The New Gay for Pay : : The Sexual Politics of American Television Production / / Julia Himberg.

Television conveys powerful messages about sexual identities, and popular shows such as Will & Grace, Ellen, Glee, Modern Family, and The Fosters are often credited with building support for gay rights, including marriage equality. At the same time, however, many dismiss TV’s portrayal of LGBT c...

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Superior document:Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2017
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Place / Publishing House:Austin : : University of Texas Press, , [2021]
©2017
Year of Publication:2021
Language:English
Online Access:
Physical Description:1 online resource (189 p.)
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100 1 |a Himberg, Julia,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 4 |a The New Gay for Pay :  |b The Sexual Politics of American Television Production /  |c Julia Himberg. 
264 1 |a Austin :   |b University of Texas Press,   |c [2021] 
264 4 |c ©2017 
300 |a 1 online resource (189 p.) 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Introduction: The New Gay for Pay --   |t CHAPTER 1 Visibility: Lesbian Programming and the Changing Landscape of Cable Television --   |t CHAPTER 2 Advocacy: Hitching Activism to Modern Family ’s Gay Wedding --   |t CHAPTER 3 Diversity: Under-the- Radar Activism and the Crafting of Sexual Identities --   |t CHAPTER 3 Diversity: Under-the- Radar Activism and the Crafting of Sexual Identities --   |t Conclusion: The Personal Is Still Political (and Profitable) --   |t Notes --   |t References --   |t Index 
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520 |a Television conveys powerful messages about sexual identities, and popular shows such as Will & Grace, Ellen, Glee, Modern Family, and The Fosters are often credited with building support for gay rights, including marriage equality. At the same time, however, many dismiss TV’s portrayal of LGBT characters and issues as “gay for pay”—that is, apolitical and exploitative programming created simply for profit. In The New Gay for Pay, Julia Himberg moves beyond both of these positions to investigate the complex and multifaceted ways that television production participates in constructing sexuality, sexual identities and communities, and sexual politics. Himberg examines the production stories behind explicitly LGBT narratives and characters, studying how industry workers themselves negotiate processes of TV development, production, marketing, and distribution. She interviews workers whose views are rarely heard, including market researchers, public relations experts, media advocacy workers, political campaigners designing strategies for TV messaging, and corporate social responsibility department officers, as well as network executives and producers. Thoroughly analyzing their comments in the light of four key issues—visibility, advocacy, diversity, and equality—Himberg reveals how the practices and belief systems of industry workers generate the conceptions of LGBT sexuality and political change that are portrayed on television. This original approach complicates and broadens our notions about who makes media; how those practitioners operate within media conglomerates; and, perhaps most important, how they contribute to commonsense ideas about sexuality. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) 
650 0 |a Gender identity on television. 
650 0 |a Homosexuality and television  |z United States. 
650 0 |a Homosexuality and television-United States. 
650 0 |a Homosexuality on television. 
650 0 |a Television and gays  |z United States. 
650 0 |a Television and gays-United States. 
650 0 |a Television programs  |x Political aspects  |z United States. 
650 0 |a Television programs  |x Social aspects  |z United States. 
650 7 |a PERFORMING ARTS / General.  |2 bisacsh 
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