The Black Radical Tragic : : Performance, Aesthetics, and the Unfinished Haitian Revolution / / Jeremy Matthew Glick.
2017 Nicolás Guillén Outstanding Book Award presented by the Caribbean Philosophical AssociationAs the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable range of artists and activist-intellectuals in the Af...
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Superior document: | Title is part of eBook package: De Gruyter New York University Press Complete eBook-Package 2016 |
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Place / Publishing House: | New York, NY : : New York University Press, , [2016] ©2016 |
Year of Publication: | 2016 |
Language: | English |
Series: | America and the Long 19th Century ;
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Physical Description: | 1 online resource :; 1 black and white illustrations |
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Glick, Jeremy Matthew, author. aut http://id.loc.gov/vocabulary/relators/aut The Black Radical Tragic : Performance, Aesthetics, and the Unfinished Haitian Revolution / Jeremy Matthew Glick. New York, NY : New York University Press, [2016] ©2016 1 online resource : 1 black and white illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda America and the Long 19th Century ; 2 Frontmatter -- Contents -- Acknowledgments -- Introduction: The Haitian Revolution as Refusal and Reuse -- Overture: Haiti Against Forgetting and the Thermidorian Present -- 1. Haitian Revolutionary Encounters: Eugene O’Neill, Sergei Eisenstein, and Orson Welles -- 2. Bringing in the Chorus: The Haitian Revolution Plays of C.L.R. James and Edouard Glissant -- 3. Tragedy as Mediation: The Black Jacobins -- 4. Tshembe’s Choice: Lorraine Hansberry’s Pan-Africanist Drama and Haitian Revolution Opera -- Conclusion: Malcolm X’s Enlistment of Hamlet and Spinoza -- Coda: Black Radical Tragic Propositions -- Notes -- Index -- About the Author restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star 2017 Nicolás Guillén Outstanding Book Award presented by the Caribbean Philosophical AssociationAs the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable range of artists and activist-intellectuals in the African Diaspora.In The Black Radical Tragic, Jeremy Matthew Glick examines twentieth-century performances engaging the revolution as laboratories for political thinking. Asking readers to consider the revolution less a fixed event than an ongoing and open-ended history resonating across the work of Atlantic world intellectuals, Glick argues that these writers use the Haitian Revolution as a watershed to chart their own radical political paths, animating, enriching, and framing their artistic and scholarly projects. Spanning the disciplines of literature, philosophy, and political thought, The Black Radical Tragic explores work from Lorraine Hansberry, Sergei Eisenstein, Edouard Glissant, Malcolm X, and others, ultimately enacting a speculative encounter between Bertolt Brecht and C.L.R. James to reconsider the relationship between tragedy and revolution. In its grand refusal to forget, The Black Radical Tragic demonstrates how the Haitian Revolution has influenced the ideas of freedom and self-determination that have propelled Black radical struggles throughout the modern era. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) LITERARY CRITICISM / Semiotics & Theory. bisacsh Title is part of eBook package: De Gruyter New York University Press Complete eBook-Package 2016 9783110728989 print 9781479844425 https://doi.org/10.18574/nyu/9781479844425.001.0001 https://www.degruyter.com/isbn/9781479814855 Cover https://www.degruyter.com/document/cover/isbn/9781479814855/original |
language |
English |
format |
eBook |
author |
Glick, Jeremy Matthew, Glick, Jeremy Matthew, |
spellingShingle |
Glick, Jeremy Matthew, Glick, Jeremy Matthew, The Black Radical Tragic : Performance, Aesthetics, and the Unfinished Haitian Revolution / America and the Long 19th Century ; Frontmatter -- Contents -- Acknowledgments -- Introduction: The Haitian Revolution as Refusal and Reuse -- Overture: Haiti Against Forgetting and the Thermidorian Present -- 1. Haitian Revolutionary Encounters: Eugene O’Neill, Sergei Eisenstein, and Orson Welles -- 2. Bringing in the Chorus: The Haitian Revolution Plays of C.L.R. James and Edouard Glissant -- 3. Tragedy as Mediation: The Black Jacobins -- 4. Tshembe’s Choice: Lorraine Hansberry’s Pan-Africanist Drama and Haitian Revolution Opera -- Conclusion: Malcolm X’s Enlistment of Hamlet and Spinoza -- Coda: Black Radical Tragic Propositions -- Notes -- Index -- About the Author |
