The Emergence of Film Culture : : Knowledge Production, Institution Building, and the Fate of the Avant-Garde in Europe, 1919–1945 / / ed. by Malte Hagener.
Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This scene was decidedly transna...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2014-2015 |
---|---|
MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | New York; , Oxford : : Berghahn Books, , [2014] ©2014 |
Year of Publication: | 2014 |
Language: | English |
Series: | Film Europa ;
16 |
Online Access: | |
Physical Description: | 1 online resource (390 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9781782384243 |
---|---|
lccn |
2014009540 |
ctrlnum |
(DE-B1597)637415 |
collection |
bib_alma |
record_format |
marc |
spelling |
The Emergence of Film Culture : Knowledge Production, Institution Building, and the Fate of the Avant-Garde in Europe, 1919–1945 / ed. by Malte Hagener. New York; Oxford : Berghahn Books, [2014] ©2014 1 online resource (390 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Film Europa ; 16 Frontmatter -- Contents -- List of Figures -- Acknowledgements -- Introduction: The Emergence of Film Culture -- I. Formations of Knowledge -- 1. Policing Race: Postcolonial Critique, Censorship and Regulatory Responses to the Cinema in Weimar Film Culture -- 2. The Visible Woman in and against Béla Balázs -- 3. Encounters in Darkened Rooms: Alternative Programming of the Dutch Filmliga, 1927–31 -- 4. When Was Soviet Cinema Born? The Institutionalization of Soviet Film Studies and the Problems of Periodization -- II. Networks of Exchange -- 5. Eastern Avatars: Russian Influence on European Avant- Gardes -- 6. Early Yugoslav Ciné-amateurism: Cinéphilia and the Institutionalization of Film Culture in the Kingdom of Yugoslavia during the Interwar Period -- 7. Soviet–Italian Cinematic Exchanges: Transnational Film Education in the 1930s -- 8. The Avant-Garde, Education and Marketing: The Making of Non-theatrical Film Culture in Interwar Switzerland -- III Emergence of Institutions -- 9. Interwar Film Culture in Sweden: Avant-Garde Transactions in the Emergent Welfare State -- 10. Building the Institution: Luigi Chiarini and Italian Film Culture in the 1930s -- 11. A New Art for a New Society? The Emergence and Development of Film Schools in Europe -- 12. Institutions of Film Culture: Festivals and Archives as Network Nodes -- 13. The German Reich Film Archive in an International Context -- Notes on Contributors -- Select Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This scene was decidedly transnational and creative, overcoming traditional boundaries between theory and practice, and between national and linguistic borders. This new European film culture established film as a valid form of social expression, as an art form, and as a political force to be reckoned with. By examining the extraordinarily rich and creative uses of cinema in the interwar period, we can examine the roots of film culture as we know it today. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) Experimental films Europe History and criticism. Motion pictures Europe History 20th century. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Andersson, Lars Gustaf, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Aurich, Rolf, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Carter, Erica, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Christie, Ian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cuir, Greg de, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gunning, Tom, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hagener, Malte, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hagener, Malte, editor. edt http://id.loc.gov/vocabulary/relators/edt Nagl, Tobias, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Petrie, Duncan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Pitassio, Francesco, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ryabchikova, Natalie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Salazkina, Masha, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Venturini, Simone, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Zimmermann, Yvonne, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2014-2015 9783110998238 https://doi.org/10.1515/9781782384243 https://www.degruyter.com/isbn/9781782384243 Cover https://www.degruyter.com/document/cover/isbn/9781782384243/original |
language |
English |
format |
eBook |
author2 |
Andersson, Lars Gustaf, Andersson, Lars Gustaf, Aurich, Rolf, Aurich, Rolf, Carter, Erica, Carter, Erica, Christie, Ian, Christie, Ian, Cuir, Greg de, Cuir, Greg de, Gunning, Tom, Gunning, Tom, Hagener, Malte, Hagener, Malte, Hagener, Malte, Hagener, Malte, Nagl, Tobias, Nagl, Tobias, Petrie, Duncan, Petrie, Duncan, Pitassio, Francesco, Pitassio, Francesco, Ryabchikova, Natalie, Ryabchikova, Natalie, Salazkina, Masha, Salazkina, Masha, Venturini, Simone, Venturini, Simone, Zimmermann, Yvonne, Zimmermann, Yvonne, |
author_facet |
