Race, Nation and Cultural Power in Film Adaptation / / Gillian Roberts.
Examines race and nation in postcolonial, settler-colonial, and Indigenous film adaptationAdvances adaptation studies by offering a nuanced critique of the injunction against fidelity criticism16 case studies of film adaptations across 7 chapters, detailing different modes of postcolonial, settler-c...
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| Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 English |
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| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2023] ©2023 |
| Year of Publication: | 2023 |
| Language: | English |
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| Physical Description: | 1 online resource (271 p.) :; 16 B/W illustrations 16 B&W images |
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Table of Contents:
- Frontmatter
- Contents
- List of Figures
- Acknowledgements
- Introduction: Remapping Adaptation: Race, Nation and Fidelity
- 1. The Empire Gazes Back? The Portrait of a Lady and Vanity Fair
- 2. Salvaging Slavery Subtexts in Mansfield Park and Wuthering Heights
- 3. Relocating Racism in Bride and Prejudice and Jindabyne
- 4. Visibility and Veracity: Magic Realism in Midnight’s Children and Life of Pi
- 5. Cultural Appropriation: The Chant of Jimmie Blacksmith, Black Robe and Dance Me Outside
- 6. Told-to Adaptations: Rabbit-Proof Fence, Whale Rider and The Lesser Blessed
- 7. Indigenous Representational Sovereignty: Once Were Warriors and Atanarjuat: The Fast Runner
- Conclusion
- Notes
- Bibliography
- Index