Women, Feminism and Italian Cinema : : Archives from a Film Culture / / Dalila Missero.
Represents the first comprehensive reconstruction of Italian women’s film cultures of the 1960s and ‘70sProvides an innovative, intersectional feminist methodology to cinema history, adopting stand-point theory, archival theory and addressing questions of nostalgia and anachronismCase studies enrich...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2022 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (200 p.) :; 18 B/W illustrations |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9781474463263 |
---|---|
ctrlnum |
(DE-B1597)624928 (OCoLC)1298232719 |
collection |
bib_alma |
record_format |
marc |
spelling |
Missero, Dalila, author. aut http://id.loc.gov/vocabulary/relators/aut Women, Feminism and Italian Cinema : Archives from a Film Culture / Dalila Missero. Edinburgh : Edinburgh University Press, [2022] ©2022 1 online resource (200 p.) : 18 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgements -- Introduction -- Part I Cultures of Film Consumption: Affective Spectators and Activist Audiences -- 1 Searching for Gender in the Audience: Cultural Discourses and Opinion Surveys -- 2 The Spectator in the Magazine: Cinema-going, Ideology and Femininity -- 3 Feminist Spectatorship and Transformative Publics: Aspirations and Legacies of Feminist Film Festivals -- 4 Patterns of (In)visibility: Lesbian and Queer Counterpublics -- 5 Feminists and Porn: Protests and Campaigns -- Part II Cultures of Representation: Sexuality, Race and Politics -- 6 Asexuality and Housework in the Anthological Comedies of the Mid-1960s -- 7 Ines Pellegrini: Navigating (Post)colonial Representations in the ‘Sexual Revolution’ -- 8 The Beginning of the End? Depoliticised Feminism in Fellini’s City of Women -- Part III Cultures of Production: Maps, Labour and Archives -- 9 Sexism and Women’s Work: Mara Blasetti, Production Manager -- 10 A Map of Open Questions: A Feminist Genealogy of Women Directors (1935–70) -- 11 A Materialist Trajectory in Feminist Filmmaking: Rethinking Labour and Consciousness-raising -- 12 Feminist Spaces and Knowledge Exchange: Adriana Monti’s Archive -- Conclusion – Feminist Film Culture(s): Collectivities, Archives and Futures -- Works Cited -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Represents the first comprehensive reconstruction of Italian women’s film cultures of the 1960s and ‘70sProvides an innovative, intersectional feminist methodology to cinema history, adopting stand-point theory, archival theory and addressing questions of nostalgia and anachronismCase studies enrich the understanding of cinema’s socio-cultural role in Italy, and addressing, in an engaging way, key concerns for feminist cinema historyOffers an emphasis on women’s affective and active relationship with cinema offers an innovative approach to cultural production and consumptionInvestigates, for the first time, the relationship between Italian second-wave feminism and mainstream cinema, with a comparative perspective with other national contexts (US, France, Canada)Italian cinema experienced its peak of domestic and international popularity in the years between the ‘economic miracle’ of the late 1950s and the social and political turmoil of the 1970s. But how did the growing development of the feminist movement in this period impact on Italian film culture? And what role did that film culture play in women’s lives?This book explores the multiple intersections between feminism and Italian cinema from the perspective of women’s everyday relationship with the medium. Drawing from a feminist approach to Gramscian cultural theory, the book builds an archival counter-history of Italian cinema in which women took part as movie-goers, activists and practitioners, by means of a collective-historical agency that challenged cinema’s patriarchal structures and strategies of invisibilisation. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / Direction & Production. bisacsh Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 9783110992809 ZDB-23-DPK Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2022 English 9783110992816 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English 9783110993899 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 9783110994810 ZDB-23-DGG Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2022 9783110780390 print 9781474463249 https://doi.org/10.1515/9781474463263 https://www.degruyter.com/isbn/9781474463263 Cover https://www.degruyter.com/document/cover/isbn/9781474463263/original |
language |
English |
format |
eBook |
author |
Missero, Dalila, Missero, Dalila, |
spellingShingle |
Missero, Dalila, Missero, Dalila, Women, Feminism and Italian Cinema : Archives from a Film Culture / Frontmatter -- Contents -- Acknowledgements -- Introduction -- Part I Cultures of Film Consumption: Affective Spectators and Activist Audiences -- 1 Searching for Gender in the Audience: Cultural Discourses and Opinion Surveys -- 2 The Spectator in the Magazine: Cinema-going, Ideology and Femininity -- 3 Feminist Spectatorship and Transformative Publics: Aspirations and Legacies of Feminist Film Festivals -- 4 Patterns of (In)visibility: Lesbian and Queer Counterpublics -- 5 Feminists and Porn: Protests and Campaigns -- Part II Cultures of Representation: Sexuality, Race and Politics -- 6 Asexuality and Housework in the Anthological Comedies of the Mid-1960s -- 7 Ines Pellegrini: Navigating (Post)colonial Representations in the ‘Sexual Revolution’ -- 8 The Beginning of the End? Depoliticised Feminism in Fellini’s City of Women -- Part III Cultures of Production: Maps, Labour and Archives -- 9 Sexism and Women’s Work: Mara Blasetti, Production Manager -- 10 A Map of Open Questions: A Feminist Genealogy of Women Directors (1935–70) -- 11 A Materialist Trajectory in Feminist Filmmaking: Rethinking Labour and Consciousness-raising -- 12 Feminist Spaces and Knowledge Exchange: Adriana Monti’s Archive -- Conclusion – Feminist Film Culture(s): Collectivities, Archives and Futures -- Works Cited -- Index |
author_facet |
Missero, Dalila, Missero, Dalila, |
author_variant |
d m dm d m dm |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Missero, Dalila, |
title |
Women, Feminism and Italian Cinema : Archives from a Film Culture / |
title_sub |
Archives from a Film Culture / |
title_full |
Women, Feminism and Italian Cinema : Archives from a Film Culture / Dalila Missero. |
title_fullStr |
Women, Feminism and Italian Cinema : Archives from a Film Culture / Dalila Missero. |
title_full_unstemmed |
Women, Feminism and Italian Cinema : Archives from a Film Culture / Dalila Missero. |
title_auth |
Women, Feminism and Italian Cinema : Archives from a Film Culture / |
title_alt |
Frontmatter -- Contents -- Acknowledgements -- Introduction -- Part I Cultures of Film Consumption: Affective Spectators and Activist Audiences -- 1 Searching for Gender in the Audience: Cultural Discourses and Opinion Surveys -- 2 The Spectator in the Magazine: Cinema-going, Ideology and Femininity -- 3 Feminist Spectatorship and Transformative Publics: Aspirations and Legacies of Feminist Film Festivals -- 4 Patterns of (In)visibility: Lesbian and Queer Counterpublics -- 5 Feminists and Porn: Protests and Campaigns -- Part II Cultures of Representation: Sexuality, Race and Politics -- 6 Asexuality and Housework in the Anthological Comedies of the Mid-1960s -- 7 Ines Pellegrini: Navigating (Post)colonial Representations in the ‘Sexual Revolution’ -- 8 The Beginning of the End? Depoliticised Feminism in Fellini’s City of Women -- Part III Cultures of Production: Maps, Labour and Archives -- 9 Sexism and Women’s Work: Mara Blasetti, Production Manager -- 10 A Map of Open Questions: A Feminist Genealogy of Women Directors (1935–70) -- 11 A Materialist Trajectory in Feminist Filmmaking: Rethinking Labour and Consciousness-raising -- 12 Feminist Spaces and Knowledge Exchange: Adriana Monti’s Archive -- Conclusion – Feminist Film Culture(s): Collectivities, Archives and Futures -- Works Cited -- Index |
title_new |
Women, Feminism and Italian Cinema : |
title_sort |
women, feminism and italian cinema : archives from a film culture / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (200 p.) : 18 B/W illustrations |
contents |
Frontmatter -- Contents -- Acknowledgements -- Introduction -- Part I Cultures of Film Consumption: Affective Spectators and Activist Audiences -- 1 Searching for Gender in the Audience: Cultural Discourses and Opinion Surveys -- 2 The Spectator in the Magazine: Cinema-going, Ideology and Femininity -- 3 Feminist Spectatorship and Transformative Publics: Aspirations and Legacies of Feminist Film Festivals -- 4 Patterns of (In)visibility: Lesbian and Queer Counterpublics -- 5 Feminists and Porn: Protests and Campaigns -- Part II Cultures of Representation: Sexuality, Race and Politics -- 6 Asexuality and Housework in the Anthological Comedies of the Mid-1960s -- 7 Ines Pellegrini: Navigating (Post)colonial Representations in the ‘Sexual Revolution’ -- 8 The Beginning of the End? Depoliticised Feminism in Fellini’s City of Women -- Part III Cultures of Production: Maps, Labour and Archives -- 9 Sexism and Women’s Work: Mara Blasetti, Production Manager -- 10 A Map of Open Questions: A Feminist Genealogy of Women Directors (1935–70) -- 11 A Materialist Trajectory in Feminist Filmmaking: Rethinking Labour and Consciousness-raising -- 12 Feminist Spaces and Knowledge Exchange: Adriana Monti’s Archive -- Conclusion – Feminist Film Culture(s): Collectivities, Archives and Futures -- Works Cited -- Index |
isbn |
9781474463263 9783110992809 9783110992816 9783110993899 9783110994810 9783110780390 9781474463249 |
url |
https://doi.org/10.1515/9781474463263 https://www.degruyter.com/isbn/9781474463263 https://www.degruyter.com/document/cover/isbn/9781474463263/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43082 |
dewey-sort |
3791.43082 |
dewey-raw |
791.43082 |
dewey-search |
791.43082 |
doi_str_mv |
10.1515/9781474463263 |
oclc_num |
1298232719 |
work_keys_str_mv |
AT misserodalila womenfeminismanditaliancinemaarchivesfromafilmculture |
status_str |
n |
ids_txt_mv |
(DE-B1597)624928 (OCoLC)1298232719 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2022 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2022 |
is_hierarchy_title |
Women, Feminism and Italian Cinema : Archives from a Film Culture / |
container_title |
Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 |
_version_ |
