Early Radio : : An Anthology of European Texts and Translations / / ed. by Emilie Morin, Nicoletta Asciuto, Emilie Morin, Marielle Sutherland.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 English
• HerausgeberIn: Asciuto, Nicoletta,; Morin, Emilie,; Sutherland, Marielle,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2023]; ©2023
• Year of Publication: 2023
• Language: English
• Physical Description: 1 online resource (376 p.)

The first anthology to explore early radioBrings into the public domain important texts on early radio, including a large number of translations previously unavailable in EnglishOffers a new transnational perspective on radio’s rise as a medium of mass entertainment and as a tool for artistic expres...

Table of Contents

• Frontmatter
• Contents
• Acknowledgements
• Note on the Selection, Translation and Presentation of Texts
• Introduction
• Part 1 Radio as Technology, Radio as Art
• 1.1 Hilda Matheson: from Broadcasting
• 1.2 Walter Ruttmann: New Compositional Modes for Sound Film and Radio. Programme for an Art of Acoustic Photography
• 1.3 Paul Deharme: from For a Radiophonic Art
• 1.4 Pierre Keszler: Is There Such a Thing as a Radiophonic Art?
• 1.5 Paul Dermée: Will We Have a Radiophonic Art?
• 1.6 Suzanne Malard: Radio, An Autonomous Art
• 1.7 Pierre Schaeffer: The Problem Central to Radio Broadcasting
• 1.8 Enzo Ferrieri: Radio as Creative Force
• 1.9 From Radio Investigation
• Part 2 Behind the Microphone
• 2.1 Anon.: On Emotion and Life Before the Microphone
• 2.2 Paul Dermée: Microphone Rudiments for Radio Actors
• 2.3 France Darget: How to Act in Front of the Microphone
• 2.4 Anon.: The Speaker’s Qualities
• 2.5 Sheila Borrett: Scene – and Unseen!
• 2.6 Mabel Constanduros: My First Broadcast
• 2.7 Victor Margueritte: Facing the Microphone
• 2.8 Walter Benjamin: On Time to the Minute
• 2.9 Egon Erwin Kisch: Woe Betide the One Who Sees
• 2.10 Florence Milnes: A Day in the Life of the BBC Librarian
• Part 3 The Art of Listening
• 3.1 Fernand Divoire: The Zone of the Storms
• 3.2 Fernand Divoire: The Don Juan of the Air Waves
• 3.3 Guido Sommi Picenardi: Murmurs from the Ether
• 3.4 Rose Macaulay: The Arm-Chair Millennium
• 3.5 Fritz Zoreff: Radio Drama and the Inner Vision
• 3.6 Enrico Rocca: from A Geography of the Invisible
• 3.7 Rolf Gunold: The Seventh Sense
• 3.8 Ella Fitzgerald: Wireless and Women
• 3.9 Camilla: The Woman Listener
• 3.10 Ernst Hardt: The Echo of the Listeners’ Needs
• 3.11 Annette Kolb: from Book of Complaints
• 3.12 Carlos Larronde: Radio Drama
• 3.13 Anton Kuh: Fear of Radio
• 3.14 Colette: An Interview about the Wireless
• Part 4 Radio Genres
• 4.1 Hans Flesch: The Future Shape of Radio Programming
• 4.2 Hermynia Zur Mühlen: Radio Programmes for Women
• 4.3 Alfred Döblin: Literature and Radio
• 4.4 Barbara Burnham: Adaptations
• 4.5 Anon.: The Broadcasting of Poetry
• 4.6 Kurt Weill: On the ‘Musical Radio Play’
• 4.7 Paul Dermée: The Broadcasting of Silence
• 4.8 Alex Virot: Reflections on Radio-Reportage
• 4.9 Hermann Kasack: Micro-Reportage
• 4.10 Olive Shapley: Night Romance of the Roads
• 4.11 B.E.N.: Feature Programmes
• 4.12 Laurence Gilliam: ‘Actualities’ and ‘Features’
• 4.13 Charles Siepmann: Talks
• 4.14 Desmond MacCarthy: The Art of Broadcasting Talks
• 4.15 André Saudemont: The Radio Interview
• 4.16 Henry Lytton: The Mystery of Radio Humour
• 4.17 Grace Wyndham Goldie: Listening to Comedy
• 4.18 Robert Desnos: ‘The Key to Dreams’ on the Poste Parisien
• Part 5 A Theatre for the Ear
• 5.1 George Bernard Shaw: The Drama and the Microphone
• 5.2 Augustin Habaru: We Must Discover the Radio
• 5.3 René Christauflour: Will Radio Create ‘Superhearing,’ as Cinema Created ‘Superimposition’?
• 5.4 R. E. Jeffrey: Wireless Drama
• 5.5 Rolf Gunold: Routes to Ac oustic Drama
• 5.6 Gabriel Germinet: from Radio Drama: A New Mode of Artistic Expression
• 5.7 Lance Sieveking: from The Stuff of Radio
• 5.8 Tristan Bernard: For the Invisible Blind Public
• 5.9 Hans Kyser: How Do We Create Radio Plays and a Dramatic Literature for Radio?
• 5.10 Alida and Pierre Calel: A Conception of Radio Drama
• 5.11 Tyrone Guthrie: Introduction to Squirrel’s Cage and Two Other Microphone Plays
• 5.12 Marc Denis: An Essay on Radio Drama
• 5.13 Lugné-Poë: Radio Drama’s Marvellous Resources
• 5.14 Georges Colin: In the Service of Radio Drama
• 5.15 Madeleine Montvoisin: On the Possibilities and Exigencies of Radio Drama
• 5.16 Carlos Larronde: The Poetry of Space
• 5.17 Carlos Larronde: A Lesson in Attempting a Radio Play
• 5.18 Grace Wyndham Goldie: Let Us Be Thrilled
• 5.19 Leopold Jessner: Radio and Theatre
• 5.20 Ernst Hardt: Drama
• Part 6 Radio Politics and Radio Frontiers
• 6.1 Suzanne Cilly: Women and Radio
• 6.2 Yvane Arthaud: Women’s Voice in the World
• 6.3 Egon Erwin Kisch: Radio Reporter from Red Square: ‘The Moscow Microphone Never Lies!’
• 6.4 Alfons Paquet: Radio and the State
• 6.5 Kurt Tucholsky: Free Radio! Free Film!
• 6.6 Kurt Tucholsky: Radio Censorship
• 6.7 René Schickele: A Pan-Europe of Radio Stations
• 6.8 Louis Le Crestois: Radio and Peace
• 6.9 Gabriel Germinet: Radiophonic Art in the Service of Moral Disarmament
• 6.10 Paul Vaillant-Couturier: Radio and Peace
• 6.11 Ernst Toller: International Radio
• Select Bibliography
• Index