Reading Fu Poetry : : From the Han to Song Dynasties / / ed. by Nicholas Morrow Williams.

• Superior document: Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2021
• MitwirkendeR: Chan, Timothy Wai Keung,; Egan, Ronald,; Knechtges, David R.,; Luo, Yiyi,; Williams, Nicholas Morrow,
• HerausgeberIn: Williams, Nicholas Morrow,
• Place / Publishing House: Leeds : : ARC Humanities Press, , [2022]; ©2022
• Year of Publication: 2022
• Language: English
• Series: East Meets West: East Asia and Its Periphery from 200 BCE to 1600 CE
• Physical Description: 1 online resource (226 p.)
• Other title: Frontmatter --; CONTENTS --; ACKNOWLEDGEMENTS --; PREFACE --; Chapter 1 INVENTING THE FU: SIMULATED SPONTANEITY IN SIMA XIANGRU’S “GREAT MAN” --; Chapter 2 A PROBLEMATIC FU OF THE WESTERN HAN: THE “SHU DU FU” ATTRIBUTED TO YANG XIONG --; Chapter 3 A RECLUSE’S FRUSTRATION? RECONSIDERING YU XIN’S (513–581) “FU ON A SMALL GARDEN” --; Chapter 4 YUEFU AND FU: WANG BO’S NEW PROSODY FOR “SPRING LONGINGS” --; Chapter 5 LI QINGZHAO’S RHAPSODY ON CAPTURE THE HORSE --; BIBLIOGRAPHY
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781641894913; 9783110743227; 9783110767094; 9783110743357; 9783110767001; 9783110993899; 9783110994810; 9783110993752; 9783110993738
• DOI: 10.1515/9781641894913?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Nicholas Morrow Williams.

The fu genre (or “rhapsody” in English) is one of the major genres of Chinese poetry throughout imperial history. This volume presents close readings of representative works in the genre, spanning over a millennium of its history. Each chapter contains a complete translation of major fu poems, accompanied by an essay presenting the work or works in historical context and also examining their significance in contemporary culture. Ranging in style and topic from the exuberant accumulation of detail in Yang Xiong’s “Shu Capital,” translated by David R. Knechtges, to the luscious lyricism of Wang Bo’s “Spring Longings,” translated by Timothy W. K. Chan, the poems present a panorama of how the genre has been used for both personal and social expression. While the individual essays examine their respective subjects in depth and detail, collectively the essays also offer a sweeping survey of the fu genre from the Han (206 B.C.E.–220 C.E.) through the Song (960–1279 C.E.) dynasty.