Early Radio : : An Anthology of European Texts and Translations / / ed. by Emilie Morin, Nicoletta Asciuto, Emilie Morin, Marielle Sutherland.

The first anthology to explore early radioBrings into the public domain important texts on early radio, including a large number of translations previously unavailable in EnglishOffers a new transnational perspective on radio’s rise as a medium of mass entertainment and as a tool for artistic expres...

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Edinburgh : Edinburgh University Press, [2023]
©2023
1 online resource (376 p.)
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Frontmatter -- Contents -- Acknowledgements -- Note on the Selection, Translation and Presentation of Texts -- Introduction -- Part 1 Radio as Technology, Radio as Art -- 1.1 Hilda Matheson: from Broadcasting -- 1.2 Walter Ruttmann: New Compositional Modes for Sound Film and Radio. Programme for an Art of Acoustic Photography -- 1.3 Paul Deharme: from For a Radiophonic Art -- 1.4 Pierre Keszler: Is There Such a Thing as a Radiophonic Art? -- 1.5 Paul Dermée: Will We Have a Radiophonic Art? -- 1.6 Suzanne Malard: Radio, An Autonomous Art -- 1.7 Pierre Schaeffer: The Problem Central to Radio Broadcasting -- 1.8 Enzo Ferrieri: Radio as Creative Force -- 1.9 From Radio Investigation -- Part 2 Behind the Microphone -- 2.1 Anon.: On Emotion and Life Before the Microphone -- 2.2 Paul Dermée: Microphone Rudiments for Radio Actors -- 2.3 France Darget: How to Act in Front of the Microphone -- 2.4 Anon.: The Speaker’s Qualities -- 2.5 Sheila Borrett: Scene – and Unseen! -- 2.6 Mabel Constanduros: My First Broadcast -- 2.7 Victor Margueritte: Facing the Microphone -- 2.8 Walter Benjamin: On Time to the Minute -- 2.9 Egon Erwin Kisch: Woe Betide the One Who Sees -- 2.10 Florence Milnes: A Day in the Life of the BBC Librarian -- Part 3 The Art of Listening -- 3.1 Fernand Divoire: The Zone of the Storms -- 3.2 Fernand Divoire: The Don Juan of the Air Waves -- 3.3 Guido Sommi Picenardi: Murmurs from the Ether -- 3.4 Rose Macaulay: The Arm-Chair Millennium -- 3.5 Fritz Zoreff: Radio Drama and the Inner Vision -- 3.6 Enrico Rocca: from A Geography of the Invisible -- 3.7 Rolf Gunold: The Seventh Sense -- 3.8 Ella Fitzgerald: Wireless and Women -- 3.9 Camilla: The Woman Listener -- 3.10 Ernst Hardt: The Echo of the Listeners’ Needs -- 3.11 Annette Kolb: from Book of Complaints -- 3.12 Carlos Larronde: Radio Drama -- 3.13 Anton Kuh: Fear of Radio -- 3.14 Colette: An Interview about the Wireless -- Part 4 Radio Genres -- 4.1 Hans Flesch: The Future Shape of Radio Programming -- 4.2 Hermynia Zur Mühlen: Radio Programmes for Women -- 4.3 Alfred Döblin: Literature and Radio -- 4.4 Barbara Burnham: Adaptations -- 4.5 Anon.: The Broadcasting of Poetry -- 4.6 Kurt Weill: On the ‘Musical Radio Play’ -- 4.7 Paul Dermée: The Broadcasting of Silence -- 4.8 Alex Virot: Reflections on Radio-Reportage -- 4.9 Hermann Kasack: Micro-Reportage -- 4.10 Olive Shapley: Night Romance of the Roads -- 4.11 B.E.N.: Feature Programmes -- 4.12 Laurence Gilliam: ‘Actualities’ and ‘Features’ -- 4.13 Charles Siepmann: Talks -- 4.14 Desmond MacCarthy: The Art of Broadcasting Talks -- 4.15 André Saudemont: The Radio Interview -- 4.16 Henry Lytton: The Mystery of Radio Humour -- 4.17 Grace Wyndham Goldie: Listening to Comedy -- 4.18 Robert Desnos: ‘The Key to Dreams’ on the Poste Parisien -- Part 5 A Theatre for the Ear -- 5.1 George Bernard Shaw: The Drama and the Microphone -- 5.2 Augustin Habaru: We Must Discover the Radio -- 5.3 René Christauflour: Will Radio Create ‘Superhearing,’ as Cinema Created ‘Superimposition’? -- 5.4 R. E. Jeffrey: Wireless Drama -- 5.5 Rolf Gunold: Routes to Ac oustic Drama -- 5.6 Gabriel Germinet: from Radio Drama: A New Mode of Artistic Expression -- 5.7 Lance Sieveking: from The Stuff of Radio -- 5.8 Tristan Bernard: For the Invisible Blind Public -- 5.9 Hans Kyser: How Do We Create Radio Plays and a Dramatic Literature for Radio? -- 5.10 Alida and Pierre Calel: A Conception of Radio Drama -- 5.11 Tyrone Guthrie: Introduction to Squirrel’s Cage and Two Other Microphone Plays -- 5.12 Marc Denis: An Essay on Radio Drama -- 5.13 Lugné-Poë: Radio Drama’s Marvellous Resources -- 5.14 Georges Colin: In the Service of Radio Drama -- 5.15 Madeleine Montvoisin: On the Possibilities and Exigencies of Radio Drama -- 5.16 Carlos Larronde: The Poetry of Space -- 5.17 Carlos Larronde: A Lesson in Attempting a Radio Play -- 5.18 Grace Wyndham Goldie: Let Us Be Thrilled -- 5.19 Leopold Jessner: Radio and Theatre -- 5.20 Ernst Hardt: Drama -- Part 6 Radio Politics and Radio Frontiers -- 6.1 Suzanne Cilly: Women and Radio -- 6.2 Yvane Arthaud: Women’s Voice in the World -- 6.3 Egon Erwin Kisch: Radio Reporter from Red Square: ‘The Moscow Microphone Never Lies!’ -- 6.4 Alfons Paquet: Radio and the State -- 6.5 Kurt Tucholsky: Free Radio! Free Film! -- 6.6 Kurt Tucholsky: Radio Censorship -- 6.7 René Schickele: A Pan-Europe of Radio Stations -- 6.8 Louis Le Crestois: Radio and Peace -- 6.9 Gabriel Germinet: Radiophonic Art in the Service of Moral Disarmament -- 6.10 Paul Vaillant-Couturier: Radio and Peace -- 6.11 Ernst Toller: International Radio -- Select Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
The first anthology to explore early radioBrings into the public domain important texts on early radio, including a large number of translations previously unavailable in EnglishOffers a new transnational perspective on radio’s rise as a medium of mass entertainment and as a tool for artistic expressionSheds light on the work of long-forgotten women and men to whom radio owes its longevityWho were the pioneers who first thought of radio as an art form, who debated how to write and perform for radio, who discussed radio’s social and political dimensions? Spanning from 1924 to 1938, this anthology brings together long-forgotten texts on sound, listening and writing by radio enthusiasts, journalists, actors, radio producers and literary authors who conceptualised the new radio aesthetic between the two world wars and reflected on radio’s future, as a medium requiring the invention of a new literature, new modes of performance and new ways of listening. The texts included here, drawn from British, French, German and Italian radio cultures, are representative of important pan-European debates about radio’s potential at a critical moment in its history. Together, they shed light on ideas that shaped not only the emergence of radio drama, sound art and reportage, but radio as we know it today.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Aug 2023)
Literary Studies.
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. bisacsh
Asciuto, Nicoletta, editor. edt http://id.loc.gov/vocabulary/relators/edt
Morin, Emilie, editor. edt http://id.loc.gov/vocabulary/relators/edt
Sutherland, Marielle, editor. edt http://id.loc.gov/vocabulary/relators/edt
Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 English 9783111319292
Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 9783111318912 ZDB-23-DGG
Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary Studies 2023 English 9783111319186
Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary Studies 2023 9783111318264 ZDB-23-DSP
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2023 9783110797640
print 9781474485142
https://doi.org/10.1515/9781474485166
https://www.degruyter.com/isbn/9781474485166
Cover https://www.degruyter.com/document/cover/isbn/9781474485166/original
language English
format eBook
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Asciuto, Nicoletta,
Morin, Emilie,
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author_facet Asciuto, Nicoletta,
Asciuto, Nicoletta,
Morin, Emilie,
Morin, Emilie,
Sutherland, Marielle,
Sutherland, Marielle,
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author2_role HerausgeberIn
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HerausgeberIn
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author_sort Asciuto, Nicoletta,
title Early Radio : An Anthology of European Texts and Translations /
spellingShingle Early Radio : An Anthology of European Texts and Translations /
Frontmatter --
Contents --
Acknowledgements --
Note on the Selection, Translation and Presentation of Texts --
Introduction --
Part 1 Radio as Technology, Radio as Art --
1.1 Hilda Matheson: from Broadcasting --
1.2 Walter Ruttmann: New Compositional Modes for Sound Film and Radio. Programme for an Art of Acoustic Photography --
1.3 Paul Deharme: from For a Radiophonic Art --
1.4 Pierre Keszler: Is There Such a Thing as a Radiophonic Art? --
1.5 Paul Dermée: Will We Have a Radiophonic Art? --
