From Fidelity to History : : Film Adaptations as Cultural Events in the Twentieth Century / / Anne-Marie Scholz.
Scholarly approaches to the relationship between literature and film, ranging from the traditional focus upon fidelity to more recent issues of intertextuality, all contain a significant blind spot: a lack of theoretical and methodological attention to adaptation as an historical and transnational p...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013 |
---|---|
VerfasserIn: | |
Place / Publishing House: | New York ;, Oxford : : Berghahn Books, , [2013] ©2013 |
Year of Publication: | 2013 |
Language: | English |
Series: | Transatlantic Perspectives ;
3 |
Online Access: | |
Physical Description: | 1 online resource (252 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- Introduction. Adaptation as Reception: How Film Historians Can Contribute to the Literature to Film Debates
- Part I. Post-Cold War Readings of the Receptions of Blockbuster Adaptations in Cold War West Germany 1950–1963
- Introduction
- Chapter 1. “Eine Revolution des Films”: The Third Man, The Cold War, and Alternatives to Nationalism and Coca-Colonization in Europe
- Chapter 2. The Bridge on the River Kwai Revisited: Combat Cinema, American Culture, and the German Past
- Chapter 3. “Josef K. von 1963”: Orson Welles’s Americanized Version of Th e Trial and the Changing Functions of the Kafkaesque in Postwar West Germany
- Part II. Postfeminist Relations between Classic Texts and Hollywood Film Adaptations in the U.S. in the 1990s
- Introduction
- Chapter 4. Jane-Mania: The Jane Austen Film Boom in the 1990s
- Chapter 5. Thelma and Sense and Louise and Sensibility: Challenging Dichotomies in Women’s History through Film and Literature
- Chapter 6. Jamesian Proportions: The Henry James Film Boom in the 1990s
- Conclusion. A Case for the Case Study: The Future of Adaptation Studies as a Branch of Transnational Film History
- Appendix 1. Mediating Apparent and Latent Content (Tables 1 & 2)
- Appendix 2. Model of Adaptation as a Process of Reception
- Filmography
- Bibliography
- Index