George A. Romero's Independent Cinema : : Horror, Industry, Economics / / Tom Fallows.

Examines George A. Romero’s regional production company Laurel Entertainment and its contribution to American cinemaReframes key academic analysis on auteur filmmaking, cult horror and independent cinema from an industrial perspectiveIntegrates business and economic theory to provide a new paradigm...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2022
Year of Publication:2022
Language:English
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Physical Description:1 online resource (216 p.) :; 15 B/W illustrations
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Table of Contents:
  • Frontmatter
  • CONTENTS
  • FIGURES AND TABLES
  • ACKNOWLEDGEMENTS
  • INTRODUCTION
  • 1. LATENT IMAGE(S): REVEALING INDUSTRIAL ALTERNATIVES, 1963–1973
  • 2. A NEW DAWN: CULT, RISK AND THE INDEPENDENT FILM PRODUCER, 1973–1979
  • 3. ‘CAMELOT IS A STATE OF MIND’: PROFESSIONAL PRODUCT, INDEPENDENT SPIRIT, 1979–1982
  • 4. THE ONCE AND FUTURE KING: AGENCY AND THE LIMITS OF CONTROL, 1981–1985
  • 5. LAST STAND: MERGERS, ACQUISITIONS AND THE SMALL BUSINESS ENTERPRISE, 1985–1994
  • EPILOGUE: LIFE AFTER DEATH
  • LAUREL MEDIOGRAPHY
  • BIBLIOGRAPHY
  • Index