Comics and Pop Culture : : Adaptation from Panel to Frame / / ed. by Scott Henderson, Barry Keith Grant.
It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic s...
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Comics and Pop Culture : Adaptation from Panel to Frame / ed. by Scott Henderson, Barry Keith Grant. Austin : University of Texas Press, [2021] ©2019 1 online resource (330 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgments -- Introduction -- PART ONE ISSUES AND DEBATES -- The Crossroads of Infinity, or Universum Incognitum -- From Adaptation to Extension: A History of Comics Adapting Films, 1974–2015 -- Take the Movie Home! How the Comic Book Tie-In Anticipated Transmedia Production -- Manga, Anime, Adaptation: Economic Strategies, Aesthetic Specificities, Social Issues -- Genre and Superhero Cinema -- Destroying the Rainbow Bridge: Representations of Heterosexuality in Marvel Superhero Narratives -- Mutatis Mutandis: Constructing Fidelity in the Comic Book Film Adaptation -- “We Roller Coaster Through . . . ” : Screenwriting, Narrative Economy, and the Inscription of the Haptic in Tentpole Comic Book Movies -- Adaptation and Seriality: Comic Book to Television Series Adaptations -- PART TWO PANELS AND FRAMES -- Felix in—and out of—Space -- A Comic Book Life/Style: World Building in American Splendor -- The Extraordinary Career of Modesty Blaise -- Authenticity and Judge Dredd on Film -- CGI as Adaptation Strategy: Can a Digitally Constructed Spider-Man Do Whatever a Hand-Drawn Spider-Man Can? -- Scott Pilgrim’s Precious Little Texts: Adaptation, Form, and Transmedia Co-creation -- Transmedia Adaptation and Writing in the Margins: A Graphic Expansion of George Romero’s Night of the Living Dead -- Agency and Intertextuality: Tank Girl, Subcultural Aesthetics, and the Strong Female Protagonist -- Black Panther: Aspiration, Identification, and Appropriation -- Contributors -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Representing diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies, Comics and Pop Culture presents more than a dozen perspectives on this rich history and the effects of such adaptations. Examining current debates and the questions raised by comics adaptations, including those around authorship, style, and textual fidelity, the contributors consider the topic from an array of approaches that take into account representations of sexuality, gender, and race as well as concepts of world-building and cultural appropriation in comics from Modesty Blaise to Black Panther. The result is a fascinating re-imagination of the texts that continue to push the boundaries of panel, frame, and popular culture. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) Comic books, strips, etc Film adaptations. Comic books, strips, etc. Film adaptations. Comic strip characters in motion pictures. Comic strip characters on television. Film adaptations History and criticism. Mass media and culture. Motion pictures and comic books. LITERARY CRITICISM / General. bisacsh Bodner, John, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Briefel, Aviva, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Brown, Jeffrey A., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bukatman, Scott, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Burke, Liam, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Chapman, James, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Davis, Blair, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Grant, Barry Keith, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Grant, Barry Keith, editor. edt http://id.loc.gov/vocabulary/relators/edt Henderson, Scott, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Henderson, Scott, editor. edt http://id.loc.gov/vocabulary/relators/edt Hoxter, Julian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kent, Miriam, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Percival, J. Mark, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Reyns-Chikuma, Chris, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rothery, Jason, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Taylor, Aaron, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Taylor, James C., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Telotte, J. P., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Vint, Sherryl, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Woo, Benjamin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Yockey, Matt, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2019 9783110745290 https://doi.org/10.7560/319383 https://www.degruyter.com/isbn/9781477319406 Cover https://www.degruyter.com/document/cover/isbn/9781477319406/original |
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English |
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Bodner, John, Bodner, John, Briefel, Aviva, Briefel, Aviva, Brown, Jeffrey A., Brown, Jeffrey A., Bukatman, Scott, Bukatman, Scott, Burke, Liam, Burke, Liam, Chapman, James, Chapman, James, Davis, Blair, Davis, Blair, Grant, Barry Keith, Grant, Barry Keith, Grant, Barry Keith, Grant, Barry Keith, Henderson, Scott, Henderson, Scott, Henderson, Scott, Henderson, Scott, Hoxter, Julian, Hoxter, Julian, Kent, Miriam, Kent, Miriam, Percival, J. Mark, Percival, J. Mark, Reyns-Chikuma, Chris, Reyns-Chikuma, Chris, Rothery, Jason, Rothery, Jason, Taylor, Aaron, Taylor, Aaron, Taylor, James C., Taylor, James C., Telotte, J. P., Telotte, J. P., Vint, Sherryl, Vint, Sherryl, Woo, Benjamin, Woo, Benjamin, Yockey, Matt, Yockey, Matt, |
