Colonial Odysseys : : Empire and Epic in the Modernist Novel / / David Adams.

Works such as Joseph Conrad's Heart of Darkness and Lord Jim, Virginia Woolf's The Voyage Out, E. M. Forster's A Passage to India, and Evelyn Waugh's A Handful of Dust explore the relationship between Britain and its colonies when the British Empire was at its height. David Adams...

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Superior document:Title is part of eBook package: De Gruyter Cornell University Press Backlist 2000-2013
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Place / Publishing House:Ithaca, NY : : Cornell University Press, , [2018]
©2003
Year of Publication:2018
Language:English
Online Access:
Physical Description:1 online resource (272 p.) :; 5 halftones
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100 1 |a Adams, David,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Colonial Odysseys :  |b Empire and Epic in the Modernist Novel /  |c David Adams. 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Introduction --   |t 1. Beyond the Pillars of Hercules --   |t 2. "The Drive to Be at Home Everywhere" --   |t 3. Conrad's Weariness --   |t 4. Shadows of a "Silver Globe": Woolf's Reconfiguration of the Darkness --   |t Epilogue: Circling Home --   |t Works Cited --   |t Index 
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520 |a Works such as Joseph Conrad's Heart of Darkness and Lord Jim, Virginia Woolf's The Voyage Out, E. M. Forster's A Passage to India, and Evelyn Waugh's A Handful of Dust explore the relationship between Britain and its colonies when the British Empire was at its height. David Adams observes that, because of their structure and specific literary allusions, they also demand to be read in relation to the epic tradition. The elegantly written and powerfully argued Colonial Odysseys focuses on narratives published in English between 1890 and 1940 in which protagonists journey from the familiar world of Europe to alien colonial worlds. The underlying concerns of these narratives, Adams discovers, are often less political or literary than metaphysical: in each of these fictions a major character dies as a result of the journey, inviting reflection on the negation of existence. Repeatedly, imaginative encounters with distant, uncanny colonies produce familiar, insular presentations of life as an odyssey, with death as the home port. Expanding postcolonial and Marxist theories by drawing on the philosophy of Hans Blumenberg, Adams finds in this preoccupation with mortality a symptom of the failure of secular culture to give meaning to death. This concern, in his view, shapes the ways modernist narratives reinforce or critique imperial culture-the authors project onto British imperial experience their anxieties about the individual's relation to the absolute. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a English fiction  |y 20th century  |x History and criticism. 
650 0 |a Epic literature, English  |x History and criticism. 
650 0 |a Imperialism in literature. 
650 0 |a Modernism (Literature)  |z Great Britain. 
650 4 |a Europe. 
650 4 |a Literary Studies. 
650 7 |a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.  |2 bisacsh 
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776 0 |c print  |z 9780801441615 
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