The Truth in Photography : : Oxford Literary Review Volume 32, Issue 2 / / Michael Naas.

From the very invention of photography in the early part of the nineteenth century right up through the most recent developments in photography through digital technology, theorists have never stopped asking whether there is in fact any truth at all in photography. The essays collected in this volum...

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Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2011
Year of Publication:2022
Language:English
Series:Oxford Literary Review Special Issues : LRSI
Online Access:
Physical Description:1 online resource (128 p.)
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505 0 0 |t Frontmatter --   |t Contents --   |t The Truth in Photography --   |t Snapshot --   |t Articles --   |t Aletheia --   |t What, in truth, is Photography? Notes after Kracauer --   |t Primal Phenomena and Photography --   |t Dark Room Readings: Scenes of Maternal Photography --   |t Fiction --   |t Melville’s Couvade --   |t Book Reviews --   |t Michael Syrotinski, Deconstruction and the Postcolonial --   |t Judeities, ed. Bettina Bergo, Joseph Cohen, Raphael Zagury-Orly --   |t Asja Szafraniec, Beckett, Derrida, and the Event of Literature --   |t Contributors 
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520 |a From the very invention of photography in the early part of the nineteenth century right up through the most recent developments in photography through digital technology, theorists have never stopped asking whether there is in fact any truth at all in photography. The essays collected in this volume consider this and related questions (for example, the relationship between photography and representation, history, time, narrative, memory, mourning, and so on) through the works of Walter Benjamin, Hélène Cixous, and Jacques Derrida, among others. The volume opens with a previously untranslated essay by Derrida on photography, entitled, precisely, Aletheia (Truth), and it concludes with ‘Melville’s Couvade’, an original work of fiction on the theme of photography by David Farrell Krell. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) 
650 0 |a Photography  |x Philosophy. 
650 0 |a Photography-Philosophy. 
650 0 |a Photography. 
650 0 |a Truth. 
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700 1 |a Benjamin, Andrew,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
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700 1 |a Farrell Krell, David,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Grant, Ben,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
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700 1 |a Marder, Elissa,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Miller, Elaine P.,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Naas, Michael,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Rainford, Lydia,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
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