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Bodner, John, Bodner, John, Briefel, Aviva, Briefel, Aviva, Brown, Jeffrey A., Brown, Jeffrey A., Bukatman, Scott, Bukatman, Scott, Burke, Liam, Burke, Liam, Chapman, James, Chapman, James, Davis, Blair, Davis, Blair, Grant, Barry Keith, Grant, Barry Keith, Grant, Barry Keith, Grant, Barry Keith, Henderson, Scott, Henderson, Scott, Henderson, Scott, Henderson, Scott, Hoxter, Julian, Hoxter, Julian, Kent, Miriam, Kent, Miriam, Percival, J. Mark, Percival, J. Mark, Reyns-Chikuma, Chris, Reyns-Chikuma, Chris, Rothery, Jason, Rothery, Jason, Taylor, Aaron, Taylor, Aaron, Taylor, James C., Taylor, James C., Telotte, J. P., Telotte, J. P., Vint, Sherryl, Vint, Sherryl, Woo, Benjamin, Woo, Benjamin, Yockey, Matt, Yockey, Matt, |
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author_sort |
Bodner, John, |
title |
Comics and Pop Culture : Adaptation from Panel to Frame / |
spellingShingle |
Comics and Pop Culture : Adaptation from Panel to Frame / Frontmatter -- Contents -- Acknowledgments -- Introduction -- PART ONE ISSUES AND DEBATES -- The Crossroads of Infinity, or Universum Incognitum -- From Adaptation to Extension: A History of Comics Adapting Films, 1974–2015 -- Take the Movie Home! How the Comic Book Tie-In Anticipated Transmedia Production -- Manga, Anime, Adaptation: Economic Strategies, Aesthetic Specificities, Social Issues -- Genre and Superhero Cinema -- Destroying the Rainbow Bridge: Representations of Heterosexuality in Marvel Superhero Narratives -- Mutatis Mutandis: Constructing Fidelity in the Comic Book Film Adaptation -- “We Roller Coaster Through . . . ” : Screenwriting, Narrative Economy, and the Inscription of the Haptic in Tentpole Comic Book Movies -- Adaptation and Seriality: Comic Book to Television Series Adaptations -- PART TWO PANELS AND FRAMES -- Felix in—and out of—Space -- A Comic Book Life/Style: World Building in American Splendor -- The Extraordinary Career of Modesty Blaise -- Authenticity and Judge Dredd on Film -- CGI as Adaptation Strategy: Can a Digitally Constructed Spider-Man Do Whatever a Hand-Drawn Spider-Man Can? -- Scott Pilgrim’s Precious Little Texts: Adaptation, Form, and Transmedia Co-creation -- Transmedia Adaptation and Writing in the Margins: A Graphic Expansion of George Romero’s Night of the Living Dead -- Agency and Intertextuality: Tank Girl, Subcultural Aesthetics, and the Strong Female Protagonist -- Black Panther: Aspiration, Identification, and Appropriation -- Contributors -- Index |
title_sub |
Adaptation from Panel to Frame / |
title_full |
Comics and Pop Culture : Adaptation from Panel to Frame / ed. by Scott Henderson, Barry Keith Grant. |
title_fullStr |
Comics and Pop Culture : Adaptation from Panel to Frame / ed. by Scott Henderson, Barry Keith Grant. |
title_full_unstemmed |
Comics and Pop Culture : Adaptation from Panel to Frame / ed. by Scott Henderson, Barry Keith Grant. |
title_auth |
Comics and Pop Culture : Adaptation from Panel to Frame / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- PART ONE ISSUES AND DEBATES -- The Crossroads of Infinity, or Universum Incognitum -- From Adaptation to Extension: A History of Comics Adapting Films, 1974–2015 -- Take the Movie Home! How the Comic Book Tie-In Anticipated Transmedia Production -- Manga, Anime, Adaptation: Economic Strategies, Aesthetic Specificities, Social Issues -- Genre and Superhero Cinema -- Destroying the Rainbow Bridge: Representations of Heterosexuality in Marvel Superhero Narratives -- Mutatis Mutandis: Constructing Fidelity in the Comic Book Film Adaptation -- “We Roller Coaster Through . . . ” : Screenwriting, Narrative Economy, and the Inscription of the Haptic in Tentpole Comic Book Movies -- Adaptation and Seriality: Comic Book to Television Series Adaptations -- PART TWO PANELS AND FRAMES -- Felix in—and out of—Space -- A Comic Book Life/Style: World Building in American Splendor -- The Extraordinary Career of Modesty Blaise -- Authenticity and Judge Dredd on Film -- CGI as Adaptation Strategy: Can a Digitally Constructed Spider-Man Do Whatever a Hand-Drawn Spider-Man Can? -- Scott Pilgrim’s Precious Little Texts: Adaptation, Form, and Transmedia Co-creation -- Transmedia Adaptation and Writing in the Margins: A Graphic Expansion of George Romero’s Night of the Living Dead -- Agency and Intertextuality: Tank Girl, Subcultural Aesthetics, and the Strong Female Protagonist -- Black Panther: Aspiration, Identification, and Appropriation -- Contributors -- Index |
title_new |
Comics and Pop Culture : |
title_sort |
comics and pop culture : adaptation from panel to frame / |
publisher |
University of Texas Press, |
publishDate |
2021 |
physical |
1 online resource (330 p.) |
contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- PART ONE ISSUES AND DEBATES -- The Crossroads of Infinity, or Universum Incognitum -- From Adaptation to Extension: A History of Comics Adapting Films, 1974–2015 -- Take the Movie Home! How the Comic Book Tie-In Anticipated Transmedia Production -- Manga, Anime, Adaptation: Economic Strategies, Aesthetic Specificities, Social Issues -- Genre and Superhero Cinema -- Destroying the Rainbow Bridge: Representations of Heterosexuality in Marvel Superhero Narratives -- Mutatis Mutandis: Constructing Fidelity in the Comic Book Film Adaptation -- “We Roller Coaster Through . . . ” : Screenwriting, Narrative Economy, and the Inscription of the Haptic in Tentpole Comic Book Movies -- Adaptation and Seriality: Comic Book to Television Series Adaptations -- PART TWO PANELS AND FRAMES -- Felix in—and out of—Space -- A Comic Book Life/Style: World Building in American Splendor -- The Extraordinary Career of Modesty Blaise -- Authenticity and Judge Dredd on Film -- CGI as Adaptation Strategy: Can a Digitally Constructed Spider-Man Do Whatever a Hand-Drawn Spider-Man Can? -- Scott Pilgrim’s Precious Little Texts: Adaptation, Form, and Transmedia Co-creation -- Transmedia Adaptation and Writing in the Margins: A Graphic Expansion of George Romero’s Night of the Living Dead -- Agency and Intertextuality: Tank Girl, Subcultural Aesthetics, and the Strong Female Protagonist -- Black Panther: Aspiration, Identification, and Appropriation -- Contributors -- Index |
isbn |
9781477319406 9783110745290 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1997 |
callnumber-sort |
PN 41997.85 C636 42019 |
url |
https://doi.org/10.7560/319383 https://www.degruyter.com/isbn/9781477319406 https://www.degruyter.com/document/cover/isbn/9781477319406/original |
illustrated |
Not Illustrated |
doi_str_mv |
10.7560/319383 |
oclc_num |
1269268502 |
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Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2019 |
is_hierarchy_title |
Comics and Pop Culture : Adaptation from Panel to Frame / |
container_title |
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Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Representing diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies, Comics and Pop Culture presents more than a dozen perspectives on this rich history and the effects of such adaptations. Examining current debates and the questions raised by comics adaptations, including those around authorship, style, and textual fidelity, the contributors consider the topic from an array of approaches that take into account representations of sexuality, gender, and race as well as concepts of world-building and cultural appropriation in comics from Modesty Blaise to Black Panther. The result is a fascinating re-imagination of the texts that continue to push the boundaries of panel, frame, and popular culture.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Comic books, strips, etc</subfield><subfield code="x">Film adaptations.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Comic books, strips, etc.</subfield><subfield code="x">Film adaptations.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Comic strip characters in motion pictures.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Comic strip characters on television.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Film adaptations</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Mass media and culture.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures and comic books.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bodner, John, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Briefel, Aviva, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Brown, Jeffrey A., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bukatman, Scott, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Burke, Liam, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Chapman, James, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Davis, Blair, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Grant, Barry Keith, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Grant, Barry Keith, </subfield><subfield code="e">editor.</subfield><subfield code="4">edt</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Henderson, Scott, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Henderson, Scott, </subfield><subfield code="e">editor.</subfield><subfield code="4">edt</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hoxter, Julian, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kent, Miriam, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Percival, J. Mark, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Reyns-Chikuma, Chris, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rothery, Jason, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Taylor, Aaron, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Taylor, James C., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Telotte, J. P., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Vint, Sherryl, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Woo, Benjamin, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Yockey, Matt, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">University of Texas Press Complete eBook-Package 2019</subfield><subfield code="z">9783110745290</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7560/319383</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781477319406</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781477319406/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-074529-0 University of Texas Press Complete eBook-Package 2019</subfield><subfield code="b">2019</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |