Mapping the Rockumentary : : Images of Sound and Fury /

Mapping the Rockumentary : : Images of Sound and Fury / / Gunnar Iversen, Scott MacKenzie.

Establishes the importance of the rockumentary in documentary studies and in popular music studiesTransforms the study of rockumentaries, documentary studies and popular music studiesProvides in-depth discussions of different sub-genres and formsCase studies include Long Strange Trip, Truth or Dare,...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English
VerfasserIn:
Iversen, Gunnar,
MacKenzie, Scott,
MitwirkendeR:
Baker, Michael Brendan,
Bell, Celine,
Bertrand, Karine,
Campo, Javier,
Chalfant, Eric,
Crowder-Taraborrelli, Tomás,
Eckenroth, Lindsey,
Fillion, Fillion,
Fürnkranz, Magdalena,
Grønstad, Asbjørn,
Iversen, Gunnar,
Jordan, Randolph,
Kibbins, Gary,
Kinik, Anthony,
Lobalzo Wright, Julie,
MacKenzie, Scott,
Marcus, Greil,
McIntosh, Heather,
Miller, Toby,
Na, Ali,
Niebling, Laura,
Robinson, Ian,
Saavedra Utman, Jorge,
Strong, Catherine,
Tiller, Asbjørn,
Vågnes, Øyvind,
Westerstahl Stenport, Anna,
Westrup, Laurel,
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2021
Year of Publication:2022
Language:English
Series:Traditions in World Cinema : TWC
Online Access:
Physical Description:1 online resource (384 p.) :; 34 B/W illustrations
Tags: Add Tag
No Tags, Be the first to tag this record!
Table of Contents:
  • Frontmatter
  • CONTENTS
  • FIGURES
  • CONTRIBUTORS
  • TRADITIONS IN WORLD CINEMA
  • INTRODUCTION: IMAGES OF SOUND AND FURY
  • PART I HISTORIES
  • 1. MUSIC MAKERS OF THE BLUE RIDGE (AKA ‘BLUEGRASS ROOTS,’ DAVID HOFFMAN, USA, 1966)
  • 2. “I DON’T MAKE CULTURE, I SELL IT!”: THE EARLY HISTORY OF MUSIC DOCUMENTATION, 1920S–1970S
  • 3. MONTEREY POP AND THE MATURATION OF THE CONCERT FILM
  • 4. THE SOUND OF ROCKUMENTARY: A CONSIDERATION OF THE DOCUMENTARY SOUNDTRACK
  • 5. FALSE ENDINGS
  • PART II GENDER
  • 6. “START ME UP”: THE PLACE AND DISPLACEMENT OF WOMEN IN THE CINEMA OF THE ROLLING STONES
  • 7. MADONNA ON FILM: GEOPOLITICS, GLOBALIZATION, AND GENDER POLITICS
  • 8. THE FREEDOM TO SPEAK: THE DIXIE CHICKS, OBSERVATIONAL DOCUMENTARY, AND SHUT UP & SING
  • 9. ROCK ‘N’ ROLL FAMILY ROMANCES: THE ROCKUMENTARY AS MALE MELODRAMA
  • 10. PERFORMING DYLAN: THE MANY LIVES OF BOB DYLAN IN I’M NOT THERE
  • PART III AESTHETICS AND POLITICS
  • 11. U2’S RATTLE AND HUM: GOD, SEX, ROCK ‘N’ ROLL AND GOD AGAIN
  • 12. PUNK CITY SYMPHONY: THE CLASH AND RUDE BOY
  • 13. LISTENING FROM THE EMPTY BOOTH: PERFORMING THE GRATEFUL DEAD COMMUNITY IN LONG STRANGE TRIP
  • 14. MINIMUM AND MAXIMUM ROCK ‘N’ ROLL: NICK CAVE AND THE BAD SEEDS AND ROCKUMENTARY FORM
  • 15. “EVERYTHING WAS STORIES”: THE AESTHETIC IMAGINARIES OF SEARCHING FOR THE WRONG-EYED JESUS
  • PART IV COUNTER-CULTURES
  • 16. CHILE: THE ROCK OF POLITICAL CULTURE AND THE HARD PLACE OF CULTURAL POLICY
  • 17. PSYCHEDELIA AND REBELLIOUSNESS IN TIMES OF DICTATORSHIP: ARGENTINIAN ROCKUMENTARIES (1973–1983)
  • 18. HARMONIUM IN CALIFORNIA: MUSICALLY IMAGINED COMMUNITIES AND THE ROCKUMENTARY FORM
  • 19. STATIONS OF THE CRASS: COUNTER-CULTURE AND THE ANARCHO-PUNK MOVEMENT
  • 20. CARS AND GUITARS, OR, DETROIT AND THE MC5: ON REPRESENTATIONS OF MUSIC AND PLACE IN MC5: A TRUE TESTIMONIAL
  • PART V FUTURES
  • 21. UNKNOWABLE DOGS
  • 22. “THIS IS A F**KING BUSINESS”: THE CONCERT SHOW AND TOUR IN 1970S HOLLYWOOD FICTION FILMS
  • 23. LIVE FROM THE MULTIPLEX: THE CONCERT FILM AS EVENT CINEMA SINCE THE 2000S
  • 24. DOCUMENTING DEITIES: TOUCH AND K-POP FANDOM ON YOUTUBE
  • 25. RITUAL IN TRANSFIGURED TIME
  • INDEX

Similar Items