1.6 Suzanne Malard: Radio, An Autonomous Art --
1.7 Pierre Schaeffer: The Problem Central to Radio Broadcasting --
1.8 Enzo Ferrieri: Radio as Creative Force --
1.9 From Radio Investigation --
Part 2 Behind the Microphone --
2.1 Anon.: On Emotion and Life Before the Microphone --
2.2 Paul Dermée: Microphone Rudiments for Radio Actors --
2.3 France Darget: How to Act in Front of the Microphone --
2.4 Anon.: The Speaker’s Qualities --
2.5 Sheila Borrett: Scene – and Unseen! --
2.6 Mabel Constanduros: My First Broadcast --
2.7 Victor Margueritte: Facing the Microphone --
2.8 Walter Benjamin: On Time to the Minute --
2.9 Egon Erwin Kisch: Woe Betide the One Who Sees --
2.10 Florence Milnes: A Day in the Life of the BBC Librarian --
Part 3 The Art of Listening --
3.1 Fernand Divoire: The Zone of the Storms --
3.2 Fernand Divoire: The Don Juan of the Air Waves --
3.3 Guido Sommi Picenardi: Murmurs from the Ether --
3.4 Rose Macaulay: The Arm-Chair Millennium --
3.5 Fritz Zoreff: Radio Drama and the Inner Vision --
3.6 Enrico Rocca: from A Geography of the Invisible --
3.7 Rolf Gunold: The Seventh Sense --
3.8 Ella Fitzgerald: Wireless and Women --
3.9 Camilla: The Woman Listener --
3.10 Ernst Hardt: The Echo of the Listeners’ Needs --
3.11 Annette Kolb: from Book of Complaints --
3.12 Carlos Larronde: Radio Drama --
3.13 Anton Kuh: Fear of Radio --
3.14 Colette: An Interview about the Wireless --
Part 4 Radio Genres --
4.1 Hans Flesch: The Future Shape of Radio Programming --
4.2 Hermynia Zur Mühlen: Radio Programmes for Women --
4.3 Alfred Döblin: Literature and Radio --
4.4 Barbara Burnham: Adaptations --
4.5 Anon.: The Broadcasting of Poetry --
4.6 Kurt Weill: On the ‘Musical Radio Play’ --
4.7 Paul Dermée: The Broadcasting of Silence --
4.8 Alex Virot: Reflections on Radio-Reportage --
4.9 Hermann Kasack: Micro-Reportage --
4.10 Olive Shapley: Night Romance of the Roads --
4.11 B.E.N.: Feature Programmes --
4.12 Laurence Gilliam: ‘Actualities’ and ‘Features’ --
4.13 Charles Siepmann: Talks --
4.14 Desmond MacCarthy: The Art of Broadcasting Talks --
4.15 André Saudemont: The Radio Interview --
4.16 Henry Lytton: The Mystery of Radio Humour --
4.17 Grace Wyndham Goldie: Listening to Comedy --
4.18 Robert Desnos: ‘The Key to Dreams’ on the Poste Parisien --
Part 5 A Theatre for the Ear --
5.1 George Bernard Shaw: The Drama and the Microphone --
5.2 Augustin Habaru: We Must Discover the Radio --
5.3 René Christauflour: Will Radio Create ‘Superhearing,’ as Cinema Created ‘Superimposition’? --
5.4 R. E. Jeffrey: Wireless Drama --
5.5 Rolf Gunold: Routes to Ac oustic Drama --
5.6 Gabriel Germinet: from Radio Drama: A New Mode of Artistic Expression --
5.7 Lance Sieveking: from The Stuff of Radio --
5.8 Tristan Bernard: For the Invisible Blind Public --
5.9 Hans Kyser: How Do We Create Radio Plays and a Dramatic Literature for Radio? --
5.10 Alida and Pierre Calel: A Conception of Radio Drama --
5.11 Tyrone Guthrie: Introduction to Squirrel’s Cage and Two Other Microphone Plays --
5.12 Marc Denis: An Essay on Radio Drama --
5.13 Lugné-Poë: Radio Drama’s Marvellous Resources --
5.14 Georges Colin: In the Service of Radio Drama --
5.15 Madeleine Montvoisin: On the Possibilities and Exigencies of Radio Drama --
5.16 Carlos Larronde: The Poetry of Space --
5.17 Carlos Larronde: A Lesson in Attempting a Radio Play --
5.18 Grace Wyndham Goldie: Let Us Be Thrilled --
5.19 Leopold Jessner: Radio and Theatre --
5.20 Ernst Hardt: Drama --
Part 6 Radio Politics and Radio Frontiers --
6.1 Suzanne Cilly: Women and Radio --
6.2 Yvane Arthaud: Women’s Voice in the World --
6.3 Egon Erwin Kisch: Radio Reporter from Red Square: ‘The Moscow Microphone Never Lies!’ --
6.4 Alfons Paquet: Radio and the State --
6.5 Kurt Tucholsky: Free Radio! Free Film! --
6.6 Kurt Tucholsky: Radio Censorship --
6.7 René Schickele: A Pan-Europe of Radio Stations --
6.8 Louis Le Crestois: Radio and Peace --
6.9 Gabriel Germinet: Radiophonic Art in the Service of Moral Disarmament --
6.10 Paul Vaillant-Couturier: Radio and Peace --
6.11 Ernst Toller: International Radio --
Select Bibliography --
Index
title_sub An Anthology of European Texts and Translations /
title_full Early Radio : An Anthology of European Texts and Translations / ed. by Emilie Morin, Nicoletta Asciuto, Emilie Morin, Marielle Sutherland.
