Glitter Up the Dark : : How Pop Music Broke the Binary / / Sasha Geffen.

From the Beatles to Prince to Perfume Genius, Glitter Up the Dark takes a historical look at the voices that transcended gender and the ways music has subverted the gender binary. Why has music so often served as an accomplice to transcendent expressions of gender? Why did the query "is he musi...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2020
VerfasserIn:
Place / Publishing House:Austin : : University of Texas Press, , [2021]
©2020
Year of Publication:2021
Language:English
Series:American Music Series
Online Access:
Physical Description:1 online resource (264 p.)
Tags: Add Tag
No Tags, Be the first to tag this record!
LEADER 04582nam a22006975i 4500
001 9781477320839
003 DE-B1597
005 20230127011820.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 230127t20212020txu fo d z eng d
010 |a 2019039555 
020 |a 9781477320839 
024 7 |a 10.7560/318782  |2 doi 
035 |a (DE-B1597)587981 
035 |a (OCoLC)1266228197 
040 |a DE-B1597  |b eng  |c DE-B1597  |e rda 
041 0 |a eng 
044 |a txu  |c US-TX 
050 4 |a ML3470  |b .G44 2020 
072 7 |a MUS000000  |2 bisacsh 
082 0 4 |a 781.64086/7  |2 23 
100 1 |a Geffen, Sasha,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Glitter Up the Dark :  |b How Pop Music Broke the Binary /  |c Sasha Geffen. 
264 1 |a Austin :   |b University of Texas Press,   |c [2021] 
264 4 |c ©2020 
300 |a 1 online resource (264 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
490 0 |a American Music Series 
505 0 0 |t Frontmatter --   |t CONTENTS --   |t INTRODUCTION An Alternate Ribbon of Time --   |t 1 SCREAMING THE BEATLES The First Boy Band Breaks the Gender Mold --   |t 2 OH! YOU PRETTY THINGS The Glitter Revolution --   |t 3 WHINING IS GENDER NEUTRAL Punk's Adolescent Escapism --   |t 4 WRECKERS OF CIVILIZATION Post-punk, Goth, and Industrial --   |t 5 SOFT MACHINES Women, Cyborgs, and Electronic Music --   |t 6 NOT A WOMAN, NOT A MAN Prince's Sapphic Androgyny --   |t 7 THE FAKE MAKES I T REAL Synthpop and MTV --   |t 8 INFINITE UTOPIA Queer Time in Disco and House --   |t 9 FUNKY CYBORGS Time, Technology, and Gender in Hip-Hop --   |t 10 BUTCH THROATS Women's Music and Riot Grrrl --   |t 11 GOD IS GAY The Grunge Eruption --   |t 12 NO SHAPE The Formless Internet --   |t CODA Whole New World --   |t ACKNOWLEDGMENTS --   |t NOTES --   |t INDEX 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a From the Beatles to Prince to Perfume Genius, Glitter Up the Dark takes a historical look at the voices that transcended gender and the ways music has subverted the gender binary. Why has music so often served as an accomplice to transcendent expressions of gender? Why did the query "is he musical?" become code, in the twentieth century, for "is he gay?" Why is music so inherently queer? For Sasha Geffen, the answers lie, in part, in music's intrinsic quality of subliminal expression, which, through paradox and contradiction, allows rigid gender roles to fall away in a sensual and ambiguous exchange between performer and listener. Glitter Up the Dark traces the history of this gender fluidity in pop music from the early twentieth century to the present day. Starting with early blues and the Beatles and continuing with performers such as David Bowie, Prince, Missy Elliot, and Frank Ocean, Geffen explores how artists have used music, fashion, language, and technology to break out of the confines mandated by gender essentialism and establish the voice as the primary expression of gender transgression. From glam rock and punk to disco, techno, and hip-hop, music helped set the stage for today's conversations about trans rights and recognition of nonbinary and third-gender identities. Glitter Up the Dark takes a long look back at the path that led here. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) 
650 0 |a Gender identity in music. 
650 0 |a Popular music  |x History and criticism. 
650 0 |a Sex role in music. 
650 7 |a MUSIC / General.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t University of Texas Press Complete eBook-Package 2020  |z 9783110745283 
856 4 0 |u https://doi.org/10.7560/318782 
856 4 0 |u https://www.degruyter.com/isbn/9781477320839 
856 4 2 |3 Cover  |u https://www.degruyter.com/document/cover/isbn/9781477320839/original 
912 |a 978-3-11-074528-3 University of Texas Press Complete eBook-Package 2020  |b 2020 
912 |a EBA_BACKALL 
912 |a EBA_CL_MUAR 
912 |a EBA_EBACKALL 
912 |a EBA_EBKALL 
912 |a EBA_ECL_MUAR 
912 |a EBA_EEBKALL 
912 |a EBA_ESSHALL 
912 |a EBA_PPALL 
912 |a EBA_SSHALL 
912 |a GBV-deGruyter-alles 
912 |a PDA11SSHE 
912 |a PDA13ENGE 
912 |a PDA17SSHEE 
912 |a PDA5EBK