Resonant Bodies in Contemporary European Art Cinema / / Emilija Talijan.
Provides the first consideration of sound and the body in contemporary European art cinemaOffers detailed analysis of the underexplored dimension of sound in the work of some of the best-known contemporary European art film directorsProvides a stimulating contribution to theories of cinematic specta...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2022 |
Year of Publication: | 2022 |
Language: | English |
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Physical Description: | 1 online resource (200 p.) :; 21 B/W illustrations |
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Talijan, Emilija, author. aut http://id.loc.gov/vocabulary/relators/aut Resonant Bodies in Contemporary European Art Cinema / Emilija Talijan. Edinburgh : Edinburgh University Press, [2022] ©2022 1 online resource (200 p.) : 21 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Figures -- Acknowledgements -- Introduction -- Part I The Unlistenable -- CHAPTER 1 The Body at Close Range: Volume and the Unlistenable in Catherine Breillat’s Anatomy of Hell -- CHAPTER 2 Sonic Subjection: Gaspar Noé’s Irreversible and the Dystopian Limits of the Resonant Body -- Part II Migratory Noise -- CHAPTER 3 A Stranger Everywhere: The écho-monde of Tony Gatlif’s Exiles -- CHAPTER 4 Feedback, Asynchronicity and Sonic Sociabilities: Arnaud des Pallières’s Adieu -- Part III Nonhuman Noise -- CHAPTER 5 Listening at the Limit: Nonhuman Noise in Lars von Trier’s Antichrist -- CHAPTER 6 Listening to Things: Foley as ‘Alien Phenomenolog y’ and Peter Strickland’s Berberian Sound Studio -- Conclusion -- Filmography -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Provides the first consideration of sound and the body in contemporary European art cinemaOffers detailed analysis of the underexplored dimension of sound in the work of some of the best-known contemporary European art film directorsProvides a stimulating contribution to theories of cinematic spectatorship showing how sound, noise and listening can rethink all aspects of the filmic experienceExplores the conceptualisation of cinema as a resonant bodyConsiders the sonic dimensions of cinema alongside prescient current debates in European film and criticism about the body, migration and exile, as well as anthropocentrism and anthropocentric modes of representationWhat does it mean to exist, in our experience of cinema, according to listening? How do sound and ‘noise’ reconfigure relations between spectators and screens, and by extension, spectators and their worlds? How do films raise questions about the ethics and politics of listening to different bodies?Resonant Bodies in Contemporary European Art Cinema answers these questions through an analysis of films by Catherine Breillat, Gaspar Noé, Tony Gatlif, Arnaud des Pallières, Lars von Trier and Peter Strickland. These post-millennial European directors have worked with sound in ways that resist the full-definition and perfect hearing offered by Dolby technology. Instead, they have privileged ‘noise’ - sounds that take us to the limit of what we can hear - in a move that foregrounds the body on screen and constructs spectators as listening bodies. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) Cinematography Special effects. Motion pictures Europe History. Motion pictures Europe Philosophy. Sound in motion pictures. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / Direction & Production. bisacsh Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 9783110992809 ZDB-23-DPK Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2022 English 9783110992816 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English 9783110993899 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 9783110994810 ZDB-23-DGG Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2022 9783110780390 https://doi.org/10.1515/9781474483476 https://www.degruyter.com/isbn/9781474483476 Cover https://www.degruyter.com/document/cover/isbn/9781474483476/original |
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English |
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eBook |
author |
Talijan, Emilija, Talijan, Emilija, |
spellingShingle |
Talijan, Emilija, Talijan, Emilija, Resonant Bodies in Contemporary European Art Cinema / Frontmatter -- Contents -- Figures -- Acknowledgements -- Introduction -- Part I The Unlistenable -- CHAPTER 1 The Body at Close Range: Volume and the Unlistenable in Catherine Breillat’s Anatomy of Hell -- CHAPTER 2 Sonic Subjection: Gaspar Noé’s Irreversible and the Dystopian Limits of the Resonant Body -- Part II Migratory Noise -- CHAPTER 3 A Stranger Everywhere: The écho-monde of Tony Gatlif’s Exiles -- CHAPTER 4 Feedback, Asynchronicity and Sonic Sociabilities: Arnaud des Pallières’s Adieu -- Part III Nonhuman Noise -- CHAPTER 5 Listening at the Limit: Nonhuman Noise in Lars von Trier’s Antichrist -- CHAPTER 6 Listening to Things: Foley as ‘Alien Phenomenolog y’ and Peter Strickland’s Berberian Sound Studio -- Conclusion -- Filmography -- Bibliography -- Index |
author_facet |
Talijan, Emilija, Talijan, Emilija, |
author_variant |
e t et e t et |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Talijan, Emilija, |
title |
Resonant Bodies in Contemporary European Art Cinema / |
title_full |
Resonant Bodies in Contemporary European Art Cinema / Emilija Talijan. |
title_fullStr |
Resonant Bodies in Contemporary European Art Cinema / Emilija Talijan. |
title_full_unstemmed |
Resonant Bodies in Contemporary European Art Cinema / Emilija Talijan. |
title_auth |
Resonant Bodies in Contemporary European Art Cinema / |
title_alt |
Frontmatter -- Contents -- Figures -- Acknowledgements -- Introduction -- Part I The Unlistenable -- CHAPTER 1 The Body at Close Range: Volume and the Unlistenable in Catherine Breillat’s Anatomy of Hell -- CHAPTER 2 Sonic Subjection: Gaspar Noé’s Irreversible and the Dystopian Limits of the Resonant Body -- Part II Migratory Noise -- CHAPTER 3 A Stranger Everywhere: The écho-monde of Tony Gatlif’s Exiles -- CHAPTER 4 Feedback, Asynchronicity and Sonic Sociabilities: Arnaud des Pallières’s Adieu -- Part III Nonhuman Noise -- CHAPTER 5 Listening at the Limit: Nonhuman Noise in Lars von Trier’s Antichrist -- CHAPTER 6 Listening to Things: Foley as ‘Alien Phenomenolog y’ and Peter Strickland’s Berberian Sound Studio -- Conclusion -- Filmography -- Bibliography -- Index |
title_new |
Resonant Bodies in Contemporary European Art Cinema / |
title_sort |
resonant bodies in contemporary european art cinema / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (200 p.) : 21 B/W illustrations |
contents |
Frontmatter -- Contents -- Figures -- Acknowledgements -- Introduction -- Part I The Unlistenable -- CHAPTER 1 The Body at Close Range: Volume and the Unlistenable in Catherine Breillat’s Anatomy of Hell -- CHAPTER 2 Sonic Subjection: Gaspar Noé’s Irreversible and the Dystopian Limits of the Resonant Body -- Part II Migratory Noise -- CHAPTER 3 A Stranger Everywhere: The écho-monde of Tony Gatlif’s Exiles -- CHAPTER 4 Feedback, Asynchronicity and Sonic Sociabilities: Arnaud des Pallières’s Adieu -- Part III Nonhuman Noise -- CHAPTER 5 Listening at the Limit: Nonhuman Noise in Lars von Trier’s Antichrist -- CHAPTER 6 Listening to Things: Foley as ‘Alien Phenomenolog y’ and Peter Strickland’s Berberian Sound Studio -- Conclusion -- Filmography -- Bibliography -- Index |
isbn |
9781474483476 9783110992809 9783110992816 9783110993899 9783110994810 9783110780390 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.7 T35 42022 |
geographic_facet |
Europe |
url |
https://doi.org/10.1515/9781474483476 https://www.degruyter.com/isbn/9781474483476 https://www.degruyter.com/document/cover/isbn/9781474483476/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.4302/4 |
dewey-sort |
3791.4302 14 |
dewey-raw |
791.4302/4 |
dewey-search |
791.4302/4 |
doi_str_mv |
10.1515/9781474483476 |
oclc_num |
1312727209 |
work_keys_str_mv |
AT talijanemilija resonantbodiesincontemporaryeuropeanartcinema |
status_str |
n |
ids_txt_mv |
(DE-B1597)625026 (OCoLC)1312727209 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2022 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2022 |
is_hierarchy_title |
Resonant Bodies in Contemporary European Art Cinema / |
container_title |
Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 |
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1770176954810499072 |
fullrecord |
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