title_fullStr Early Radio : An Anthology of European Texts and Translations / ed. by Emilie Morin, Nicoletta Asciuto, Emilie Morin, Marielle Sutherland.
title_full_unstemmed Early Radio : An Anthology of European Texts and Translations / ed. by Emilie Morin, Nicoletta Asciuto, Emilie Morin, Marielle Sutherland.
title_auth Early Radio : An Anthology of European Texts and Translations /
title_alt Frontmatter --
Contents --
Acknowledgements --
Note on the Selection, Translation and Presentation of Texts --
Introduction --
Part 1 Radio as Technology, Radio as Art --
1.1 Hilda Matheson: from Broadcasting --
1.2 Walter Ruttmann: New Compositional Modes for Sound Film and Radio. Programme for an Art of Acoustic Photography --
1.3 Paul Deharme: from For a Radiophonic Art --
1.4 Pierre Keszler: Is There Such a Thing as a Radiophonic Art? --
1.5 Paul Dermée: Will We Have a Radiophonic Art? --
1.6 Suzanne Malard: Radio, An Autonomous Art --
1.7 Pierre Schaeffer: The Problem Central to Radio Broadcasting --
1.8 Enzo Ferrieri: Radio as Creative Force --
1.9 From Radio Investigation --
Part 2 Behind the Microphone --
2.1 Anon.: On Emotion and Life Before the Microphone --
2.2 Paul Dermée: Microphone Rudiments for Radio Actors --
2.3 France Darget: How to Act in Front of the Microphone --
2.4 Anon.: The Speaker’s Qualities --
2.5 Sheila Borrett: Scene – and Unseen! --
2.6 Mabel Constanduros: My First Broadcast --
2.7 Victor Margueritte: Facing the Microphone --
2.8 Walter Benjamin: On Time to the Minute --
2.9 Egon Erwin Kisch: Woe Betide the One Who Sees --
2.10 Florence Milnes: A Day in the Life of the BBC Librarian --
Part 3 The Art of Listening --
3.1 Fernand Divoire: The Zone of the Storms --
3.2 Fernand Divoire: The Don Juan of the Air Waves --
3.3 Guido Sommi Picenardi: Murmurs from the Ether --
3.4 Rose Macaulay: The Arm-Chair Millennium --
3.5 Fritz Zoreff: Radio Drama and the Inner Vision --
3.6 Enrico Rocca: from A Geography of the Invisible --
3.7 Rolf Gunold: The Seventh Sense --
3.8 Ella Fitzgerald: Wireless and Women --
3.9 Camilla: The Woman Listener --
3.10 Ernst Hardt: The Echo of the Listeners’ Needs --
3.11 Annette Kolb: from Book of Complaints --
3.12 Carlos Larronde: Radio Drama --
3.13 Anton Kuh: Fear of Radio --
3.14 Colette: An Interview about the Wireless --
Part 4 Radio Genres --
4.1 Hans Flesch: The Future Shape of Radio Programming --
4.2 Hermynia Zur Mühlen: Radio Programmes for Women --
4.3 Alfred Döblin: Literature and Radio --
4.4 Barbara Burnham: Adaptations --
4.5 Anon.: The Broadcasting of Poetry --
4.6 Kurt Weill: On the ‘Musical Radio Play’ --
4.7 Paul Dermée: The Broadcasting of Silence --
4.8 Alex Virot: Reflections on Radio-Reportage --
4.9 Hermann Kasack: Micro-Reportage --
4.10 Olive Shapley: Night Romance of the Roads --
4.11 B.E.N.: Feature Programmes --
4.12 Laurence Gilliam: ‘Actualities’ and ‘Features’ --
4.13 Charles Siepmann: Talks --
4.14 Desmond MacCarthy: The Art of Broadcasting Talks --
4.15 André Saudemont: The Radio Interview --
4.16 Henry Lytton: The Mystery of Radio Humour --
4.17 Grace Wyndham Goldie: Listening to Comedy --
4.18 Robert Desnos: ‘The Key to Dreams’ on the Poste Parisien --
Part 5 A Theatre for the Ear --
5.1 George Bernard Shaw: The Drama and the Microphone --
5.2 Augustin Habaru: We Must Discover the Radio --
5.3 René Christauflour: Will Radio Create ‘Superhearing,’ as Cinema Created ‘Superimposition’? --
5.4 R. E. Jeffrey: Wireless Drama --
5.5 Rolf Gunold: Routes to Ac oustic Drama --
5.6 Gabriel Germinet: from Radio Drama: A New Mode of Artistic Expression --
5.7 Lance Sieveking: from The Stuff of Radio --
5.8 Tristan Bernard: For the Invisible Blind Public --
5.9 Hans Kyser: How Do We Create Radio Plays and a Dramatic Literature for Radio? --
5.10 Alida and Pierre Calel: A Conception of Radio Drama --
5.11 Tyrone Guthrie: Introduction to Squirrel’s Cage and Two Other Microphone Plays --
5.12 Marc Denis: An Essay on Radio Drama --
5.13 Lugné-Poë: Radio Drama’s Marvellous Resources --
5.14 Georges Colin: In the Service of Radio Drama --
5.15 Madeleine Montvoisin: On the Possibilities and Exigencies of Radio Drama --
5.16 Carlos Larronde: The Poetry of Space --
5.17 Carlos Larronde: A Lesson in Attempting a Radio Play --
5.18 Grace Wyndham Goldie: Let Us Be Thrilled --
5.19 Leopold Jessner: Radio and Theatre --
5.20 Ernst Hardt: Drama --
Part 6 Radio Politics and Radio Frontiers --
6.1 Suzanne Cilly: Women and Radio --
6.2 Yvane Arthaud: Women’s Voice in the World --
6.3 Egon Erwin Kisch: Radio Reporter from Red Square: ‘The Moscow Microphone Never Lies!’ --
6.4 Alfons Paquet: Radio and the State --
6.5 Kurt Tucholsky: Free Radio! Free Film! --
6.6 Kurt Tucholsky: Radio Censorship --
6.7 René Schickele: A Pan-Europe of Radio Stations --
6.8 Louis Le Crestois: Radio and Peace --
6.9 Gabriel Germinet: Radiophonic Art in the Service of Moral Disarmament --
6.10 Paul Vaillant-Couturier: Radio and Peace --
6.11 Ernst Toller: International Radio --
Select Bibliography --
Index
title_new Early Radio :
title_sort early radio : an anthology of european texts and translations /
publisher Edinburgh University Press,
publishDate 2023
physical 1 online resource (376 p.)
contents Frontmatter --
Contents --
Acknowledgements --
Note on the Selection, Translation and Presentation of Texts --
Introduction --
Part 1 Radio as Technology, Radio as Art --
1.1 Hilda Matheson: from Broadcasting --
1.2 Walter Ruttmann: New Compositional Modes for Sound Film and Radio. Programme for an Art of Acoustic Photography --
1.3 Paul Deharme: from For a Radiophonic Art --
1.4 Pierre Keszler: Is There Such a Thing as a Radiophonic Art? --
1.5 Paul Dermée: Will We Have a Radiophonic Art? --
1.6 Suzanne Malard: Radio, An Autonomous Art --
1.7 Pierre Schaeffer: The Problem Central to Radio Broadcasting --
1.8 Enzo Ferrieri: Radio as Creative Force --
1.9 From Radio Investigation --
Part 2 Behind the Microphone --
2.1 Anon.: On Emotion and Life Before the Microphone --
2.2 Paul Dermée: Microphone Rudiments for Radio Actors --
2.3 France Darget: How to Act in Front of the Microphone --
2.4 Anon.: The Speaker’s Qualities --
2.5 Sheila Borrett: Scene – and Unseen! --
2.6 Mabel Constanduros: My First Broadcast --
2.7 Victor Margueritte: Facing the Microphone --
2.8 Walter Benjamin: On Time to the Minute --
2.9 Egon Erwin Kisch: Woe Betide the One Who Sees --
2.10 Florence Milnes: A Day in the Life of the BBC Librarian --
Part 3 The Art of Listening --
3.1 Fernand Divoire: The Zone of the Storms --
3.2 Fernand Divoire: The Don Juan of the Air Waves --
3.3 Guido Sommi Picenardi: Murmurs from the Ether --
3.4 Rose Macaulay: The Arm-Chair Millennium --
3.5 Fritz Zoreff: Radio Drama and the Inner Vision --
3.6 Enrico Rocca: from A Geography of the Invisible --
3.7 Rolf Gunold: The Seventh Sense --
3.8 Ella Fitzgerald: Wireless and Women --
3.9 Camilla: The Woman Listener --
3.10 Ernst Hardt: The Echo of the Listeners’ Needs --
3.11 Annette Kolb: from Book of Complaints --
3.12 Carlos Larronde: Radio Drama --
3.13 Anton Kuh: Fear of Radio --
3.14 Colette: An Interview about the Wireless --
Part 4 Radio Genres --
4.1 Hans Flesch: The Future Shape of Radio Programming --
4.2 Hermynia Zur Mühlen: Radio Programmes for Women --
4.3 Alfred Döblin: Literature and Radio --
4.4 Barbara Burnham: Adaptations --
4.5 Anon.: The Broadcasting of Poetry --
4.6 Kurt Weill: On the ‘Musical Radio Play’ --
4.7 Paul Dermée: The Broadcasting of Silence --
4.8 Alex Virot: Reflections on Radio-Reportage --
4.9 Hermann Kasack: Micro-Reportage --
4.10 Olive Shapley: Night Romance of the Roads --
4.11 B.E.N.: Feature Programmes --
4.12 Laurence Gilliam: ‘Actualities’ and ‘Features’ --
4.13 Charles Siepmann: Talks --
4.14 Desmond MacCarthy: The Art of Broadcasting Talks --
4.15 André Saudemont: The Radio Interview --
4.16 Henry Lytton: The Mystery of Radio Humour --
4.17 Grace Wyndham Goldie: Listening to Comedy --
4.18 Robert Desnos: ‘The Key to Dreams’ on the Poste Parisien --
Part 5 A Theatre for the Ear --
5.1 George Bernard Shaw: The Drama and the Microphone --
5.2 Augustin Habaru: We Must Discover the Radio --
5.3 René Christauflour: Will Radio Create ‘Superhearing,’ as Cinema Created ‘Superimposition’? --
5.4 R. E. Jeffrey: Wireless Drama --
5.5 Rolf Gunold: Routes to Ac oustic Drama --
5.6 Gabriel Germinet: from Radio Drama: A New Mode of Artistic Expression --
5.7 Lance Sieveking: from The Stuff of Radio --
5.8 Tristan Bernard: For the Invisible Blind Public --
5.9 Hans Kyser: How Do We Create Radio Plays and a Dramatic Literature for Radio? --
5.10 Alida and Pierre Calel: A Conception of Radio Drama --
5.11 Tyrone Guthrie: Introduction to Squirrel’s Cage and Two Other Microphone Plays --
5.12 Marc Denis: An Essay on Radio Drama --
5.13 Lugné-Poë: Radio Drama’s Marvellous Resources --
5.14 Georges Colin: In the Service of Radio Drama --
5.15 Madeleine Montvoisin: On the Possibilities and Exigencies of Radio Drama --
5.16 Carlos Larronde: The Poetry of Space --
5.17 Carlos Larronde: A Lesson in Attempting a Radio Play --
5.18 Grace Wyndham Goldie: Let Us Be Thrilled --
5.19 Leopold Jessner: Radio and Theatre --
5.20 Ernst Hardt: Drama --
Part 6 Radio Politics and Radio Frontiers --
6.1 Suzanne Cilly: Women and Radio --
6.2 Yvane Arthaud: Women’s Voice in the World --
6.3 Egon Erwin Kisch: Radio Reporter from Red Square: ‘The Moscow Microphone Never Lies!’ --
6.4 Alfons Paquet: Radio and the State --
6.5 Kurt Tucholsky: Free Radio! Free Film! --
6.6 Kurt Tucholsky: Radio Censorship --
6.7 René Schickele: A Pan-Europe of Radio Stations --
6.8 Louis Le Crestois: Radio and Peace --
6.9 Gabriel Germinet: Radiophonic Art in the Service of Moral Disarmament --
6.10 Paul Vaillant-Couturier: Radio and Peace --
6.11 Ernst Toller: International Radio --
Select Bibliography --
Index
isbn 9781474485166
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9783111318264
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9781474485142
url https://doi.org/10.1515/9781474485166
https://www.degruyter.com/isbn/9781474485166
https://www.degruyter.com/document/cover/isbn/9781474485166/original
illustrated Not Illustrated
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dewey-tens 380 - Commerce, communications & transportation
dewey-ones 384 - Communications; telecommunication
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fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>09364nam a22007335i 4500</leader><controlfield tag="001">9781474485166</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20230808014301.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">230808t20232023stk fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474485166</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474485166</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)645158</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">stk</subfield><subfield code="c">GB-SCT</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT004120</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">384.54</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Early Radio :</subfield><subfield code="b">An Anthology of European Texts and Translations /</subfield><subfield code="c">ed. by Emilie Morin, Nicoletta Asciuto, Emilie Morin, Marielle Sutherland.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh : </subfield><subfield code="b">Edinburgh University Press, </subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (376 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Acknowledgements -- </subfield><subfield code="t">Note on the Selection, Translation and Presentation of Texts -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">Part 1 Radio as Technology, Radio as Art -- </subfield><subfield code="t">1.1 Hilda Matheson: from Broadcasting -- </subfield><subfield code="t">1.2 Walter Ruttmann: New Compositional Modes for Sound Film and Radio. Programme for an Art of Acoustic Photography -- </subfield><subfield code="t">1.3 Paul Deharme: from For a Radiophonic Art -- </subfield><subfield code="t">1.4 Pierre Keszler: Is There Such a Thing as a Radiophonic Art? -- </subfield><subfield code="t">1.5 Paul Dermée: Will We Have a Radiophonic Art? -- </subfield><subfield code="t">1.6 Suzanne Malard: Radio, An Autonomous Art -- </subfield><subfield code="t">1.7 Pierre Schaeffer: The Problem Central to Radio Broadcasting -- </subfield><subfield code="t">1.8 Enzo Ferrieri: Radio as Creative Force -- </subfield><subfield code="t">1.9 From Radio Investigation -- </subfield><subfield code="t">Part 2 Behind the Microphone -- </subfield><subfield code="t">2.1 Anon.: On Emotion and Life Before the Microphone -- </subfield><subfield code="t">2.2 Paul Dermée: Microphone Rudiments for Radio Actors -- </subfield><subfield code="t">2.3 France Darget: How to Act in Front of the Microphone -- </subfield><subfield code="t">2.4 Anon.: The Speaker’s Qualities -- </subfield><subfield code="t">2.5 Sheila Borrett: Scene – and Unseen! -- </subfield><subfield code="t">2.6 Mabel Constanduros: My First Broadcast -- </subfield><subfield code="t">2.7 Victor Margueritte: Facing the Microphone -- </subfield><subfield code="t">2.8 Walter Benjamin: On Time to the Minute -- </subfield><subfield code="t">2.9 Egon Erwin Kisch: Woe Betide the One Who Sees -- </subfield><subfield code="t">2.10 Florence Milnes: A Day in the Life of the BBC Librarian -- </subfield><subfield code="t">Part 3 