Dance Circles : : Movement, Morality and Self-fashioning in Urban Senegal / / Hélène Neveu Kringelbach.
Senegal has played a central role in contemporary dance due to its rich performing traditions, as well as strong state patronage of the arts, first under French colonialism and later in the postcolonial era. In the 1980s, when the Senegalese economy was in decline and state fundingwithdrawn, Europea...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013 |
---|---|
VerfasserIn: | |
Place / Publishing House: | New York; , Oxford : : Berghahn Books, , [2013] ©2013 |
Year of Publication: | 2013 |
Language: | English |
Series: | Dance and Performance Studies ;
5 |
Online Access: | |
Physical Description: | 1 online resource (252 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- Figures
- Abbreviations
- Acknowledgements
- Introduction: The Shifting Faces of Dance
- Chapter 1 Cosmopolitan Performing Arts in Twentieth- Century Senegal
- Chapter 2 A City across Waters
- Chapter 3 Drums, Sand and Persons
- Chapter 4 Images of a Mobile Youth
- Chapter 5 The Politics of Neo-Traditional Performance
- Chapter 6 Senegalese ‘Contemporary Dance’ and Global Arts Circuits
- Chapter 7 Contemporary Trajectories
- Chapter 8 Movement, Imagination and Self-Fashioning
- Bibliography
- Index