Between Market and Myth : : The Spanish Artist Novel in the Post-Transition, 1992-2014 / / Katie J. Vater.
In its early transition to democracy following Franco’s death in 1975, Spain rapidly embraced neoliberal practices and policies, some of which directly impacted cultural production. In a few short years, the country commercialized its art and literary markets, investing in “cultural tourism” as a to...
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| Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020 English |
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| Place / Publishing House: | Lewisburg, PA : : Bucknell University Press, , [2020] ©2020 |
| Year of Publication: | 2020 |
| Language: | English |
| Series: | Campos Ibéricos: Bucknell Studies in Iberian Literatures and Cultures
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| Online Access: | |
| Physical Description: | 1 online resource (225 p.) :; None |
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Table of Contents:
- Frontmatter
- Contents
- Introduction
- 1. The Weight of Fame
- 2. The Postfeminist Turn in the Artist Novel by Women
- 3. The Art Historian as Neoliberal Subject in Lourdes Ortiz’s Las manos de Velázquez and Paloma Díaz-Mas’s El sueño de Venecia
- 4. Affiliation Anxiety
- Conclusion
- Acknowledgments
- Notes
- Bibliography
- Index