Dance Circles : : Movement, Morality and Self-fashioning in Urban Senegal / / Hélène Neveu Kringelbach.
Senegal has played a central role in contemporary dance due to its rich performing traditions, as well as strong state patronage of the arts, first under French colonialism and later in the postcolonial era. In the 1980s, when the Senegalese economy was in decline and state fundingwithdrawn, Europea...
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Superior document: | Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013 |
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Place / Publishing House: | New York; , Oxford : : Berghahn Books, , [2013] ©2013 |
Year of Publication: | 2013 |
Language: | English |
Series: | Dance and Performance Studies ;
5 |
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Physical Description: | 1 online resource (252 p.) |
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Kringelbach, Hélène Neveu, author. aut http://id.loc.gov/vocabulary/relators/aut Dance Circles : Movement, Morality and Self-fashioning in Urban Senegal / Hélène Neveu Kringelbach. New York; Oxford : Berghahn Books, [2013] ©2013 1 online resource (252 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Dance and Performance Studies ; 5 Frontmatter -- Contents -- Figures -- Abbreviations -- Acknowledgements -- Introduction: The Shifting Faces of Dance -- Chapter 1 Cosmopolitan Performing Arts in Twentieth- Century Senegal -- Chapter 2 A City across Waters -- Chapter 3 Drums, Sand and Persons -- Chapter 4 Images of a Mobile Youth -- Chapter 5 The Politics of Neo-Traditional Performance -- Chapter 6 Senegalese ‘Contemporary Dance’ and Global Arts Circuits -- Chapter 7 Contemporary Trajectories -- Chapter 8 Movement, Imagination and Self-Fashioning -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Senegal has played a central role in contemporary dance due to its rich performing traditions, as well as strong state patronage of the arts, first under French colonialism and later in the postcolonial era. In the 1980s, when the Senegalese economy was in decline and state fundingwithdrawn, European agencies used the performing arts as a tool in diplomacy. This had a profound impact on choreographic production and arts markets throughout Africa. In Senegal, choreographic performers have taken to contemporary dance, while continuing to engage with neo-traditional performance, regional genres like the sabar, and the popular dances they grew up with. A historically informed ethnography of creativity, agency, and the fashioning of selves through the different life stages in urban Senegal, this book explores the significance of this multiple engagement with dance in a context of economic uncertainty and rising concerns over morality in the public space. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) Dance companies Senegal. Dance Senegal. Performing arts Senegal. PERFORMING ARTS / Dance / General. bisacsh Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013 9783110998283 https://doi.org/10.1515/9781782381488 https://www.degruyter.com/isbn/9781782381488 Cover https://www.degruyter.com/document/cover/isbn/9781782381488/original |
language |
English |
format |
eBook |
author |
Kringelbach, Hélène Neveu, Kringelbach, Hélène Neveu, |
spellingShingle |
Kringelbach, Hélène Neveu, Kringelbach, Hélène Neveu, Dance Circles : Movement, Morality and Self-fashioning in Urban Senegal / Dance and Performance Studies ; Frontmatter -- Contents -- Figures -- Abbreviations -- Acknowledgements -- Introduction: The Shifting Faces of Dance -- Chapter 1 Cosmopolitan Performing Arts in Twentieth- Century Senegal -- Chapter 2 A City across Waters -- Chapter 3 Drums, Sand and Persons -- Chapter 4 Images of a Mobile Youth -- Chapter 5 The Politics of Neo-Traditional Performance -- Chapter 6 Senegalese ‘Contemporary Dance’ and Global Arts Circuits -- Chapter 7 Contemporary Trajectories -- Chapter 8 Movement, Imagination and Self-Fashioning -- Bibliography -- Index |
author_facet |
Kringelbach, Hélène Neveu, Kringelbach, Hélène Neveu, |
author_variant |
h n k hn hnk h n k hn hnk |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Kringelbach, Hélène Neveu, |
title |
Dance Circles : Movement, Morality and Self-fashioning in Urban Senegal / |
title_sub |
Movement, Morality and Self-fashioning in Urban Senegal / |
title_full |
Dance Circles : Movement, Morality and Self-fashioning in Urban Senegal / Hélène Neveu Kringelbach. |
title_fullStr |
Dance Circles : Movement, Morality and Self-fashioning in Urban Senegal / Hélène Neveu Kringelbach. |
title_full_unstemmed |
Dance Circles : Movement, Morality and Self-fashioning in Urban Senegal / Hélène Neveu Kringelbach. |
title_auth |
Dance Circles : Movement, Morality and Self-fashioning in Urban Senegal / |
title_alt |
Frontmatter -- Contents -- Figures -- Abbreviations -- Acknowledgements -- Introduction: The Shifting Faces of Dance -- Chapter 1 Cosmopolitan Performing Arts in Twentieth- Century Senegal -- Chapter 2 A City across Waters -- Chapter 3 Drums, Sand and Persons -- Chapter 4 Images of a Mobile Youth -- Chapter 5 The Politics of Neo-Traditional Performance -- Chapter 6 Senegalese ‘Contemporary Dance’ and Global Arts Circuits -- Chapter 7 Contemporary Trajectories -- Chapter 8 Movement, Imagination and Self-Fashioning -- Bibliography -- Index |
title_new |
Dance Circles : |
title_sort |
dance circles : movement, morality and self-fashioning in urban senegal / |
series |
Dance and Performance Studies ; |
series2 |
Dance and Performance Studies ; |
publisher |
Berghahn Books, |
publishDate |
2013 |
physical |
1 online resource (252 p.) |
contents |
Frontmatter -- Contents -- Figures -- Abbreviations -- Acknowledgements -- Introduction: The Shifting Faces of Dance -- Chapter 1 Cosmopolitan Performing Arts in Twentieth- Century Senegal -- Chapter 2 A City across Waters -- Chapter 3 Drums, Sand and Persons -- Chapter 4 Images of a Mobile Youth -- Chapter 5 The Politics of Neo-Traditional Performance -- Chapter 6 Senegalese ‘Contemporary Dance’ and Global Arts Circuits -- Chapter 7 Contemporary Trajectories -- Chapter 8 Movement, Imagination and Self-Fashioning -- Bibliography -- Index |
isbn |
9781782381488 9783110998283 |
callnumber-first |
G - Geography, Anthropology, Recreation |
callnumber-subject |
GV - Leisure and Recreation |
callnumber-label |
GV1710 |
callnumber-sort |
GV 41710 S46 N49 42013 |
geographic_facet |
Senegal. |
url |
https://doi.org/10.1515/9781782381488 https://www.degruyter.com/isbn/9781782381488 https://www.degruyter.com/document/cover/isbn/9781782381488/original |
illustrated |
Not Illustrated |
doi_str_mv |
10.1515/9781782381488 |
work_keys_str_mv |
AT kringelbachheleneneveu dancecirclesmovementmoralityandselffashioninginurbansenegal |
status_str |
n |
ids_txt_mv |
(DE-B1597)637559 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013 |
is_hierarchy_title |
Dance Circles : Movement, Morality and Self-fashioning in Urban Senegal / |
container_title |
Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013 |
_version_ |
1770177234014830592 |
fullrecord |
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