Andersson, Lars Gustaf, Andersson, Lars Gustaf, Aurich, Rolf, Aurich, Rolf, Carter, Erica, Carter, Erica, Christie, Ian, Christie, Ian, Cuir, Greg de, Cuir, Greg de, Gunning, Tom, Gunning, Tom, Hagener, Malte, Hagener, Malte, Hagener, Malte, Hagener, Malte, Nagl, Tobias, Nagl, Tobias, Petrie, Duncan, Petrie, Duncan, Pitassio, Francesco, Pitassio, Francesco, Ryabchikova, Natalie, Ryabchikova, Natalie, Salazkina, Masha, Salazkina, Masha, Venturini, Simone, Venturini, Simone, Zimmermann, Yvonne, Zimmermann, Yvonne, |
author2_variant |
l g a lg lga l g a lg lga r a ra r a ra e c ec e c ec i c ic i c ic g d c gd gdc g d c gd gdc t g tg t g tg m h mh m h mh m h mh m h mh t n tn t n tn d p dp d p dp f p fp f p fp n r nr n r nr m s ms m s ms s v sv s v sv y z yz y z yz |
author2_role |
MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR HerausgeberIn HerausgeberIn MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR |
author_sort |
Andersson, Lars Gustaf, |
title |
The Emergence of Film Culture : Knowledge Production, Institution Building, and the Fate of the Avant-Garde in Europe, 1919–1945 / |
spellingShingle |
The Emergence of Film Culture : Knowledge Production, Institution Building, and the Fate of the Avant-Garde in Europe, 1919–1945 / Film Europa ; Frontmatter -- Contents -- List of Figures -- Acknowledgements -- Introduction: The Emergence of Film Culture -- I. Formations of Knowledge -- 1. Policing Race: Postcolonial Critique, Censorship and Regulatory Responses to the Cinema in Weimar Film Culture -- 2. The Visible Woman in and against Béla Balázs -- 3. Encounters in Darkened Rooms: Alternative Programming of the Dutch Filmliga, 1927–31 -- 4. When Was Soviet Cinema Born? The Institutionalization of Soviet Film Studies and the Problems of Periodization -- II. Networks of Exchange -- 5. Eastern Avatars: Russian Influence on European Avant- Gardes -- 6. Early Yugoslav Ciné-amateurism: Cinéphilia and the Institutionalization of Film Culture in the Kingdom of Yugoslavia during the Interwar Period -- 7. Soviet–Italian Cinematic Exchanges: Transnational Film Education in the 1930s -- 8. The Avant-Garde, Education and Marketing: The Making of Non-theatrical Film Culture in Interwar Switzerland -- III Emergence of Institutions -- 9. Interwar Film Culture in Sweden: Avant-Garde Transactions in the Emergent Welfare State -- 10. Building the Institution: Luigi Chiarini and Italian Film Culture in the 1930s -- 11. A New Art for a New Society? The Emergence and Development of Film Schools in Europe -- 12. Institutions of Film Culture: Festivals and Archives as Network Nodes -- 13. The German Reich Film Archive in an International Context -- Notes on Contributors -- Select Bibliography -- Index |
title_sub |
Knowledge Production, Institution Building, and the Fate of the Avant-Garde in Europe, 1919–1945 / |
title_full |
The Emergence of Film Culture : Knowledge Production, Institution Building, and the Fate of the Avant-Garde in Europe, 1919–1945 / ed. by Malte Hagener. |
title_fullStr |
The Emergence of Film Culture : Knowledge Production, Institution Building, and the Fate of the Avant-Garde in Europe, 1919–1945 / ed. by Malte Hagener. |
title_full_unstemmed |
The Emergence of Film Culture : Knowledge Production, Institution Building, and the Fate of the Avant-Garde in Europe, 1919–1945 / ed. by Malte Hagener. |
title_auth |
The Emergence of Film Culture : Knowledge Production, Institution Building, and the Fate of the Avant-Garde in Europe, 1919–1945 / |
title_alt |
Frontmatter -- Contents -- List of Figures -- Acknowledgements -- Introduction: The Emergence of Film Culture -- I. Formations of Knowledge -- 1. Policing Race: Postcolonial Critique, Censorship and Regulatory Responses to the Cinema in Weimar Film Culture -- 2. The Visible Woman in and against Béla Balázs -- 3. Encounters in Darkened Rooms: Alternative Programming of the Dutch Filmliga, 1927–31 -- 4. When Was Soviet Cinema Born? The Institutionalization of Soviet Film Studies and the Problems of Periodization -- II. Networks of Exchange -- 5. Eastern Avatars: Russian Influence on European Avant- Gardes -- 6. Early Yugoslav Ciné-amateurism: Cinéphilia and the Institutionalization of Film Culture in the Kingdom of Yugoslavia during the Interwar Period -- 7. Soviet–Italian Cinematic Exchanges: Transnational Film Education in the 1930s -- 8. The Avant-Garde, Education and Marketing: The Making of Non-theatrical Film Culture in Interwar Switzerland -- III Emergence of Institutions -- 9. Interwar Film Culture in Sweden: Avant-Garde Transactions in the Emergent Welfare State -- 10. Building the Institution: Luigi Chiarini and Italian Film Culture in the 1930s -- 11. A New Art for a New Society? The Emergence and Development of Film Schools in Europe -- 12. Institutions of Film Culture: Festivals and Archives as Network Nodes -- 13. The German Reich Film Archive in an International Context -- Notes on Contributors -- Select Bibliography -- Index |
title_new |
The Emergence of Film Culture : |
title_sort |
the emergence of film culture : knowledge production, institution building, and the fate of the avant-garde in europe, 1919–1945 / |
series |
Film Europa ; |
series2 |
Film Europa ; |
publisher |
Berghahn Books, |
publishDate |
2014 |
physical |
1 online resource (390 p.) |
contents |
