24 Bars to Kill : : Hip Hop, Aspiration, and Japan's Social Margins / / Andrew B. Armstrong.
The most clearly identifiable and popular form of Japanese hip-hop, “ghetto” or “gangsta” music has much in common with its corresponding American subgenres, including its portrayal of life on the margins, confrontational style, and aspirational “rags-to-riches” narratives. Contrary to depictions of...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2019 |
---|---|
VerfasserIn: | |
Place / Publishing House: | New York; , Oxford : : Berghahn Books, , [2019] ©2019 |
Year of Publication: | 2019 |
Language: | English |
Series: | Dance and Performance Studies ;
14 |
Online Access: | |
Physical Description: | 1 online resource (204 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9781789202687 |
---|---|
lccn |
2019007626 |
ctrlnum |
(DE-B1597)636572 |
collection |
bib_alma |
record_format |
marc |
spelling |
Armstrong, Andrew B., author. aut http://id.loc.gov/vocabulary/relators/aut 24 Bars to Kill : Hip Hop, Aspiration, and Japan's Social Margins / Andrew B. Armstrong. New York; Oxford : Berghahn Books, [2019] ©2019 1 online resource (204 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Dance and Performance Studies ; 14 Frontmatter -- Contents -- Figures -- Acknowledgments -- Note on Language -- A Hip-Hop Introduction to Other Japans -- Chapter 1. Down in the Ghetto -- Chapter 2. Hypermasculinity and Ghetto/Gangsta Authenticity -- Chapter 3. Represent JP Koreans! Ethnic Identity in Zainichi Hip Hop -- Chapter 4. Rapping for the Nation -- Afterword -- References -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star The most clearly identifiable and popular form of Japanese hip-hop, “ghetto” or “gangsta” music has much in common with its corresponding American subgenres, including its portrayal of life on the margins, confrontational style, and aspirational “rags-to-riches” narratives. Contrary to depictions of an ethnically and economically homogeneous Japan, gangsta J-hop gives voice to the suffering, deprivation, and social exclusion experienced by many modern Japanese. 24 Bars to Kill offers a fascinating ethnographic account of this music as well as the subculture around it, showing how gangsta hip-hop arises from widespread dissatisfaction and malaise. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Okt 2022) Crime Japan. Gangs Japan. Gangsta rap (Music) Japan History and criticism. Rap (Music) Social aspects Japan. Rap (Music) Japan History and criticism. Working class Japan. Working poor Japan. MUSIC / Genres & Styles / Rap & Hip Hop. bisacsh Anarchy. Japan. Japanese Hip-Hop. Japanese Neighborhoods. Shingo Nishinari. Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2019 9783110997729 https://doi.org/10.1515/9781789202687?locatt=mode:legacy https://www.degruyter.com/isbn/9781789202687 Cover https://www.degruyter.com/document/cover/isbn/9781789202687/original |
language |
English |
format |
eBook |
author |
Armstrong, Andrew B., Armstrong, Andrew B., |
spellingShingle |
Armstrong, Andrew B., Armstrong, Andrew B., 24 Bars to Kill : Hip Hop, Aspiration, and Japan's Social Margins / Dance and Performance Studies ; Frontmatter -- Contents -- Figures -- Acknowledgments -- Note on Language -- A Hip-Hop Introduction to Other Japans -- Chapter 1. Down in the Ghetto -- Chapter 2. Hypermasculinity and Ghetto/Gangsta Authenticity -- Chapter 3. Represent JP Koreans! Ethnic Identity in Zainichi Hip Hop -- Chapter 4. Rapping for the Nation -- Afterword -- References -- Index |
author_facet |
Armstrong, Andrew B., Armstrong, Andrew B., |
author_variant |
a b a ab aba a b a ab aba |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Armstrong, Andrew B., |
title |
24 Bars to Kill : Hip Hop, Aspiration, and Japan's Social Margins / |
title_sub |
Hip Hop, Aspiration, and Japan's Social Margins / |
title_full |
24 Bars to Kill : Hip Hop, Aspiration, and Japan's Social Margins / Andrew B. Armstrong. |
title_fullStr |
24 Bars to Kill : Hip Hop, Aspiration, and Japan's Social Margins / Andrew B. Armstrong. |
title_full_unstemmed |
24 Bars to Kill : Hip Hop, Aspiration, and Japan's Social Margins / Andrew B. Armstrong. |
title_auth |
24 Bars to Kill : Hip Hop, Aspiration, and Japan's Social Margins / |
title_alt |
Frontmatter -- Contents -- Figures -- Acknowledgments -- Note on Language -- A Hip-Hop Introduction to Other Japans -- Chapter 1. Down in the Ghetto -- Chapter 2. Hypermasculinity and Ghetto/Gangsta Authenticity -- Chapter 3. Represent JP Koreans! Ethnic Identity in Zainichi Hip Hop -- Chapter 4. Rapping for the Nation -- Afterword -- References -- Index |
title_new |
24 Bars to Kill : |
title_sort |
24 bars to kill : hip hop, aspiration, and japan's social margins / |
series |
Dance and Performance Studies ; |
series2 |
Dance and Performance Studies ; |
publisher |
Berghahn Books, |
publishDate |
2019 |
physical |
1 online resource (204 p.) |
contents |
Frontmatter -- Contents -- Figures -- Acknowledgments -- Note on Language -- A Hip-Hop Introduction to Other Japans -- Chapter 1. Down in the Ghetto -- Chapter 2. Hypermasculinity and Ghetto/Gangsta Authenticity -- Chapter 3. Represent JP Koreans! Ethnic Identity in Zainichi Hip Hop -- Chapter 4. Rapping for the Nation -- Afterword -- References -- Index |
isbn |
9781789202687 9783110997729 |
callnumber-first |
M - Music |
callnumber-subject |
ML - Literature on Music |
callnumber-label |
ML3918 |
callnumber-sort |
ML 43918 R37 A76 42019 |
geographic_facet |
Japan. Japan |
url |
