landscape is a far cry from the early days of the medium, when critics like Siegfried Kracauer produced foundational works of film theory amid the tumult of the early twentieth century. Yet, as Leila Mukhida demonstrates in this innovative study, the writings of figures like Kracauer and Walter Benjamin in fact remain an undervalued tool for understanding political cinema today. Through illuminating explorations of Michael Haneke, Valeska Grisebach, Andreas Dresen, and other filmmakers of the post-reunification era, Mukhida develops an analysis centered on film aesthetics and experience, showing how medium-specific devices like lighting, sound, and mise-en-scène can help to cultivate political sensitivity in spectators. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) Motion pictures Austria Aesthetics. Motion pictures Germany Aesthetics. Politics in motion pictures. ART / Film & Video. bisacsh Film and Television Studies, Media Studies. Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2020 9783110997699 https://doi.org/10.1515/9781789206319?locatt=mode:legacy https://www.degruyter.com/isbn/9781789206319 Cover https://www.degruyter.com/document/cover/isbn/9781789206319/original |
language |
English |
format |
eBook |
author |
Mukhida, Leila, Mukhida, Leila, |
spellingShingle |
Mukhida, Leila, Mukhida, Leila, Sensitive Subjects : The Political Aesthetics of Contemporary German and Austrian Cinema / Film Europa ; Frontmatter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGEMENTS -- ABBREVIATIONS -- INTRODUCTION -- Chapter 1 THE TWENTY-FIRST-CENTURY WORKER FILM? Workingman’s Death (2004) by Michael Glawogger and Karger (2007) by Elke Hauck -- Chapter 2 RADICAL REALISMS Angela Schanelec’s Marseille (2004), Andreas Dresen’s Halt Auf Freier Strecke (2011) and Gerhard Friedl’s Hat Wolff von Amerongen Konkursdelikte Begangen? (2004) -- Chapter 3 FRAGMENTED STORIES FOR FRAGMENTED VIEWERS 71 Fragmente einer Chronologie des Zufalls (1994) and Code Inconnu: Récit incomplet de divers voyages (2000) by Michael Haneke -- Chapter 4 SENSITIVE SUBJECTS Shock and Distraction in Hundstage (2001) by Ulrich Seidl and Sehnsucht (2006) by Valeska Grisebach -- CONCLUSION -- FILMOGRAPHY -- BIBLIOGRAPHY -- INDEX |
author_facet |
Mukhida, Leila, Mukhida, Leila, |
author_variant |
l m lm l m lm |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Mukhida, Leila, |
title |
Sensitive Subjects : The Political Aesthetics of Contemporary German and Austrian Cinema / |
title_sub |
The Political Aesthetics of Contemporary German and Austrian Cinema / |
title_full |
Sensitive Subjects : The Political Aesthetics of Contemporary German and Austrian Cinema / Leila Mukhida. |
title_fullStr |
Sensitive Subjects : The Political Aesthetics of Contemporary German and Austrian Cinema / Leila Mukhida. |
title_full_unstemmed |
Sensitive Subjects : The Political Aesthetics of Contemporary German and Austrian Cinema / Leila Mukhida. |
title_auth |
Sensitive Subjects : The Political Aesthetics of Contemporary German and Austrian Cinema / |
title_alt |
Frontmatter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGEMENTS -- ABBREVIATIONS -- INTRODUCTION -- Chapter 1 THE TWENTY-FIRST-CENTURY WORKER FILM? Workingman’s Death (2004) by Michael Glawogger and Karger (2007) by Elke Hauck -- Chapter 2 RADICAL REALISMS Angela Schanelec’s Marseille (2004), Andreas Dresen’s Halt Auf Freier Strecke (2011) and Gerhard Friedl’s Hat Wolff von Amerongen Konkursdelikte Begangen? (2004) -- Chapter 3 FRAGMENTED STORIES FOR FRAGMENTED VIEWERS 71 Fragmente einer Chronologie des Zufalls (1994) and Code Inconnu: Récit incomplet de divers voyages (2000) by Michael Haneke -- Chapter 4 SENSITIVE SUBJECTS Shock and Distraction in Hundstage (2001) by Ulrich Seidl and Sehnsucht (2006) by Valeska Grisebach -- CONCLUSION -- FILMOGRAPHY -- BIBLIOGRAPHY -- INDEX |
title_new |
Sensitive Subjects : |
title_sort |
sensitive subjects : the political aesthetics of contemporary german and austrian cinema / |
series |
Film Europa ; |
series2 |
Film Europa ; |
publisher |
Berghahn Books, |
publishDate |
2020 |
physical |
1 online resource (218 p.) |
contents |
Frontmatter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGEMENTS -- ABBREVIATIONS -- INTRODUCTION -- Chapter 1 THE TWENTY-FIRST-CENTURY WORKER FILM? Workingman’s Death (2004) by Michael Glawogger and Karger (2007) by Elke Hauck -- Chapter 2 RADICAL REALISMS Angela Schanelec’s Marseille (2004), Andreas Dresen’s Halt Auf Freier Strecke (2011) and Gerhard Friedl’s Hat Wolff von Amerongen Konkursdelikte Begangen? (2004) -- Chapter 3 FRAGMENTED STORIES FOR FRAGMENTED VIEWERS 71 Fragmente einer Chronologie des Zufalls (1994) and Code Inconnu: Récit incomplet de divers voyages (2000) by Michael Haneke -- Chapter 4 SENSITIVE SUBJECTS Shock and Distraction in Hundstage (2001) by Ulrich Seidl and Sehnsucht (2006) by Valeska Grisebach -- CONCLUSION -- FILMOGRAPHY -- BIBLIOGRAPHY -- INDEX |
isbn |
9781789206319 9783110997699 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1993 |
callnumber-sort |
PN 41993.5 G3 |
geographic_facet |
Austria Germany |
url |
https://doi.org/10.1515/9781789206319?locatt=mode:legacy https://www.degruyter.com/isbn/9781789206319 https://www.degruyter.com/document/cover/isbn/9781789206319/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.430943 |
dewey-sort |
3791.430943 |
dewey-raw |
791.430943 |
dewey-search |
791.430943 |
doi_str_mv |
10.1515/9781789206319?locatt=mode:legacy |
oclc_num |
1206398412 |
work_keys_str_mv |
AT mukhidaleila sensitivesubjectsthepoliticalaestheticsofcontemporarygermanandaustriancinema |
status_str |
n |
ids_txt_mv |
(DE-B1597)635743 (OCoLC)1206398412 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2020 |
is_hierarchy_title |
Sensitive Subjects : The Political Aesthetics of Contemporary German and Austrian Cinema / |
container_title |
Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2020 |
_version_ |
1770177271824384000 |
fullrecord |
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