Frontmatter -- Contents -- List of Figures -- Acknowledgements -- Introduction: The Emergence of Film Culture -- I. Formations of Knowledge -- 1. Policing Race: Postcolonial Critique, Censorship and Regulatory Responses to the Cinema in Weimar Film Culture -- 2. The Visible Woman in and against Béla Balázs -- 3. Encounters in Darkened Rooms: Alternative Programming of the Dutch Filmliga, 1927–31 -- 4. When Was Soviet Cinema Born? The Institutionalization of Soviet Film Studies and the Problems of Periodization -- II. Networks of Exchange -- 5. Eastern Avatars: Russian Influence on European Avant- Gardes -- 6. Early Yugoslav Ciné-amateurism: Cinéphilia and the Institutionalization of Film Culture in the Kingdom of Yugoslavia during the Interwar Period -- 7. Soviet–Italian Cinematic Exchanges: Transnational Film Education in the 1930s -- 8. The Avant-Garde, Education and Marketing: The Making of Non-theatrical Film Culture in Interwar Switzerland -- III Emergence of Institutions -- 9. Interwar Film Culture in Sweden: Avant-Garde Transactions in the Emergent Welfare State -- 10. Building the Institution: Luigi Chiarini and Italian Film Culture in the 1930s -- 11. A New Art for a New Society? The Emergence and Development of Film Schools in Europe -- 12. Institutions of Film Culture: Festivals and Archives as Network Nodes -- 13. The German Reich Film Archive in an International Context -- Notes on Contributors -- Select Bibliography -- Index |
isbn |
9781782384243 9783110998238 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 E96 E44 42014 |
geographic_facet |
Europe |
era_facet |
20th century. |
url |
https://doi.org/10.1515/9781782384243 https://www.degruyter.com/isbn/9781782384243 https://www.degruyter.com/document/cover/isbn/9781782384243/original |
illustrated |
Not Illustrated |
doi_str_mv |
10.1515/9781782384243 |
work_keys_str_mv |
AT anderssonlarsgustaf theemergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT aurichrolf theemergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT cartererica theemergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT christieian theemergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT cuirgregde theemergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT gunningtom theemergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT hagenermalte theemergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT nagltobias theemergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT petrieduncan theemergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT pitassiofrancesco theemergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT ryabchikovanatalie theemergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT salazkinamasha theemergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT venturinisimone theemergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT zimmermannyvonne theemergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT anderssonlarsgustaf emergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT aurichrolf emergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT cartererica emergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT christieian emergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT cuirgregde emergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT gunningtom emergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT hagenermalte emergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT nagltobias emergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT petrieduncan emergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT pitassiofrancesco emergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT ryabchikovanatalie emergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT salazkinamasha emergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT venturinisimone emergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 AT zimmermannyvonne emergenceoffilmcultureknowledgeproductioninstitutionbuildingandthefateoftheavantgardeineurope19191945 |
status_str |
n |
ids_txt_mv |
(DE-B1597)637415 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2014-2015 |
is_hierarchy_title |
The Emergence of Film Culture : Knowledge Production, Institution Building, and the Fate of the Avant-Garde in Europe, 1919–1945 / |
container_title |
Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2014-2015 |
author2_original_writing_str_mv |
noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField |
_version_ |
1770177234724716544 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06151nam a22008415i 4500</leader><controlfield tag="001">9781782384243</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20221107062033.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">221107t20142014nyu fo d z eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2014009540</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781782384243</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781782384243</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)637415</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nyu</subfield><subfield code="c">US-NY</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">PN1995.9.E96</subfield><subfield code="b">E44 2014</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 44906</subfield><subfield code="q">BVB</subfield><subfield code="2">rvk</subfield><subfield code="0">(DE-625)rvk/7516:663</subfield></datafield><datafield tag="245" ind1="0" ind2="4"><subfield code="a">The Emergence of Film Culture :</subfield><subfield code="b">Knowledge Production, Institution Building, and the Fate of the Avant-Garde in Europe, 1919–1945 /</subfield><subfield code="c">ed. by Malte Hagener.