https://doi.org/10.1515/9781789202687?locatt=mode:legacy https://www.degruyter.com/isbn/9781789202687 https://www.degruyter.com/document/cover/isbn/9781789202687/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
780 - Music |
dewey-ones |
782 - Vocal music |
dewey-full |
782.4216490952 |
dewey-sort |
3782.4216490952 |
dewey-raw |
782.4216490952 |
dewey-search |
782.4216490952 |
doi_str_mv |
10.1515/9781789202687?locatt=mode:legacy |
work_keys_str_mv |
AT armstrongandrewb 24barstokillhiphopaspirationandjapanssocialmargins |
status_str |
n |
ids_txt_mv |
(DE-B1597)636572 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2019 |
is_hierarchy_title |
24 Bars to Kill : Hip Hop, Aspiration, and Japan's Social Margins / |
container_title |
Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2019 |
_version_ |
1770177269784903680 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03889nam a22008055i 4500</leader><controlfield tag="001">9781789202687</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20221004111318.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">221004t20192019nyu fo d z eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2019007626</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781789202687</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781789202687</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)636572</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nyu</subfield><subfield code="c">US-NY</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">ML3918.R37</subfield><subfield code="b">A76 2019</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML3918.R37</subfield><subfield code="b">A76 2019</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS031000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">782.4216490952</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Armstrong, Andrew B., </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">24 Bars to Kill :</subfield><subfield code="b">Hip Hop, Aspiration, and Japan's Social Margins /</subfield><subfield code="c">Andrew B. Armstrong.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York; </subfield><subfield code="a">Oxford : </subfield><subfield code="b">Berghahn Books, </subfield><subfield code="c">[2019]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (204 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Dance and Performance Studies ;</subfield><subfield code="v">14</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Figures -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Note on Language -- </subfield><subfield code="t">A Hip-Hop Introduction to Other Japans -- </subfield><subfield code="t">Chapter 1. Down in the Ghetto -- </subfield><subfield code="t">Chapter 2. Hypermasculinity and Ghetto/Gangsta Authenticity -- </subfield><subfield code="t">Chapter 3. Represent JP Koreans! Ethnic Identity in Zainichi Hip Hop -- </subfield><subfield code="t">Chapter 4. Rapping for the Nation -- </subfield><subfield code="t">Afterword -- </subfield><subfield code="t">References -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The most clearly identifiable and popular form of Japanese hip-hop, “ghetto” or “gangsta” music has much in common with its corresponding American subgenres, including its portrayal of life on the margins, confrontational style, and aspirational “rags-to-riches” narratives. Contrary to depictions of an ethnically and economically homogeneous Japan, gangsta J-hop gives voice to the suffering, deprivation, and social exclusion experienced by many modern Japanese. 24 Bars to Kill offers a fascinating ethnographic account of this music as well as the subculture around it, showing how gangsta hip-hop arises from widespread dissatisfaction and malaise.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Okt 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Crime</subfield><subfield code="z">Japan.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Gangs</subfield><subfield code="z">Japan.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Gangsta rap (Music)</subfield><subfield code="z">Japan</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Rap (Music)</subfield><subfield code="x">Social aspects</subfield><subfield code="z">Japan.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Rap (Music)</subfield><subfield code="z">Japan</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Working class</subfield><subfield code="z">Japan.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Working poor</subfield><subfield code="z">Japan.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC / Genres & Styles / Rap & Hip Hop.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Anarchy.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Japan.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Japanese Hip-Hop.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Japanese Neighborhoods.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Shingo Nishinari.</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Berghahn Books Complete eBook-Package 2019</subfield><subfield code="z">9783110997729</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781789202687?locatt=mode:legacy</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781789202687</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781789202687/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-099772-9 Berghahn Books Complete eBook-Package 2019</subfield><subfield code="b">2019</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |