Women, Feminism and Italian Cinema : : Archives from a Film Culture / / Dalila Missero.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022
• VerfasserIn: Missero, Dalila,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2022
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (200 p.) :; 18 B/W illustrations

Represents the first comprehensive reconstruction of Italian women’s film cultures of the 1960s and ‘70sProvides an innovative, intersectional feminist methodology to cinema history, adopting stand-point theory, archival theory and addressing questions of nostalgia and anachronismCase studies enrich...

Table of Contents

• Frontmatter
• Contents
• Acknowledgements
• Introduction
• Part I Cultures of Film Consumption: Affective Spectators and Activist Audiences
• 1 Searching for Gender in the Audience: Cultural Discourses and Opinion Surveys
• 2 The Spectator in the Magazine: Cinema-going, Ideology and Femininity
• 3 Feminist Spectatorship and Transformative Publics: Aspirations and Legacies of Feminist Film Festivals
• 4 Patterns of (In)visibility: Lesbian and Queer Counterpublics
• 5 Feminists and Porn: Protests and Campaigns
• Part II Cultures of Representation: Sexuality, Race and Politics
• 6 Asexuality and Housework in the Anthological Comedies of the Mid-1960s
• 7 Ines Pellegrini: Navigating (Post)colonial Representations in the ‘Sexual Revolution’
• 8 The Beginning of the End? Depoliticised Feminism in Fellini’s City of Women
• Part III Cultures of Production: Maps, Labour and Archives
• 9 Sexism and Women’s Work: Mara Blasetti, Production Manager
• 10 A Map of Open Questions: A Feminist Genealogy of Women Directors (1935–70)
• 11 A Materialist Trajectory in Feminist Filmmaking: Rethinking Labour and Consciousness-raising
• 12 Feminist Spaces and Knowledge Exchange: Adriana Monti’s Archive
• Conclusion – Feminist Film Culture(s): Collectivities, Archives and Futures
• Works Cited
• Index