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York; </subfield><subfield code="a">Oxford : </subfield><subfield code="b">Berghahn Books, </subfield><subfield code="c">[2014]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (390 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Film Europa ;</subfield><subfield code="v">16</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">List of Figures -- </subfield><subfield code="t">Acknowledgements -- </subfield><subfield code="t">Introduction: The Emergence of Film Culture -- </subfield><subfield code="t">I. Formations of Knowledge -- </subfield><subfield code="t">1. Policing Race: Postcolonial Critique, Censorship and Regulatory Responses to the Cinema in Weimar Film Culture -- </subfield><subfield code="t">2. The Visible Woman in and against Béla Balázs -- </subfield><subfield code="t">3. Encounters in Darkened Rooms: Alternative Programming of the Dutch Filmliga, 1927–31 -- </subfield><subfield code="t">4. When Was Soviet Cinema Born? The Institutionalization of Soviet Film Studies and the Problems of Periodization -- </subfield><subfield code="t">II. Networks of Exchange -- </subfield><subfield code="t">5. Eastern Avatars: Russian Influence on European Avant- Gardes -- </subfield><subfield code="t">6. Early Yugoslav Ciné-amateurism: Cinéphilia and the Institutionalization of Film Culture in the Kingdom of Yugoslavia during the Interwar Period -- </subfield><subfield code="t">7. Soviet–Italian Cinematic Exchanges: Transnational Film Education in the 1930s -- </subfield><subfield code="t">8. The Avant-Garde, Education and Marketing: The Making of Non-theatrical Film Culture in Interwar Switzerland -- </subfield><subfield code="t">III Emergence of Institutions -- </subfield><subfield code="t">9. Interwar Film Culture in Sweden: Avant-Garde Transactions in the Emergent Welfare State -- </subfield><subfield code="t">10. Building the Institution: Luigi Chiarini and Italian Film Culture in the 1930s -- </subfield><subfield code="t">11. A New Art for a New Society? The Emergence and Development of Film Schools in Europe -- </subfield><subfield code="t">12. Institutions of Film Culture: Festivals and Archives as Network Nodes -- </subfield><subfield code="t">13. The German Reich Film Archive in an International Context -- </subfield><subfield code="t">Notes on Contributors -- </subfield><subfield code="t">Select Bibliography -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This scene was decidedly transnational and creative, overcoming traditional boundaries between theory and practice, and between national and linguistic borders. This new European film culture established film as a valid form of social expression, as an art form, and as a political force to be reckoned with. By examining the extraordinarily rich and creative uses of cinema in the interwar period, we can examine the roots of film culture as we know it today.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Experimental films</subfield><subfield code="z">Europe</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="z">Europe</subfield><subfield code="x">History</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Andersson, Lars Gustaf, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Aurich, Rolf, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Carter, Erica, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Christie, Ian, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cuir, Greg de, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gunning, Tom, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hagener, Malte, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hagener, Malte, </subfield><subfield code="e">editor.</subfield><subfield code="4">edt</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Nagl, Tobias, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Petrie, Duncan, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Pitassio, Francesco, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Ryabchikova, Natalie, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Salazkina, Masha, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Venturini, Simone, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Zimmermann, Yvonne, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Berghahn Books Complete eBook-Package 2014-2015</subfield><subfield code="z">9783110998238</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781782384243</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781782384243</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781782384243/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-099823-8 Berghahn Books Complete eBook-Package 2014-2015</subfield><subfield code="c">2014</subfield><subfield code="d">2015</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |