Modernity, Aesthetics, and the Bounds of Art / / Peter J. McCormick.
Illuminating the tensions between theory, history, and interpretation in contemporary aesthetics, Peter McCormick traces here the intellectual history of our understanding of the relationship between philosophy and the arts.
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Superior document: | Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000 |
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Place / Publishing House: | Ithaca, NY : : Cornell University Press, , [2019] ©1990 |
Year of Publication: | 2019 |
Language: | English |
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Physical Description: | 1 online resource (368 p.) :; 2 charts |
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Table of Contents:
- Frontmatter
- Contents
- Preface
- INTRODUCTION
- PART I. REREADING EIGHTEENTH-CENTURY AESTHETICS
- Introduction
- 1. Early Modern Aesthetics: An Analytic Reading
- 2. Early Modern Aesthetics: A Hermeneutic Reading
- 3. The Subjectivization of Aesthetics
- 4. Rereading Kant on Aesthetic Judgments
- 5. Balzano, Kant's Aesthetics, and a Realist Tradition
- INTERLUDE
- PART II. REALIST BACKGROUNDS OF MODERN AESTHETICS
- Introduction
- 6. Dilthey and Aesthetic Experience
- 7. Brentano and Descriptive Intentionalism
- 8. Husserl and Aesthetic Psychologism
- 9. Twardowski and Aesthetic Contents
- 10. Meinong and Aesthetic Feelings
- 11. Ingarden and Aesthetic Structures
- CONCLUSION
- Index