Moroccan Cinema Uncut : : Decentred Voices, Transnational Perspectives / / Jamal Bahmad, Will Higbee, Flo Martin.
Assesses Moroccan cinema through a transnational lens to reframe its postcolonial legacyBased on interviews with key industry figures and filmmakersCase studies include the controversial Much Loved, and an analysis of its reception within and outwith MoroccoArgues that Moroccan cinema has de-orbited...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2020 |
Year of Publication: | 2022 |
Language: | English |
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Physical Description: | 1 online resource (288 p.) :; 21 B/W illustrations |
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Higbee, Will, author. aut http://id.loc.gov/vocabulary/relators/aut Moroccan Cinema Uncut : Decentred Voices, Transnational Perspectives / Jamal Bahmad, Will Higbee, Flo Martin. Edinburgh : Edinburgh University Press, [2022] ©2020 1 online resource (288 p.) : 21 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- CONTENTS -- FIGURES AND TABLES -- ACKNOWLEDGEMENTS -- INTRODUCTION: MOROCCAN CINEMA: A STORY OF TRANSNATIONAL ADAPTATION -- PART ONE. PRODUCTION FROM ABOVE: FORMAL NETWORKS -- 1. ESTABLISHED SITES OF PRODUCTION AT HOME -- 2. TRANSNATIONAL CROSSINGS -- PART TWO. PRODUCTION FROM BELOW: EMERGING SITES -- 3. ALTERNATIVE AND EMERGING NETWORKS -- 4. DIVERSE VOICES -- PART THREE. DISTRIBUTION AND EXHIBITION NETWORKS: FESTIVALS, AUDIENCES AND MARKETS -- 5. DISTRIBUTION AND EXHIBITION NETWORKS IN MOROCCO -- 6. INTERNATIONAL FESTIVALS: AN ALTERNATIVE TRANSNATIONAL DISTRIBUTION NETWORK FOR MOROCCAN CINEMA? -- 7. SALES, DISTRIBUTION AND DIGITAL DISRUPTION: THE UNREALISED TRANSNATIONAL REACH OF MOROCCAN CINEMA? -- CONCLUSION: TRANSNATIONAL MOROCCAN CINEMA: OF BUMBLEBEES AND BUTTERFLIES -- BIBLIOGRAPHY -- SELECT FILMOGRAPHY -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Assesses Moroccan cinema through a transnational lens to reframe its postcolonial legacyBased on interviews with key industry figures and filmmakersCase studies include the controversial Much Loved, and an analysis of its reception within and outwith MoroccoArgues that Moroccan cinema has de-orbited from Francophone cinema and Morocco's postcolonial legacy to become a transnational cinemaWatch the editors discuss the book in a webinar hosted by SOASThis is the first book length study to consider the transnational dimension of Moroccan cinema. Over the past two decades, cinematic production has increased dramatically in Morocco, with Moroccan films leading at the domestic box office and being selected for prestigious international festivals such as Cannes and Berlin. And yet, Moroccan cinema remains little known outside of its national borders. This book asks why this might be and, in so doing, analyses the actual state of Moroccan national cinema beyond a post-colonial optic. Featuring interviews with filmmakers and key industry figures, such as Hicham Laari, Nadir Boumouch and Tala Hadid, the book explores Moroccan cinema’s transnational reach through a focus on the cultural politics of international co-production, the role of international festivals as alternative distribution networks, piracy and digital disruption, film education and activism." Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) Motion pictures Morocco History 21st century. Motion pictures-Morocco-History. Transnationalism in motion pictures. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / Direction & Production. bisacsh Bahmad, Jamal, author. aut http://id.loc.gov/vocabulary/relators/aut Martin, Flo, author. aut http://id.loc.gov/vocabulary/relators/aut Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 9783110780413 print 9781474477932 https://doi.org/10.1515/9781474477956 https://www.degruyter.com/isbn/9781474477956 Cover https://www.degruyter.com/document/cover/isbn/9781474477956/original |
language |
English |
format |
eBook |
author |
Higbee, Will, Higbee, Will, Bahmad, Jamal, Martin, Flo, |
spellingShingle |
Higbee, Will, Higbee, Will, Bahmad, Jamal, Martin, Flo, Moroccan Cinema Uncut : Decentred Voices, Transnational Perspectives / Frontmatter -- CONTENTS -- FIGURES AND TABLES -- ACKNOWLEDGEMENTS -- INTRODUCTION: MOROCCAN CINEMA: A STORY OF TRANSNATIONAL ADAPTATION -- PART ONE. PRODUCTION FROM ABOVE: FORMAL NETWORKS -- 1. ESTABLISHED SITES OF PRODUCTION AT HOME -- 2. TRANSNATIONAL CROSSINGS -- PART TWO. PRODUCTION FROM BELOW: EMERGING SITES -- 3. ALTERNATIVE AND EMERGING NETWORKS -- 4. DIVERSE VOICES -- PART THREE. DISTRIBUTION AND EXHIBITION NETWORKS: FESTIVALS, AUDIENCES AND MARKETS -- 5. DISTRIBUTION AND EXHIBITION NETWORKS IN MOROCCO -- 6. INTERNATIONAL FESTIVALS: AN ALTERNATIVE TRANSNATIONAL DISTRIBUTION NETWORK FOR MOROCCAN CINEMA? -- 7. SALES, DISTRIBUTION AND DIGITAL DISRUPTION: THE UNREALISED TRANSNATIONAL REACH OF MOROCCAN CINEMA? -- CONCLUSION: TRANSNATIONAL MOROCCAN CINEMA: OF BUMBLEBEES AND BUTTERFLIES -- BIBLIOGRAPHY -- SELECT FILMOGRAPHY -- INDEX |
