Resonant Bodies in Contemporary European Art Cinema /

Resonant Bodies in Contemporary European Art Cinema / / Emilija Talijan.

Provides the first consideration of sound and the body in contemporary European art cinemaOffers detailed analysis of the underexplored dimension of sound in the work of some of the best-known contemporary European art film directorsProvides a stimulating contribution to theories of cinematic specta...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022
VerfasserIn:
Talijan, Emilija,
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2022
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (200 p.) :; 21 B/W illustrations
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Table of Contents:
  • Frontmatter
  • Contents
  • Figures
  • Acknowledgements
  • Introduction
  • Part I The Unlistenable
  • CHAPTER 1 The Body at Close Range: Volume and the Unlistenable in Catherine Breillat’s Anatomy of Hell
  • CHAPTER 2 Sonic Subjection: Gaspar Noé’s Irreversible and the Dystopian Limits of the Resonant Body
  • Part II Migratory Noise
  • CHAPTER 3 A Stranger Everywhere: The écho-monde of Tony Gatlif’s Exiles
  • CHAPTER 4 Feedback, Asynchronicity and Sonic Sociabilities: Arnaud des Pallières’s Adieu
  • Part III Nonhuman Noise
  • CHAPTER 5 Listening at the Limit: Nonhuman Noise in Lars von Trier’s Antichrist
  • CHAPTER 6 Listening to Things: Foley as ‘Alien Phenomenolog y’ and Peter Strickland’s Berberian Sound Studio
  • Conclusion
  • Filmography
  • Bibliography
  • Index

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