Mapping the Rockumentary : : Images of Sound and Fury / / Gunnar Iversen, Scott MacKenzie.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2021 English
• VerfasserIn: Iversen, Gunnar,; MacKenzie, Scott,
• MitwirkendeR: Baker, Michael Brendan,; Bell, Celine,; Bertrand, Karine,; Campo, Javier,; Chalfant, Eric,; Crowder-Taraborrelli, Tomás,; Eckenroth, Lindsey,; Fillion, Fillion,; Fürnkranz, Magdalena,; Grønstad, Asbjørn,; Iversen, Gunnar,; Jordan, Randolph,; Kibbins, Gary,; Kinik, Anthony,; Lobalzo Wright, Julie,; MacKenzie, Scott,; Marcus, Greil,; McIntosh, Heather,; Miller, Toby,; Na, Ali,; Niebling, Laura,; Robinson, Ian,; Saavedra Utman, Jorge,; Strong, Catherine,; Tiller, Asbjørn,; Vågnes, Øyvind,; Westerstahl Stenport, Anna,; Westrup, Laurel,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2021
• Year of Publication: 2022
• Language: English
• Series: Traditions in World Cinema : TWC
• Physical Description: 1 online resource (384 p.) :; 34 B/W illustrations
• Other title: Frontmatter --; CONTENTS --; FIGURES --; CONTRIBUTORS --; TRADITIONS IN WORLD CINEMA --; INTRODUCTION: IMAGES OF SOUND AND FURY --; PART I HISTORIES --; 1. MUSIC MAKERS OF THE BLUE RIDGE (AKA ‘BLUEGRASS ROOTS,’ DAVID HOFFMAN, USA, 1966) --; 2. “I DON’T MAKE CULTURE, I SELL IT!”: THE EARLY HISTORY OF MUSIC DOCUMENTATION, 1920S–1970S --; 3. MONTEREY POP AND THE MATURATION OF THE CONCERT FILM --; 4. THE SOUND OF ROCKUMENTARY: A CONSIDERATION OF THE DOCUMENTARY SOUNDTRACK --; 5. FALSE ENDINGS --; PART II GENDER --; 6. “START ME UP”: THE PLACE AND DISPLACEMENT OF WOMEN IN THE CINEMA OF THE ROLLING STONES --; 7. MADONNA ON FILM: GEOPOLITICS, GLOBALIZATION, AND GENDER POLITICS --; 8. THE FREEDOM TO SPEAK: THE DIXIE CHICKS, OBSERVATIONAL DOCUMENTARY, AND SHUT UP & SING --; 9. ROCK ‘N’ ROLL FAMILY ROMANCES: THE ROCKUMENTARY AS MALE MELODRAMA --; 10. PERFORMING DYLAN: THE MANY LIVES OF BOB DYLAN IN I’M NOT THERE --; PART III AESTHETICS AND POLITICS --; 11. U2’S RATTLE AND HUM: GOD, SEX, ROCK ‘N’ ROLL AND GOD AGAIN --; 12. PUNK CITY SYMPHONY: THE CLASH AND RUDE BOY --; 13. LISTENING FROM THE EMPTY BOOTH: PERFORMING THE GRATEFUL DEAD COMMUNITY IN LONG STRANGE TRIP --; 14. MINIMUM AND MAXIMUM ROCK ‘N’ ROLL: NICK CAVE AND THE BAD SEEDS AND ROCKUMENTARY FORM --; 15. “EVERYTHING WAS STORIES”: THE AESTHETIC IMAGINARIES OF SEARCHING FOR THE WRONG-EYED JESUS --; PART IV COUNTER-CULTURES --; 16. CHILE: THE ROCK OF POLITICAL CULTURE AND THE HARD PLACE OF CULTURAL POLICY --; 17. PSYCHEDELIA AND REBELLIOUSNESS IN TIMES OF DICTATORSHIP: ARGENTINIAN ROCKUMENTARIES (1973–1983) --; 18. HARMONIUM IN CALIFORNIA: MUSICALLY IMAGINED COMMUNITIES AND THE ROCKUMENTARY FORM --; 19. STATIONS OF THE CRASS: COUNTER-CULTURE AND THE ANARCHO-PUNK MOVEMENT --; 20. CARS AND GUITARS, OR, DETROIT AND THE MC5: ON REPRESENTATIONS OF MUSIC AND PLACE IN MC5: A TRUE TESTIMONIAL --; PART V FUTURES --; 21. UNKNOWABLE DOGS --; 22. “THIS IS A F**KING BUSINESS”: THE CONCERT SHOW AND TOUR IN 1970S HOLLYWOOD FICTION FILMS --; 23. LIVE FROM THE MULTIPLEX: THE CONCERT FILM AS EVENT CINEMA SINCE THE 2000S --; 24. DOCUMENTING DEITIES: TOUCH AND K-POP FANDOM ON YOUTUBE --; 25. RITUAL IN TRANSFIGURED TIME --; INDEX
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781474478045; 9783110754001; 9783110753776; 9783110754124; 9783110753899; 9783110780406
• DOI: 10.1515/9781474478045
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Gunnar Iversen, Scott MacKenzie.

Establishes the importance of the rockumentary in documentary studies and in popular music studiesTransforms the study of rockumentaries, documentary studies and popular music studiesProvides in-depth discussions of different sub-genres and formsCase studies include Long Strange Trip, Truth or Dare, Some Kind of Monster, Shut Up and Sing and I'm Not ThereMapping the Rockumentary: Images of Sound and Fury is the first anthology to explore the rockumentary as a central component of both the documentary and world cinema. The book includes case studies of bands and performers such as The Beatles, The Rolling Stones, Bob Dylan, The Clash, Madonna and Metallica and performers from Asia, Europe and the Americas, making the case for rockumentaries as part of an established and ever-evolving cinematic tradition. With an international and transdisciplinary approach, and addressing rocumentaries in film, television and on the internet, the book explores the form’s rich history from the 1950s to the present day – and beyond.