author_facet |
Glick, Jeremy Matthew, Glick, Jeremy Matthew, |
author_variant |
j m g jm jmg j m g jm jmg |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Glick, Jeremy Matthew, |
title |
The Black Radical Tragic : Performance, Aesthetics, and the Unfinished Haitian Revolution / |
title_sub |
Performance, Aesthetics, and the Unfinished Haitian Revolution / |
title_full |
The Black Radical Tragic : Performance, Aesthetics, and the Unfinished Haitian Revolution / Jeremy Matthew Glick. |
title_fullStr |
The Black Radical Tragic : Performance, Aesthetics, and the Unfinished Haitian Revolution / Jeremy Matthew Glick. |
title_full_unstemmed |
The Black Radical Tragic : Performance, Aesthetics, and the Unfinished Haitian Revolution / Jeremy Matthew Glick. |
title_auth |
The Black Radical Tragic : Performance, Aesthetics, and the Unfinished Haitian Revolution / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction: The Haitian Revolution as Refusal and Reuse -- Overture: Haiti Against Forgetting and the Thermidorian Present -- 1. Haitian Revolutionary Encounters: Eugene O’Neill, Sergei Eisenstein, and Orson Welles -- 2. Bringing in the Chorus: The Haitian Revolution Plays of C.L.R. James and Edouard Glissant -- 3. Tragedy as Mediation: The Black Jacobins -- 4. Tshembe’s Choice: Lorraine Hansberry’s Pan-Africanist Drama and Haitian Revolution Opera -- Conclusion: Malcolm X’s Enlistment of Hamlet and Spinoza -- Coda: Black Radical Tragic Propositions -- Notes -- Index -- About the Author |
title_new |
The Black Radical Tragic : |
title_sort |
the black radical tragic : performance, aesthetics, and the unfinished haitian revolution / |
series |
America and the Long 19th Century ; |
series2 |
America and the Long 19th Century ; |
publisher |
New York University Press, |
publishDate |
2016 |
physical |
1 online resource : 1 black and white illustrations |
contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction: The Haitian Revolution as Refusal and Reuse -- Overture: Haiti Against Forgetting and the Thermidorian Present -- 1. Haitian Revolutionary Encounters: Eugene O’Neill, Sergei Eisenstein, and Orson Welles -- 2. Bringing in the Chorus: The Haitian Revolution Plays of C.L.R. James and Edouard Glissant -- 3. Tragedy as Mediation: The Black Jacobins -- 4. Tshembe’s Choice: Lorraine Hansberry’s Pan-Africanist Drama and Haitian Revolution Opera -- Conclusion: Malcolm X’s Enlistment of Hamlet and Spinoza -- Coda: Black Radical Tragic Propositions -- Notes -- Index -- About the Author |
isbn |
9781479814855 9783110728989 9781479844425 |
url |
https://doi.org/10.18574/nyu/9781479844425.001.0001 https://www.degruyter.com/isbn/9781479814855 https://www.degruyter.com/document/cover/isbn/9781479814855/original |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
800 - Literature, rhetoric & criticism |
dewey-ones |
809 - History, description & criticism |
dewey-full |
809/.933587294 |
dewey-sort |
3809 9933587294 |
dewey-raw |
809/.933587294 |
dewey-search |
809/.933587294 |
doi_str_mv |
10.18574/nyu/9781479844425.001.0001 |
oclc_num |
939405607 |
work_keys_str_mv |
AT glickjeremymatthew theblackradicaltragicperformanceaestheticsandtheunfinishedhaitianrevolution AT glickjeremymatthew blackradicaltragicperformanceaestheticsandtheunfinishedhaitianrevolution |
status_str |
n |
ids_txt_mv |
(DE-B1597)547590 (OCoLC)939405607 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter New York University Press Complete eBook-Package 2016 |
is_hierarchy_title |
The Black Radical Tragic : Performance, Aesthetics, and the Unfinished Haitian Revolution / |
container_title |
Title is part of eBook package: De Gruyter New York University Press Complete eBook-Package 2016 |
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1770177010473107456 |
fullrecord |
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