The Emergence of Film Culture : : Knowledge Production, Institution Building, and the Fate of the Avant-Garde in Europe, 1919–1945 /

The Emergence of Film Culture : : Knowledge Production, Institution Building, and the Fate of the Avant-Garde in Europe, 1919–1945 / / ed. by Malte Hagener.

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Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This scene was decidedly transna...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2014-2015
MitwirkendeR:
Andersson, Lars Gustaf,
Aurich, Rolf,
Carter, Erica,
Christie, Ian,
Cuir, Greg de,
Gunning, Tom,
Hagener, Malte,
Nagl, Tobias,
Petrie, Duncan,
Pitassio, Francesco,
Ryabchikova, Natalie,
Salazkina, Masha,
Venturini, Simone,
Zimmermann, Yvonne,
HerausgeberIn:
Hagener, Malte,
Place / Publishing House:New York; , Oxford : : Berghahn Books, , [2014]
©2014
Year of Publication:2014
Language:English
Series:Film Europa ; 16
Online Access:
Physical Description:1 online resource (390 p.)
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Table of Contents:
  • Frontmatter
  • Contents
  • List of Figures
  • Acknowledgements
  • Introduction: The Emergence of Film Culture
  • I. Formations of Knowledge
  • 1. Policing Race: Postcolonial Critique, Censorship and Regulatory Responses to the Cinema in Weimar Film Culture
  • 2. The Visible Woman in and against Béla Balázs
  • 3. Encounters in Darkened Rooms: Alternative Programming of the Dutch Filmliga, 1927–31
  • 4. When Was Soviet Cinema Born? The Institutionalization of Soviet Film Studies and the Problems of Periodization
  • II. Networks of Exchange
  • 5. Eastern Avatars: Russian Influence on European Avant- Gardes
  • 6. Early Yugoslav Ciné-amateurism: Cinéphilia and the Institutionalization of Film Culture in the Kingdom of Yugoslavia during the Interwar Period
  • 7. Soviet–Italian Cinematic Exchanges: Transnational Film Education in the 1930s
  • 8. The Avant-Garde, Education and Marketing: The Making of Non-theatrical Film Culture in Interwar Switzerland
  • III Emergence of Institutions
  • 9. Interwar Film Culture in Sweden: Avant-Garde Transactions in the Emergent Welfare State
  • 10. Building the Institution: Luigi Chiarini and Italian Film Culture in the 1930s
  • 11. A New Art for a New Society? The Emergence and Development of Film Schools in Europe
  • 12. Institutions of Film Culture: Festivals and Archives as Network Nodes
  • 13. The German Reich Film Archive in an International Context
  • Notes on Contributors
  • Select Bibliography
  • Index

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