George A. Romero's Independent Cinema : : Horror, Industry, Economics / / Tom Fallows.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022
• VerfasserIn: Fallows, Tom,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2022
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (216 p.) :; 15 B/W illustrations
• Other title: Frontmatter --; CONTENTS --; FIGURES AND TABLES --; ACKNOWLEDGEMENTS --; INTRODUCTION --; 1. LATENT IMAGE(S): REVEALING INDUSTRIAL ALTERNATIVES, 1963–1973 --; 2. A NEW DAWN: CULT, RISK AND THE INDEPENDENT FILM PRODUCER, 1973–1979 --; 3. ‘CAMELOT IS A STATE OF MIND’: PROFESSIONAL PRODUCT, INDEPENDENT SPIRIT, 1979–1982 --; 4. THE ONCE AND FUTURE KING: AGENCY AND THE LIMITS OF CONTROL, 1981–1985 --; 5. LAST STAND: MERGERS, ACQUISITIONS AND THE SMALL BUSINESS ENTERPRISE, 1985–1994 --; EPILOGUE: LIFE AFTER DEATH --; LAUREL MEDIOGRAPHY --; BIBLIOGRAPHY --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781474479974; 9783110992809; 9783110992816; 9783110993899; 9783110994810; 9783110780390
• DOI: 10.1515/9781474479974
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Tom Fallows.

Examines George A. Romero’s regional production company Laurel Entertainment and its contribution to American cinemaReframes key academic analysis on auteur filmmaking, cult horror and independent cinema from an industrial perspectiveIntegrates business and economic theory to provide a new paradigm for understanding American film production practicesOffers a unique close study of a regional American production company specialising in horror contentPresents the first academic analysis of Laurel Entertainment and independent film producer Richard RubinsteinDraws upon original interviews with George A. Romero and his collaboratorsGeorge A. Romero is recognised as one of the most culturally significant horror auteurs in American cinema. From his debut Night of the Living Dead onwards, he demonstrated a commitment to politically challenging low-budget genre cinema, gaining fan adoration and critical esteem. Romero’s cult status may be assured, but the activities of the Pittsburgh-based production company that facilitated a substantial part of his output have largely been untold. George A. Romero’s Independent Cinema is the first in-depth analysis of Romero’s Laurel Entertainment, revealing the decision-making and business planning that takes place away from Hollywood, while offering an industry-determined analysis of such films as his zombie masterpiece Dawn of the Dead and the seldom-discussed Martin and Knightriders. Tracking Laurel Entertainment across four decades, this book draws upon business and economic studies to critically recast historical developments in the American independent film sector, providing a forensic-level insight into a media production company whose output redefined horror cinema.