Modernity, Aesthetics, and the Bounds of Art / / Peter J. McCormick.

Illuminating the tensions between theory, history, and interpretation in contemporary aesthetics, Peter McCormick traces here the intellectual history of our understanding of the relationship between philosophy and the arts.

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000
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Place / Publishing House:Ithaca, NY : : Cornell University Press, , [2019]
©1990
Year of Publication:2019
Language:English
Online Access:
Physical Description:1 online resource (368 p.) :; 2 charts
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Description
Other title:Frontmatter --
Contents --
Preface --
INTRODUCTION --
PART I. REREADING EIGHTEENTH-CENTURY AESTHETICS --
Introduction --
1. Early Modern Aesthetics: An Analytic Reading --
2. Early Modern Aesthetics: A Hermeneutic Reading --
3. The Subjectivization of Aesthetics --
4. Rereading Kant on Aesthetic Judgments --
5. Balzano, Kant's Aesthetics, and a Realist Tradition --
INTERLUDE --
PART II. REALIST BACKGROUNDS OF MODERN AESTHETICS --
6. Dilthey and Aesthetic Experience --
7. Brentano and Descriptive Intentionalism --
8. Husserl and Aesthetic Psychologism --
9. Twardowski and Aesthetic Contents --
10. Meinong and Aesthetic Feelings --
11. Ingarden and Aesthetic Structures --
CONCLUSION --
Index
Summary:Illuminating the tensions between theory, history, and interpretation in contemporary aesthetics, Peter McCormick traces here the intellectual history of our understanding of the relationship between philosophy and the arts.
Format:Mode of access: Internet via World Wide Web.
ISBN:9781501746086
9783110536171
DOI:10.7591/9781501746086
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Peter J. McCormick.