The Black Radical Tragic : : Performance, Aesthetics, and the Unfinished Haitian Revolution / / Jeremy Matthew Glick.
2017 Nicolás Guillén Outstanding Book Award presented by the Caribbean Philosophical AssociationAs the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable range of artists and activist-intellectuals in the Af...
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Superior document: | Title is part of eBook package: De Gruyter New York University Press Complete eBook-Package 2016 |
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Place / Publishing House: | New York, NY : : New York University Press, , [2016] ©2016 |
Year of Publication: | 2016 |
Language: | English |
Series: | America and the Long 19th Century ;
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Online Access: | |
Physical Description: | 1 online resource :; 1 black and white illustrations |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Introduction: The Haitian Revolution as Refusal and Reuse
- Overture: Haiti Against Forgetting and the Thermidorian Present
- 1. Haitian Revolutionary Encounters: Eugene O’Neill, Sergei Eisenstein, and Orson Welles
- 2. Bringing in the Chorus: The Haitian Revolution Plays of C.L.R. James and Edouard Glissant
- 3. Tragedy as Mediation: The Black Jacobins
- 4. Tshembe’s Choice: Lorraine Hansberry’s Pan-Africanist Drama and Haitian Revolution Opera
- Conclusion: Malcolm X’s Enlistment of Hamlet and Spinoza
- Coda: Black Radical Tragic Propositions
- Notes
- Index
- About the Author