"Getting Paid" : : Youth Crime and Work in the Inner City / / Mercer L. Sullivan.

• Superior document: Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000
• VerfasserIn: Sullivan, Mercer L.,
• Place / Publishing House: Ithaca, NY : : Cornell University Press, , [2018]; ©1990
• Year of Publication: 2018
• Language: English
• Series: The Anthropology of Contemporary Issues
• Physical Description: 1 online resource (320 p.)
• Other title: Frontmatter --; Contents --; Tables --; Acknowledgments --; 1. Introduction: Social Theory And Neighborhood Research --; 2. The Neighborhoods --; 3. Schooling --; 4. Employment --; 5. Getting Into Crime --; 6. Crime In La Barriada --; 7. Crime In Projectville --; 8. Crime In Hamilton Park --; 9. Empirical Comparison Of Crime Patterns --; 10. Youth Crime And Social Theory --; 11. Youth Crime And Social Policy --; Appendix: Procedures For Notifying Research Participants In The Neighborhood Study --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781501717697; 9783110536171
• DOI: 10.7591/9781501717697
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Mercer L. Sullivan.

The working class in New York City was remade in the mid-nineteenth century. In the 1820s a substantial majority of city artisans were native-born; by the 1850s three-quarters of the city's laboring men and women were immigrants. How did the influx of this large group of young adults affect the city's working class? What determined the texture of working-class life during the antebellum period? Richard Stott addresses these questions as he explores the social and economic dimensions of working-class culture. Working-class culture, Stott maintains, is grounded in the material environment, and when work, population, consumption, and the uses of urban space change as rapidly as they did in the mid-nineteenth century, culture will be transformed. Using workers' first-person accounts—letters, diaries, and reminiscences—as evidence, and focusing on such diverse topics as neighborhoods, diet, saloons, and dialect, he traces the rise of a new, youth-oriented working-class culture. By illuminating the everyday experiences of city workers, he shows that the culture emerging in the 1850s was a culture clearly different from that of native-born artisans of an earlier period and from that of the middle class as well.