24 Bars to Kill : : Hip Hop, Aspiration, and Japan's Social Margins / / Andrew B. Armstrong.
The most clearly identifiable and popular form of Japanese hip-hop, “ghetto” or “gangsta” music has much in common with its corresponding American subgenres, including its portrayal of life on the margins, confrontational style, and aspirational “rags-to-riches” narratives. Contrary to depictions of...
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| Superior document: | Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2019 |
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| Place / Publishing House: | New York; , Oxford : : Berghahn Books, , [2019] ©2019 |
| Year of Publication: | 2019 |
| Language: | English |
| Series: | Dance and Performance Studies ;
14 |
| Online Access: | |
| Physical Description: | 1 online resource (204 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Figures
- Acknowledgments
- Note on Language
- A Hip-Hop Introduction to Other Japans
- Chapter 1. Down in the Ghetto
- Chapter 2. Hypermasculinity and Ghetto/Gangsta Authenticity
- Chapter 3. Represent JP Koreans! Ethnic Identity in Zainichi Hip Hop
- Chapter 4. Rapping for the Nation
- Afterword
- References
- Index