author_facet |
Higbee, Will, Higbee, Will, Bahmad, Jamal, Martin, Flo, Bahmad, Jamal, Bahmad, Jamal, Martin, Flo, Martin, Flo, |
author_variant |
w h wh w h wh j b jb f m fm |
author_role |
VerfasserIn VerfasserIn VerfasserIn VerfasserIn |
author2 |
Bahmad, Jamal, Bahmad, Jamal, Martin, Flo, Martin, Flo, |
author2_variant |
j b jb f m fm |
author2_role |
VerfasserIn VerfasserIn VerfasserIn VerfasserIn |
author_sort |
Higbee, Will, |
title |
Moroccan Cinema Uncut : Decentred Voices, Transnational Perspectives / |
title_sub |
Decentred Voices, Transnational Perspectives / |
title_full |
Moroccan Cinema Uncut : Decentred Voices, Transnational Perspectives / Jamal Bahmad, Will Higbee, Flo Martin. |
title_fullStr |
Moroccan Cinema Uncut : Decentred Voices, Transnational Perspectives / Jamal Bahmad, Will Higbee, Flo Martin. |
title_full_unstemmed |
Moroccan Cinema Uncut : Decentred Voices, Transnational Perspectives / Jamal Bahmad, Will Higbee, Flo Martin. |
title_auth |
Moroccan Cinema Uncut : Decentred Voices, Transnational Perspectives / |
title_alt |
Frontmatter -- CONTENTS -- FIGURES AND TABLES -- ACKNOWLEDGEMENTS -- INTRODUCTION: MOROCCAN CINEMA: A STORY OF TRANSNATIONAL ADAPTATION -- PART ONE. PRODUCTION FROM ABOVE: FORMAL NETWORKS -- 1. ESTABLISHED SITES OF PRODUCTION AT HOME -- 2. TRANSNATIONAL CROSSINGS -- PART TWO. PRODUCTION FROM BELOW: EMERGING SITES -- 3. ALTERNATIVE AND EMERGING NETWORKS -- 4. DIVERSE VOICES -- PART THREE. DISTRIBUTION AND EXHIBITION NETWORKS: FESTIVALS, AUDIENCES AND MARKETS -- 5. DISTRIBUTION AND EXHIBITION NETWORKS IN MOROCCO -- 6. INTERNATIONAL FESTIVALS: AN ALTERNATIVE TRANSNATIONAL DISTRIBUTION NETWORK FOR MOROCCAN CINEMA? -- 7. SALES, DISTRIBUTION AND DIGITAL DISRUPTION: THE UNREALISED TRANSNATIONAL REACH OF MOROCCAN CINEMA? -- CONCLUSION: TRANSNATIONAL MOROCCAN CINEMA: OF BUMBLEBEES AND BUTTERFLIES -- BIBLIOGRAPHY -- SELECT FILMOGRAPHY -- INDEX |
title_new |
Moroccan Cinema Uncut : |
title_sort |
moroccan cinema uncut : decentred voices, transnational perspectives / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (288 p.) : 21 B/W illustrations |
contents |
Frontmatter -- CONTENTS -- FIGURES AND TABLES -- ACKNOWLEDGEMENTS -- INTRODUCTION: MOROCCAN CINEMA: A STORY OF TRANSNATIONAL ADAPTATION -- PART ONE. PRODUCTION FROM ABOVE: FORMAL NETWORKS -- 1. ESTABLISHED SITES OF PRODUCTION AT HOME -- 2. TRANSNATIONAL CROSSINGS -- PART TWO. PRODUCTION FROM BELOW: EMERGING SITES -- 3. ALTERNATIVE AND EMERGING NETWORKS -- 4. DIVERSE VOICES -- PART THREE. DISTRIBUTION AND EXHIBITION NETWORKS: FESTIVALS, AUDIENCES AND MARKETS -- 5. DISTRIBUTION AND EXHIBITION NETWORKS IN MOROCCO -- 6. INTERNATIONAL FESTIVALS: AN ALTERNATIVE TRANSNATIONAL DISTRIBUTION NETWORK FOR MOROCCAN CINEMA? -- 7. SALES, DISTRIBUTION AND DIGITAL DISRUPTION: THE UNREALISED TRANSNATIONAL REACH OF MOROCCAN CINEMA? -- CONCLUSION: TRANSNATIONAL MOROCCAN CINEMA: OF BUMBLEBEES AND BUTTERFLIES -- BIBLIOGRAPHY -- SELECT FILMOGRAPHY -- INDEX |
isbn |
9781474477956 9783110780413 9781474477932 |
geographic_facet |
Morocco |
era_facet |
21st century. |
url |
https://doi.org/10.1515/9781474477956 https://www.degruyter.com/isbn/9781474477956 https://www.degruyter.com/document/cover/isbn/9781474477956/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43/096409051 |
dewey-sort |
3791.43 896409051 |
dewey-raw |
791.43/096409051 |
dewey-search |
791.43/096409051 |
doi_str_mv |
10.1515/9781474477956 |
oclc_num |
1306538113 |
work_keys_str_mv |
AT higbeewill moroccancinemauncutdecentredvoicestransnationalperspectives AT bahmadjamal moroccancinemauncutdecentredvoicestransnationalperspectives AT martinflo moroccancinemauncutdecentredvoicestransnationalperspectives |
status_str |
n |
ids_txt_mv |
(DE-B1597)614613 (OCoLC)1306538113 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
is_hierarchy_title |
Moroccan Cinema Uncut : Decentred Voices, Transnational Perspectives / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
author2_original_writing_str_mv |
noLinkedField noLinkedField noLinkedField noLinkedField |
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1770176954436157440 |
fullrecord |
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