Moroccan Cinema Uncut : : Decentred Voices, Transnational Perspectives /

Moroccan Cinema Uncut : : Decentred Voices, Transnational Perspectives / / Jamal Bahmad, Will Higbee, Flo Martin.

Assesses Moroccan cinema through a transnational lens to reframe its postcolonial legacyBased on interviews with key industry figures and filmmakersCase studies include the controversial Much Loved, and an analysis of its reception within and outwith MoroccoArgues that Moroccan cinema has de-orbited...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020
VerfasserIn:
Higbee, Will,
Bahmad, Jamal,
Martin, Flo,
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2020
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (288 p.) :; 21 B/W illustrations
Tags: Add Tag
No Tags, Be the first to tag this record!
Table of Contents:
  • Frontmatter
  • CONTENTS
  • FIGURES AND TABLES
  • ACKNOWLEDGEMENTS
  • INTRODUCTION: MOROCCAN CINEMA: A STORY OF TRANSNATIONAL ADAPTATION
  • PART ONE. PRODUCTION FROM ABOVE: FORMAL NETWORKS
  • 1. ESTABLISHED SITES OF PRODUCTION AT HOME
  • 2. TRANSNATIONAL CROSSINGS
  • PART TWO. PRODUCTION FROM BELOW: EMERGING SITES
  • 3. ALTERNATIVE AND EMERGING NETWORKS
  • 4. DIVERSE VOICES
  • PART THREE. DISTRIBUTION AND EXHIBITION NETWORKS: FESTIVALS, AUDIENCES AND MARKETS
  • 5. DISTRIBUTION AND EXHIBITION NETWORKS IN MOROCCO
  • 6. INTERNATIONAL FESTIVALS: AN ALTERNATIVE TRANSNATIONAL DISTRIBUTION NETWORK FOR MOROCCAN CINEMA?
  • 7. SALES, DISTRIBUTION AND DIGITAL DISRUPTION: THE UNREALISED TRANSNATIONAL REACH OF MOROCCAN CINEMA?
  • CONCLUSION: TRANSNATIONAL MOROCCAN CINEMA: OF BUMBLEBEES AND BUTTERFLIES
  • BIBLIOGRAPHY
  • SELECT FILMOGRAPHY
  • INDEX

Similar Items