The Art of Listening -- </subfield><subfield code="t">3.1 Fernand Divoire: The Zone of the Storms -- </subfield><subfield code="t">3.2 Fernand Divoire: The Don Juan of the Air Waves -- </subfield><subfield code="t">3.3 Guido Sommi Picenardi: Murmurs from the Ether -- </subfield><subfield code="t">3.4 Rose Macaulay: The Arm-Chair Millennium -- </subfield><subfield code="t">3.5 Fritz Zoreff: Radio Drama and the Inner Vision -- </subfield><subfield code="t">3.6 Enrico Rocca: from A Geography of the Invisible -- </subfield><subfield code="t">3.7 Rolf Gunold: The Seventh Sense -- </subfield><subfield code="t">3.8 Ella Fitzgerald: Wireless and Women -- </subfield><subfield code="t">3.9 Camilla: The Woman Listener -- </subfield><subfield code="t">3.10 Ernst Hardt: The Echo of the Listeners’ Needs -- </subfield><subfield code="t">3.11 Annette Kolb: from Book of Complaints -- </subfield><subfield code="t">3.12 Carlos Larronde: Radio Drama -- </subfield><subfield code="t">3.13 Anton Kuh: Fear of Radio -- </subfield><subfield code="t">3.14 Colette: An Interview about the Wireless -- </subfield><subfield code="t">Part 4 Radio Genres -- </subfield><subfield code="t">4.1 Hans Flesch: The Future Shape of Radio Programming -- </subfield><subfield code="t">4.2 Hermynia Zur Mühlen: Radio Programmes for Women -- </subfield><subfield code="t">4.3 Alfred Döblin: Literature and Radio -- </subfield><subfield code="t">4.4 Barbara Burnham: Adaptations -- </subfield><subfield code="t">4.5 Anon.: The Broadcasting of Poetry -- </subfield><subfield code="t">4.6 Kurt Weill: On the ‘Musical Radio Play’ -- </subfield><subfield code="t">4.7 Paul Dermée: The Broadcasting of Silence -- </subfield><subfield code="t">4.8 Alex Virot: Reflections on Radio-Reportage -- </subfield><subfield code="t">4.9 Hermann Kasack: Micro-Reportage -- </subfield><subfield code="t">4.10 Olive Shapley: Night Romance of the Roads -- </subfield><subfield code="t">4.11 B.E.N.: Feature Programmes -- </subfield><subfield code="t">4.12 Laurence Gilliam: ‘Actualities’ and ‘Features’ -- </subfield><subfield code="t">4.13 Charles Siepmann: Talks -- </subfield><subfield code="t">4.14 Desmond MacCarthy: The Art of Broadcasting Talks -- </subfield><subfield code="t">4.15 André Saudemont: The Radio Interview -- </subfield><subfield code="t">4.16 Henry Lytton: The Mystery of Radio Humour -- </subfield><subfield code="t">4.17 Grace Wyndham Goldie: Listening to Comedy -- </subfield><subfield code="t">4.18 Robert Desnos: ‘The Key to Dreams’ on the Poste Parisien -- </subfield><subfield code="t">Part 5 A Theatre for the Ear -- </subfield><subfield code="t">5.1 George Bernard Shaw: The Drama and the Microphone -- </subfield><subfield code="t">5.2 Augustin Habaru: We Must Discover the Radio -- </subfield><subfield code="t">5.3 René Christauflour: Will Radio Create ‘Superhearing,’ as Cinema Created ‘Superimposition’? -- </subfield><subfield code="t">5.4 R. E. Jeffrey: Wireless Drama -- </subfield><subfield code="t">5.5 Rolf Gunold: Routes to Ac oustic Drama -- </subfield><subfield code="t">5.6 Gabriel Germinet: from Radio Drama: A New Mode of Artistic Expression -- </subfield><subfield code="t">5.7 Lance Sieveking: from The Stuff of Radio -- </subfield><subfield code="t">5.8 Tristan Bernard: For the Invisible Blind Public -- </subfield><subfield code="t">5.9 Hans Kyser: How Do We Create Radio Plays and a Dramatic Literature for Radio? -- </subfield><subfield code="t">5.10 Alida and Pierre Calel: A Conception of Radio Drama -- </subfield><subfield code="t">5.11 Tyrone Guthrie: Introduction to Squirrel’s Cage and Two Other Microphone Plays -- </subfield><subfield code="t">5.12 Marc Denis: An Essay on Radio Drama -- </subfield><subfield code="t">5.13 Lugné-Poë: Radio Drama’s Marvellous Resources -- </subfield><subfield code="t">5.14 Georges Colin: In the Service of Radio Drama -- </subfield><subfield code="t">5.15 Madeleine Montvoisin: On the Possibilities and Exigencies of Radio Drama -- </subfield><subfield code="t">5.16 Carlos Larronde: The Poetry of Space -- </subfield><subfield code="t">5.17 Carlos Larronde: A Lesson in Attempting a Radio Play -- </subfield><subfield code="t">5.18 Grace Wyndham Goldie: Let Us Be Thrilled -- </subfield><subfield code="t">5.19 Leopold Jessner: Radio and Theatre -- </subfield><subfield code="t">5.20 Ernst Hardt: Drama -- </subfield><subfield code="t">Part 6 Radio Politics and Radio Frontiers -- </subfield><subfield code="t">6.1 Suzanne Cilly: Women and Radio -- </subfield><subfield code="t">6.2 Yvane Arthaud: Women’s Voice in the World -- </subfield><subfield code="t">6.3 Egon Erwin Kisch: Radio Reporter from Red Square: ‘The Moscow Microphone Never Lies!’ -- </subfield><subfield code="t">6.4 Alfons Paquet: Radio and the State -- </subfield><subfield code="t">6.5 Kurt Tucholsky: Free Radio! Free Film! -- </subfield><subfield code="t">6.6 Kurt Tucholsky: Radio Censorship -- </subfield><subfield code="t">6.7 René Schickele: A Pan-Europe of Radio Stations -- </subfield><subfield code="t">6.8 Louis Le Crestois: Radio and Peace -- </subfield><subfield code="t">6.9 Gabriel Germinet: Radiophonic Art in the Service of Moral Disarmament -- </subfield><subfield code="t">6.10 Paul Vaillant-Couturier: Radio and Peace -- </subfield><subfield code="t">6.11 Ernst Toller: International Radio -- </subfield><subfield code="t">Select Bibliography -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The first anthology to explore early radioBrings into the public domain important texts on early radio, including a large number of translations previously unavailable in EnglishOffers a new transnational perspective on radio’s rise as a medium of mass entertainment and as a tool for artistic expressionSheds light on the work of long-forgotten women and men to whom radio owes its longevityWho were the pioneers who first thought of radio as an art form, who debated how to write and perform for radio, who discussed radio’s social and political dimensions? Spanning from 1924 to 1938, this anthology brings together long-forgotten texts on sound, listening and writing by radio enthusiasts, journalists, actors, radio producers and literary authors who conceptualised the new radio aesthetic between the two world wars and reflected on radio’s future, as a medium requiring the invention of a new literature, new modes of performance and new ways of listening. The texts included here, drawn from British, French, German and Italian radio cultures, are representative of important pan-European debates about radio’s potential at a critical moment in its history. Together, they shed light on ideas that shaped not only the emergence of radio drama, sound art and reportage, but radio as we know it today.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Aug 2023)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literary Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Asciuto, Nicoletta, </subfield><subfield code="e">editor.</subfield><subfield code="4">edt</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Morin, Emilie, </subfield><subfield code="e">editor.</subfield><subfield code="4">edt</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Sutherland, Marielle, </subfield><subfield code="e">editor.</subfield><subfield code="4">edt</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/edt</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE COMPLETE 2023 English</subfield><subfield code="z">9783111319292</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE COMPLETE 2023</subfield><subfield code="z">9783111318912</subfield><subfield code="o">ZDB-23-DGG</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE Literary Studies 2023 English</subfield><subfield code="z">9783111319186</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE Literary Studies 2023</subfield><subfield code="z">9783111318264</subfield><subfield code="o">ZDB-23-DSP</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Edinburgh University Press Complete eBook-Package 2023</subfield><subfield code="z">9783110797640</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9781474485142</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474485166</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781474485166</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781474485166/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-079764-0 Edinburgh University Press Complete eBook-Package 2023</subfield><subfield code="b">2023</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-131918-6 EBOOK PACKAGE Literary Studies 2023 English</subfield><subfield code="b">2023</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-131929-2 EBOOK PACKAGE COMPLETE 2023 English</subfield><subfield code="b">2023</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield><subfield code="b">2023</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DSP</subfield><subfield code="b">2023</subfield></datafield></record></collection>