Between Market and Myth : : The Spanish Artist Novel in the Post-Transition, 1992-2014 / / Katie J. Vater.

In its early transition to democracy following Franco’s death in 1975, Spain rapidly embraced neoliberal practices and policies, some of which directly impacted cultural production. In a few short years, the country commercialized its art and literary markets, investing in “cultural tourism” as a to...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020 English
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Place / Publishing House:Lewisburg, PA : : Bucknell University Press, , [2020]
©2020
Year of Publication:2020
Language:English
Series:Campos Ibéricos: Bucknell Studies in Iberian Literatures and Cultures
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Physical Description:1 online resource (225 p.) :; None
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100 1 |a Vater, Katie J.,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Between Market and Myth :  |b The Spanish Artist Novel in the Post-Transition, 1992-2014 /  |c Katie J. Vater. 
264 1 |a Lewisburg, PA :   |b Bucknell University Press,   |c [2020] 
264 4 |c ©2020 
300 |a 1 online resource (225 p.) :  |b None 
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490 0 |a Campos Ibéricos: Bucknell Studies in Iberian Literatures and Cultures 
505 0 0 |t Frontmatter --   |t Contents --   |t Introduction --   |t 1. The Weight of Fame --   |t 2. The Postfeminist Turn in the Artist Novel by Women --   |t 3. The Art Historian as Neoliberal Subject in Lourdes Ortiz’s Las manos de Velázquez and Paloma Díaz-Mas’s El sueño de Venecia --   |t 4. Affiliation Anxiety --   |t Conclusion --   |t Acknowledgments --   |t Notes --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a In its early transition to democracy following Franco’s death in 1975, Spain rapidly embraced neoliberal practices and policies, some of which directly impacted cultural production. In a few short years, the country commercialized its art and literary markets, investing in “cultural tourism” as a tool for economic growth and urban renewal. The artist novel began to proliferate for the first time in a century, but these novels—about artists and art historians—have received little critical attention beyond the descriptive. In Between Market and Myth, Vater studies select authors—Julio Llamazares, Ángeles Caso, Clara Usón, Almudena Grandes, Nieves Herrero, Paloma Díaz-Mas, Lourdes Ortiz, and Enrique Vila-Matas—whose largely realist novels portray a clash between the myth of artistic freedom and artists’ willing recruitment or cooptation by market forces or political influence. Today, in an era of rising globalization, the artist novel proves ideal for examining authors' ambivalent notions of creative practice when political patronage and private sector investment complicate belief in artistic autonomy. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) 
650 0 |a Art in literature. 
650 0 |a Artists in literature. 
650 0 |a Künstlerromane, Spanish  |x History and criticism. 
650 0 |a Künstlerromane  |z Spain  |x History and criticism. 
650 0 |a Künstlerromane, Spanish  |x History and criticism. 
650 0 |a Spanish fiction  |y 20th century  |x History and criticism. 
650 0 |a Spanish fiction  |y 21st century  |x History and criticism. 
650 7 |a LITERARY CRITICISM / General.  |2 bisacsh 
653 |a Creative economy, Künstlerroman, Artist novel, Cultura de la Transición, Cultural labor, Art-Commerce Relation, novel, post-transition, Francisco Franco, financial crisis. 
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