1770176951114268672 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06024nam a22007215i 4500</leader><controlfield tag="001">9781474463263</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20230529101353.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">230529t20222022stk fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474463263</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474463263</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)624928</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1298232719</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">stk</subfield><subfield code="c">GB-SCT</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004010</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.43082</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Missero, Dalila, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Women, Feminism and Italian Cinema :</subfield><subfield code="b">Archives from a Film Culture /</subfield><subfield code="c">Dalila Missero.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh : </subfield><subfield code="b">Edinburgh University Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (200 p.) :</subfield><subfield code="b">18 B/W illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Acknowledgements -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">Part I Cultures of Film Consumption: Affective Spectators and Activist Audiences -- </subfield><subfield code="t">1 Searching for Gender in the Audience: Cultural Discourses and Opinion Surveys -- </subfield><subfield code="t">2 The Spectator in the Magazine: Cinema-going, Ideology and Femininity -- </subfield><subfield code="t">3 Feminist Spectatorship and Transformative Publics: Aspirations and Legacies of Feminist Film Festivals -- </subfield><subfield code="t">4 Patterns of (In)visibility: Lesbian and Queer Counterpublics -- </subfield><subfield code="t">5 Feminists and Porn: Protests and Campaigns -- </subfield><subfield code="t">Part II Cultures of Representation: Sexuality, Race and Politics -- </subfield><subfield code="t">6 Asexuality and Housework in the Anthological Comedies of the Mid-1960s -- </subfield><subfield code="t">7 Ines Pellegrini: Navigating (Post)colonial Representations in the ‘Sexual Revolution’ -- </subfield><subfield code="t">8 The Beginning of the End? Depoliticised Feminism in Fellini’s City of Women -- </subfield><subfield code="t">Part III Cultures of Production: Maps, Labour and Archives -- </subfield><subfield code="t">9 Sexism and Women’s Work: Mara Blasetti, Production Manager -- </subfield><subfield code="t">10 A Map of Open Questions: A Feminist Genealogy of Women Directors (1935–70) -- </subfield><subfield code="t">11 A Materialist Trajectory in Feminist Filmmaking: Rethinking Labour and Consciousness-raising -- </subfield><subfield code="t">12 Feminist Spaces and Knowledge Exchange: Adriana Monti’s Archive -- </subfield><subfield code="t">Conclusion – Feminist Film Culture(s): Collectivities, Archives and Futures -- </subfield><subfield code="t">Works Cited -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Represents the first comprehensive reconstruction of Italian women’s film cultures of the 1960s and ‘70sProvides an innovative, intersectional feminist methodology to cinema history, adopting stand-point theory, archival theory and addressing questions of nostalgia and anachronismCase studies enrich the understanding of cinema’s socio-cultural role in Italy, and addressing, in an engaging way, key concerns for feminist cinema historyOffers an emphasis on women’s affective and active relationship with cinema offers an innovative approach to cultural production and consumptionInvestigates, for the first time, the relationship between Italian second-wave feminism and mainstream cinema, with a comparative perspective with other national contexts (US, France, Canada)Italian cinema experienced its peak of domestic and international popularity in the years between the ‘economic miracle’ of the late 1950s and the social and political turmoil of the 1970s. But how did the growing development of the feminist movement in this period impact on Italian film culture? And what role did that film culture play in women’s lives?This book explores the multiple intersections between feminism and Italian cinema from the perspective of women’s everyday relationship with the medium. Drawing from a feminist approach to Gramscian cultural theory, the book builds an archival counter-history of Italian cinema in which women took part as movie-goers, activists and practitioners, by means of a collective-historical agency that challenged cinema’s patriarchal structures and strategies of invisibilisation.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Direction & Production.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE Arts 2022</subfield><subfield code="z">9783110992809</subfield><subfield code="o">ZDB-23-DPK</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE Arts, Architecture and Design 2022 English</subfield><subfield code="z">9783110992816</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE COMPLETE 2022 English</subfield><subfield code="z">9783110993899</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE COMPLETE 2022</subfield><subfield code="z">9783110994810</subfield><subfield code="o">ZDB-23-DGG</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Edinburgh University Press Complete eBook-Package 2022</subfield><subfield code="z">9783110780390</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9781474463249</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474463263</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781474463263</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781474463263/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-078039-0 Edinburgh University Press Complete eBook-Package 2022</subfield><subfield code="b">2022</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-099281-6 EBOOK PACKAGE Arts, Architecture and Design 2022 English</subfield><subfield code="b">2022</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-099389-9 EBOOK PACKAGE COMPLETE 2022 English</subfield><subfield code="b">2022</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield><subfield code="b">2022</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DPK</subfield><subfield code="b">2022</subfield></datafield></record></collection> |