From Fidelity to History : : Film Adaptations as Cultural Events in the Twentieth Century / / Anne-Marie Scholz.

• Superior document: Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013
• VerfasserIn: Scholz, Anne-Marie,
• Place / Publishing House: New York ;, Oxford : : Berghahn Books, , [2013]; ©2013
• Year of Publication: 2013
• Language: English
• Series: Transatlantic Perspectives ; 3
• Physical Description: 1 online resource (252 p.)
• Other title: Frontmatter --; Contents --; List of Illustrations --; Acknowledgments --; Introduction. Adaptation as Reception: How Film Historians Can Contribute to the Literature to Film Debates --; Part I. Post-Cold War Readings of the Receptions of Blockbuster Adaptations in Cold War West Germany 1950–1963 --; Introduction --; Chapter 1. “Eine Revolution des Films”: The Third Man, The Cold War, and Alternatives to Nationalism and Coca-Colonization in Europe --; Chapter 2. The Bridge on the River Kwai Revisited: Combat Cinema, American Culture, and the German Past --; Chapter 3. “Josef K. von 1963”: Orson Welles’s Americanized Version of Th e Trial and the Changing Functions of the Kafkaesque in Postwar West Germany --; Part II. Postfeminist Relations between Classic Texts and Hollywood Film Adaptations in the U.S. in the 1990s --; Chapter 4. Jane-Mania: The Jane Austen Film Boom in the 1990s --; Chapter 5. Thelma and Sense and Louise and Sensibility: Challenging Dichotomies in Women’s History through Film and Literature --; Chapter 6. Jamesian Proportions: The Henry James Film Boom in the 1990s --; Conclusion. A Case for the Case Study: The Future of Adaptation Studies as a Branch of Transnational Film History --; Appendix 1. Mediating Apparent and Latent Content (Tables 1 & 2) --; Appendix 2. Model of Adaptation as a Process of Reception --; Filmography --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780857457325; 9783110998283
• DOI: 10.1515/9780857457325
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Anne-Marie Scholz.

Scholarly approaches to the relationship between literature and film, ranging from the traditional focus upon fidelity to more recent issues of intertextuality, all contain a significant blind spot: a lack of theoretical and methodological attention to adaptation as an historical and transnational phenomenon. This book argues for a historically informed approach to American popular culture that reconfigures the classically defined adaptation phenomenon as a form of transnational reception. Focusing on several case studies— including the films Sense and Sensibility (1995) and The Portrait of a Lady (1997), and the classics The Third Man (1949) and The Bridge on the River Kwai (1957)—the author demonstrates the ways adapted literary works function as social and cultural events in history and how these become important sites of cultural negotiation and struggle.