The Russian Cinema Reader : : Volume II, The Thaw to the Present /

The Russian Cinema Reader : : Volume II, The Thaw to the Present / / ed. by Rimgaila Salys.

This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which ar...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Academic Studies Press Backlist eBook-Package 2008-2013
MitwirkendeR:
Beumers, Birgit,
Bird, Robert,
Brashinsky, Mikhail,
Carleton, Gregory,
Condee, Nancy,
Horton, Andrew,
Johnson, Vida T.,
Johnson, Vida,
Kaganovsky, Lilya,
Larsen, Susan,
Lipovetsky, Mark,
Mikhailova, Tatiana,
Monastireva-Ansdell, Elena,
Petrie, Graham,
Prokhorov, Alexander,
Prokhorova, Elena,
Salys, Rimgaila,
Stishova, Elena,
Strukov, Vlad,
Vicks, Meghan,
Woll, Josephine,
Youngblood, Denise J.,
HerausgeberIn:
Salys, Rimgaila,
Place / Publishing House:Boston, MA : : Academic Studies Press, , [2013]
©2013
Year of Publication:2013
Language:English
Series:Cultural Syllabus
Online Access:
Physical Description:1 online resource (310 p.)
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Table of Contents:
  • Frontmatter
  • Contents
  • List of Illustrations
  • Preface
  • Acknowledgments
  • Image Credits
  • Part Four
  • Cinema of the Thaw 1953-1967
  • The Cranes are Flying/Letiat zhuravli
  • Introduction
  • Reconfiguring the War and Family Tropes in Thaw-Era Homefront Melodrama
  • Ballad of a Soldier/Ballada o soldate
  • Lenin’s Guard/Zastava Il’icha
  • Wings/Kryl’ia
  • Introduction
  • Flight Without Wings: The Subjectivity of a Female War Veteran in Larisa Shepit’ko’s Wings
  • Commissar/Komissar
  • Introduction
  • Soviet Structuring Myths in The Commissar
  • Part Five
  • Cinema of Stagnation Late 1960s-1985
  • The Diamond Arm/Brilliantovaia ruka
  • White Sun of the Desert/Beloe solntse pustyni
  • Introduction
  • We Have Been Sitting Here for a Long Time
  • Solaris/Soliaris
  • Stalker
  • Introduction
  • Stalker
  • Andrei Tarkovsky: The Elements of Cinema
  • Moscow Does Not Believe in Tears/Moskva slezam ne verit
  • Introduction
  • The Cultural Logic of Late Socialism
  • Part Six
  • Perestroika and Post-Soviet Cinema 1985-2000s
  • Repentance/Monanieba (georgian); Pokaianie (russian)
  • Introduction
  • Signs and Symbols: Repentance’s Stylistic Devices
  • Little Vera/Malen’kaia Vera
  • Introduction
  • Between Joy and Suicide: Fathers, Daughters, and Little Vera
  • Burnt by the Sun/Utomlennye solntsem
  • Introduction
  • Burnt by the Sun
  • Burnt by the Sun
  • Brother/Brat
  • Introduction
  • Brother
  • Russian Ark/Russkii kovcheg
  • The Return/Vozvrashchenie
  • Introduction
  • Tarkovsky’s Return, or Zviagintsev’s Vozvrashchenie
  • Arrested Returns
  • Night Watch/Nochnoi dozor
  • The Tuner/Nastroishchik
  • Ninth Company/Deviataia rota
  • How I Ended This Summer/Kak ia provel etim letom

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